Best movies like Smell of Camphor, Fragrance of Jasmine

Fact based drama about an American couple on vacation in Italy in 1994 with their two children who are attacked and shot by highway bandits. Shortly they discover that their son is brain dead. The parents are then faced with the hard decision to donate the boy's organs which ultimately led to saving the lives of seven seriously ill Italian patients.

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. His son is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.

A New York film director, working on his latest movie in Los Angeles, begins to reflect the actions in his movie and real life, especially when he begins an affair with the lead actress.

A girl reaches the age of nine and is supposed to act as a grown woman according to her family. A girl participates in a bike race against the will of her husband. An elderly woman decides she wants to buy all the things she always wanted but could never get.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour.

Robert Townsend stars as the patriarch of a family devastated when his wife is killed in a senseless auto accident. Reeling with grief, each family member must find courage and vision to carry on, ultimately eager to do the mother proud.

An African American couple (Winfield and Alice) adopt two orphans from a Vietnamese refugee camp. After twenty-two years, the children are reunited with their birth mother, bringing deeply submerged resentments and misconceptions to the surface and forcing the characters to reexamine their identity and relationships in both comical and poignant situations.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

After their father dies, a family of five are forced to survive on their own in a Kurdish village on the border of Iran and Iraq. Matters are made worse when 12 year old Ayoub, the new head of the family, is told that his handicapped brother, Madi, needs an immediate operation in order to remain alive. This heartbreaking tale shows the lengths to which a family will go in order to survive in the harshest of conditions, where even the horses are fed liquor in order to work.

A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.

For the first time in 15 years, all four siblings in a family show up to care for their dying mother, who is only given a couple of weeks to live. One comes from America with her two children. A divorced sister also comes with her child and sneaks off regularly to meet a mystery man who may be her ex-husband. The third & youngest daughter is an unmarried nurse aware of her ticking biological clock. The only son chases after his grumpy father who seems to not care a whit about his wife's circumstances. The four are also faced my their mother's dreams to accomplish a few things before she dies - to visit a beach she had visited in the past, to see her youngest married, and to visit Paris. She also wants to be embalmed and be honored with a 21 gun salute. Thus the whole group has to set off in the quest to fulfill their mother's wishes.

A woman's schizophrenia affects her relationships with her husband and son.

The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Arash is an Iranian academic who lives in the West. He returns to Iran to teach in Shiraz, a city far from Tehran where his mother lives. Drawn into a series of domestic and financial dramas, he faces a country that is now alien to him. Following the death of his father and the discovery of what his “respectable family” has become, he is forced to make choices.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs & old generation. This is a failing battle because the man is not strong enough.

Keith and Kim Lussier are a childless couple who are given custody of a 3-month-old foster child, Brittany. However, tragedy strikes when Kim dies of cancer in the middle of the adoption process, leaving Keith to fight for Brittany's custody alone.

Lisa's husband, Bill, abuses her. With her sister's encouragement, she takes their three kids and leaves her husband. Bill keeps interfering with Lisa's attempts at a new life. She gets an order of protection against him, but the police can't do anything else to help her. One night Bill breaks into Lisa's apartment and shoots her. As she dies in the hospital, Lisa asks her sister to promise to take care of her three children. The sister takes the kids into her home, but Bill is still on the loose, an ever present threat.

New York attorney Libby (Juliette Lewis) is a go-getter who won't let anyone stand in the way of her success. But when she accepts a pro bono case involving young Afghan dissident Meena (Layla Alizada), Libby finds her corporate dreams replaced by a growing sense of idealism. Seeking asylum in the United States after years of oppression under the Taliban, Meena desperately wants freedom, and Libby is her only hope. But can Libby deliver?

Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.

As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.

Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.

Oliver Barrett IV is emotionally devastated by the death of his wife Jenny, and, while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit, the wealthy and beautiful heiress to the Bonwit Teller fortune. Despite his affection for her, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in their relationship.

While working in the US on a temporary visa as a caretaker, Mara, a 30 year-old single mother from Romania, marries Daniel, an American. After the arrival of her son Dragos, everything seems to have fallen perfectly into place. When the process of getting a green card veers unexpectedly off course, however, Mara is faced with abuses of power on every level and forced to answer a dark question about herself – how far would you go to get what you want?

Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

Breath is about an Iranian family who lives in Iran. It tells the story of Bahar, who is living with her father, Ghafour and Grandmother during the 70s.She is living in her childish and surreal world, filled with their dreams and fantasies.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.