Song of the Flies

Ghostly images of Colombia’s jungle landscapes are set to radio transmissions sent by family members to their kidnapped loved ones—heartrending messages of grief, support, and, against all odds, hope.

A heart-stirring meditation on time, memory and mortality, “Of Time and the City” is Terence Davies’ poetic, conflicted ode to his birthplace of Liverpool, England. The visual content of the film consists largely of archival clips of the city from the 1940s to the 1960s, their nostalgic charm darkened by accompanying music and the counterpoint of Davies’ dry, at times dyspeptic, voice-over narration. His voice thickens with emotion as he recalls the delights of juvenile movie-going or the ritual of a holiday trip to New Brighton, across the River Mersey, and hardens with contempt when he turns his gaze on the hoopla surrounding Queen Elizabeth’s coronation in 1953. The film is a powerful evocation of the director's youth in post-war Britain and a reflection on how his home city has changed over the years.

Night in an old mill is dramatically depicted in this Oscar-winning short in which the frightened occupants, including birds, timid mice, owls, and other creatures try to stay safe and dry as a storm approaches. As the thunderstorm worsens, the mill wheel begins to turn and the whole mill threatens to blow apart until at last the storm subsides.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.

Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.

A fascinating and unlikely reinvention story, The Royal Road simultaneously explores cinematic spiritual channeling, the conquest and colonization of Mexico and the American Southwest, fading historical Californian urban landscapes, and the passions found in butch identity to achieve an achingly beautiful and poetic defense of remembering. Probing roads from El Camino Real, to the Boulevard of Broken Dreams, to the road right outside the front door, Olson crafts a deeply intelligent and transcending observation of the human condition that reaches for redemption in the embrace of history, nostalgia, mindfulness, and sheer beauty. If you give yourself over to it, it will crack you wide open.

Captain Lance Deakin has returned home after serving his country in Iraq. In his civilian life, he is a Texan ranch handler who lives with his partner, Becca. Deakin tries to get back into his simple way of life but strange images, memories and flashbacks of the war keep coming back to him.

What is it really like to go to war? Filled with terror, pain, and grief, it also brings exhilaration, and a profound sense of purpose. Renowned authors Karl Marlantes and Sebastian Junger help us make sense of this paradox and get to the heart of what it’s like to be a soldier at war. Veterans of various conflicts reveal some universal truths of combat with unflinching candor.

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

Nuria, 12, Fabio, 9, and their mother arrive on a small island in the middle of the Amazon, bordering Brazil, Colombia and Peru. They fled the Colombian armed conflict, in which their father disappeared. One day, he mysteriously reappears in their new home.

HWY: An American Pastoral is a film by Jim Morrison, Frank Lisciandro, Paul Ferrara, and Babe Hill and stars Morrison as a hitchhiker. It is a 50-minute experimental film in Direct Cinema style. It was shot during the spring and summer of 1969 in the Mojave Desert and in Los Angeles.

A vision of Colombia's inhuman armed conflict, seen through the eyes of a young - and pregnant - girl soldier.

This action and adventure comedy is drawn in simple appearance and combines cute forest animals with extreme graphic violence. Each episode revolves around the characters enduring accidental events of bloodshed, pain, dismemberment and/or death.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

Final 24 is a Canadian documentary series which airs on the Discovery Channel and Global Television Network. The series explores the last 24 hours of the life of a person, usually a celebrity. The series is narrated by Canadian voice artist Dave McRae and Danny Wallace in the UK.

People's Century is a television documentary series examining the 20th century. It was a joint production of the BBC in the United Kingdom and PBS member station WGBH Boston in the United States. First shown on BBC in 1995, the 26 parts of one hour deal with the socio-economic, political, and cultural movements that shaped the 20th century. The documentary won an International Emmy Award, among others. A departure from other documentaries that observe history as the actions of great men, People's Century considers the Century from the view of common people. Most persons interviewed were ordinary men and women who closely witnessed various events and they give personal accounts how developments in the Twentieth Century affected their lives. The opening credits depict various images from the century, accompanied with a theme music score by Zbigniew Preisner. A very short introduction of the episode would then follow, often illustrated by a dramatic event that illustrates the episode's particular theme coming to the fore. The British version was narrated by Sean Barrett and Veronika Hyks, the American by actors John Forsythe and Alfre Woodard. People's Century was coproduced by the BBC and WGBH with executive producers Peter Pagnamenta and Zvi Dor-Ner, respectively; along with producer David Espar.

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

Laerte’s obsessive jealousy brings his relationship with Helena to an end on their wedding day. Twenty years later, he meets Luiza, the daughter of his long lost love. The two fall in love and stir up dormant feelings that profoundly affect Helena’s marriage and her relationship with her daughter. Defying everyone, Laerte and Luiza decide to follow their love to the highest bounds, leaving a trail of conflicts and pain along the way.

An experimental robot attempts to navigate life as a teenage girl.

Horrifying memories can play back in an endless loop for people who have lost a loved one to murder; these painful recollections may also contain critical clues that can help detectives piece together the final hours of a victim's life.

A Philadelphia couple are in mourning after an unspeakable tragedy creates a rift in their marriage and opens the door for a mysterious force to enter their home.

Modern history can be divided into two time frames: before 9/11 and after 9/11. This five-part docuseries is a cohesive chronicle of the September 11, 2001 attacks on the U.S., offering illuminating perspectives and personal stories of how the catastrophic events of that day changed the course of the nation.

Against all odds, a young Arelys Henao pursues her dream of a singing career in this music-packed drama inspired by the Colombian icon's early life.

Finding a way to end a war. Insiders tell the long and troubled story of a chaotic conflict, revealing the political pressures that helped seal the fate of Afghanistan.

The Castaño Gil family was a prosperous family of cattle ranchers whose son and eldest brother Fidel has made a great fortune. The Castaño family is marked the day Jesus Alberto Castaño, patriarch of the family, is kidnapped and killed by the FARC. From that moment on, the brothers Fidel, Vicente and Carlos are determined to put an end to the guerrilla and gradually form the largest army of the self-defense groups, which ends up increasing the armed conflict in Colombia, but whose axis of the plot is the betrayal between the three brothers that will tempt them to want to kill each other.

Through vividly enhanced archival footage and voices from all sides of the conflict, this docuseries brings WWII to life like never before.

In this story, Kaleth Morales is a singer who seeks to revolutionize the musical genre that runs in his blood, and with his passion and talent, he manages to captivate his crowds as well as the heart of July Cuello; but his fate was already written long before he was born. At age 22, a car accident leads to his death, a tragic event that will transport his spirit to "El Limbo", a journey of memories and old rivalries. Miguel Morales, Kaleth’s father, begins a successful life as a composer and singer; the source of inspiration for his musical career comes from a vision where his eldest son plays the guitar on top of a white raft. Thus begins the legendary Morales Dynasty.