Street of Ronin

Assassination begins with the events of 1853 when "four black ships" anchored at Edo Bay, sparking civil unrest and the major political manoeuvring that saw the end of the Tokugawa Shogunate. At a time when assassination had become a disturbing political tool, Shinoda's film follows Hachiro Kiyokawa, an ambitious, masterless samurai whose allegiances drift dangerously between the Shogunate and the Emperor.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.

When feudal lord Itakura Katsuakira decides to prepare his samurai troops for the onslaught of modernization by having them compete in a marathon, his independent-minded daughter Yuki secretly joins the race.

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

While the story of the Ako Clan's vendetta has been told countless times, never before has there been an array of major motion picture stars to bring new life to this timeless tale. Starting with the corrup practices of Lord Kira and Yanagi-sawa, the Shogun's Secretary, which in essence led to the incident of Lord Asano's attacking Kira in the Pine Corridor of the Shogun's Palace, this is the definitive version. Asano Takumi no kami was a young lord with high scruples, who refused to join in the general corruption and bribery which ran rampant in the capital at that time. By not giving bribes, he angered Kira Kozuke no suke the elder lord in charge of protocol at the Palace. Refusing to teach the younger man, and giving him false instructions was only the beginning. Insults followed, and a man of honor had no choice but to draw his sword in anger. Forty seven masterless samurai are willing to give their lives to avenge their lord.

Near the end of Japanese civil war, several disgraced ronin living in Edo's red light district attempt to regain their honor by defending a brothel from a hostile militia bent on wiping out local prostitutes.

Set during the last days of the Tokugawa (Edo) Period, Moeyo-ken tells the story of Hijikata Toshizo and the Shinsengumi. Hijikata Toshizo is a samurai eager to test his skills and sword and make his first kill. The dojo he belongs to practices the Tennen Rishin style and teaches this to farmers. Not considered real samurai by other dojo's, they receive a request for a duel by a rival dojo practicing the Kogen Itto style. Sohaku Rokusha, a teacher there, challenges them and fights with Hijikata Toshizo. The outcome of the fight creates a deadly animosity between them that lasts through the ages.

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.

Story about a big boss who built the foundation of an industrial city.

When the country is in peril, Lord Yagyu Tajima summons his son Yagyu Jubei to retrieve the mystical Yagyu Scroll in order to save all of Japan. This time, Jubei must stop the evil plot of Lord Hayato-no-sho, who secretly plans on overthrowing the Shogunate. This is the most exciting film in the long-running series about one of the greatest swordsmen in Japanese history. Konoe Jushiro gives one of his finest performances in this classic tale.

The ever versatile Kazuki Kitamura stars as masterless samurai Kyutaro Madarame, a feared swordsman who has fallen on hard times in old Edo. Caught between two warring gangs in an epic battle of cat lovers and dog lovers, he begrudgingly accepts the canine faction's offer to assassinate the opposite leader's beloved pet: an adorable white cat. Yet upon raising his lethal sword, he cannot bring himself to go through with the act, and the cat melts his ronin heart. But before finding peace as a newly minted cat person, the still fearsome Madarame will have to take on both gangs in a classic samurai street brawl.

The Edo period. Once a famous swordsman, Kyutaro Madarame, aka “Madara the Devil,” is now a masterless samurai. When a white cat called Tamanojo appears before Kyutaro, the encounter changes him forever. Starring Kazuki Kitamura. This offbeat tale of samurai spirit and adorable animal antics returns to the screen on a breathtaking scale!

