Simple People

The final part of trilogy about the life of a young factory worker, Maxim. Following the Russian Revolution, Maksim is appointed state commissar in charge of the national bank. With great efforts, he learns the complexies of the banking trade and begins to fight off sabotaging underlings. Dymba, now a violent enemy of the Republic, tries to rob a wine store but is arrested with Maksim's help. Maksim also exposes a conspiracy of a group of tsarist officers who prepare an attempt against Lenin. He then joins the Red Army in its fight against the German occupation.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

Soviet film based on Nikolai Gogol stories "Nevsky Prospekt" and "The Overcoat".

A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Adaptation of 'Prince Serebrenni' by A. K. Tolstoy.

A biopic based on the life of Russian scientist and doctor Nikolai Ivanovich Pirogov (1810-1881), famous for being the founder of field surgery.

About the first years of the formation of Soviet power, about the life and work of Feliks Dzerzhinsky in 1918-1925. The film covers the most important episodes of his biography. In July 1918, as a result of a revolt of the Left Socialist Revolutionaries, the German ambassador Mirbach was killed. Feliks Dzerzhinsky alone goes to the headquarters of the Left Socialist Revolutionaries and Anarchists, he manages to persuade ordinary soldiers and sailors, participants in the rebellion, who are now cracking down on their leaders. In 1921, Dzerzhinsky was aimed at combating homelessness, as a result of which, by 1925, former homeless children, having completed their studies, were sent to the construction of Yugostal, the largest industrial plant in Ukraine.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Soviet and American soldiers are meeting on the shores of the Elbe river in Germany in 1945.

American version of the tense gameshow where contestants tackle a series of multiple-choice questions to win large cash prizes.

A “Tinder-inspired” version of successful noughties game show Your Face Or Mine?, the cult-classic, couples-based comedy format in which your face can win you cash. Over a series of revelation-filled rounds, couples are forced to compare their looks with other people's - and ultimately with each other's - in this relationship-testing game.

Amerika is a miniseries about life in the United States, ten years after a bloodless takeover engineered by the Soviet Union.

A documentary television series of the Nazi-Soviet War, edited from over 3.5 million feet of film taken by Soviet camera crews from the first day of the war, 22 June 1941, to the Soviet entry into Berlin in May 1945.

Monsignor Renard was a four-part ITV television drama set in occupied France during World War II. It starred John Thaw as Monsignor Augustine Renard, a French priest who is drawn into the Resistance movement. The series was later shown in the U.S. as part of Masterpiece Theatre.

A Soviet spy is tasked with disrupting the negotiations between Karl Wolff and Allen Dulles taking place in Switzerland, aimed at forging a separate peace between Germany and the Western Allies.

House Party is an American radio daytime variety/talk show that aired on CBS Radio and on ABC Radio from January 15, 1945 to October 13, 1967. It had an equally long run on CBS television as Art Linkletter's House Party and, in its final season, The Linkletter Show, airing from September 1, 1952 to September 5, 1969. The series was launched when producer John Guedel learned that an ad agency wanted to do a new daytime audience participation show, and he pitched a series that would star Art Linkletter. Asked to provide an outline, Guedel and Linkletter came up with a format that would give Linkletter great freedom and allow for spontaneity.

An unprecedented look at the decade-long odyssey to land a man on the moon. This documentary pulls back the curtain on the familiar narrative of the moonshot, revealing a fascinating stew of scientific innovation, political calculation, media spectacle, visionary impulses and personal drama.

German game version show based on the original British format of "Who Wants to Be a Millionaire?".