Movie Documentary
Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by "FC" (aka the Unabomber Manifesto) as published in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch.
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Picture
In early 2010 the Alloy Orchestra was commissioned an original score, based on a musical setting drawn on a 3-foot long sheet of squared notebook paper. Its operating principle was a fixed tempo - 60 beats per minute - to be strictly followed by the musicians throughout the piece. Within this grid, the performers were given complete freedom to determine the timbre, the volume and the sequence of themes to be chosen for their work. Two artists - a drummer and a draughtsman - listened to the recording of the music without any knowledge of the instructions provided for its creation. Unbeknownst to each other, both were given the task of playing along with their respective instruments: one with a drum in front of a camera, the other with pen, brushes, ink and colored pigments on 35mm film strips. The footage was assembled and edited in strict adherence to the criteria adopted for the music. The Alloy Orchestra was then asked to accompany the film with their own score
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