It's a rare occasion when a noted filmmaker like Yamauchi Tetsuya gets to re-visit a previous film, and in this re-make of NINJA GARI, he not only does that, but has created an even better piece. While the original from 1964 starred the great old-time actor Konoe Jushiro, this version is perfectly cast with his son Matsukata Hiroki in the lead as Wadakuro, one of four ronin hired to fight against the Shogunate's plot to abolish the Gamo Clan, who are struggling to reinstate their young heir Tanemaru as their Lord. Facing the threat of the Koga Ninja, Wadakuro shows his own cruelty while on a personal vendetta. This is a very brutal film, with lots of realistic ninja action, violent deaths, a dark story line and is completely without any light-hearted 'humor' elements that Toei used to incorperate back in the golden era. And with Matsukata Hiroki's outstanding martial skills, the swordplay is even better in this one. This is definitely one of the best ninja movies ever made!

Set in Kyoto in the last days of the Edo Period, the bloody conflict continues between local feudal domains, which aim to overthrow the Tokugawa Shogunate, and the Shogun's police and city patrol. Tajuro Kiyokawa, once the master of the sword but now a depraved samurai who left his domain putting aside his past ambition, barely makes ends meet. Toyo, a woman who runs a tavern next door, feels affection for Tajuro who guards her place against nasty customers, but he never realizes Toyo's feelings.

Break-dancing but fierce warrior Mugen has to deal with the cold-blooded and conceited Jin, a samurai who believes he is above all. These sworn enemies are brought together by Fuu for a special task.

Ryōmaden is the 49th NHK Taiga drama. It was shown on NHK from January 3 to November 28, 2010 spanning 48 episodes. The story centers on the life of 19th-century Japanese historical figures Iwasaki Yatarō and Sakamoto Ryōma. It has been announced that the series will be aired in several other countries, for example Hong Kong, South Korea, Taiwan and Thailand.

Five young men with mystical armor fight to save the mortal from the evil Talpa.

The legendary swordsmith Kiki Shikizaki created 1,000 swords in his career. The more of the swords a country owns, the higher its chances are at winning a war. When the shogun emerged victorious, he collected 988 swords, but these were merely the “practice pieces”. The last twelve swords were the crowning achievements of Kiki’s career. Each one of them is so powerful that a single man could defeat an army with it. Togame, the shogun’s strategist, gets the order to collect these swords. At first she hired a ninja, but each of the swords’ value is so high that the entire ninja clan went rogue once they got hold of one. She then put her trust in another warrior, but he kept the sword for himself. Her final hope now is Shichika, the seventh and last student of the Kyotoryuu School.

The Meiji Era was one of great renewal for Japan, where swords and killing were outlawed. However, many survivors from the time of Revolution still live, lurking in the shadows and waiting for a chance to use their killing blades again. Only Kenshin Himura, formerly one of the most brutal of killers, hopes to keep his swordsman's honor and still live in the new era.

It is currently the Taiheimeji era, during the rule of the Tokugawa shogunate. In this era, breasts mean everything. If you have breasts, you are guaranteed wealth and popularity, but if you lack them, you are rarely considered human. Inside the shogunate, there is a group of warriors that support the government—the Manyuu Clan, which helps raise the future big breasts. Written on a secret scroll possessed by the clan, there are said to be various techniques on how to grow big and beautiful breasts. Chifusa is the heir of the clan. However, she takes the secret scroll and runs away with it, hoping to fight against the cruel world that the Manyuu Clan has created…

A master swordsman, Kiichi Hogan, wanders Japan in search of the Spanish swordsman who murdered his parents and slashed his throat 18 years before. Renouncing any normal life the samurai has become the feared bounty hunter, "Devil" Hogan, the Mute Samurai.

Continuing the tradition of the Yojimbo movies, Mifune Toshiro stars as Toge Kujuro, a wandering ronin searching for his own fame and happiness. With a sense of justice, he travels the countryside, with his motley collection of outcasts - a pistol-carrying ronin, a two-bit con artist and woman seeking revenge, following close behind, unwittingly righting wrongs and protecting the common man.

Jirokichi plays around during the day, but at night becomes a completely different person. His nickname is Nezumi-Kozo (“Rat Boy"). Jirokichi steals gold coins from corrupt samurai families and hands it over to the poor. He works with his younger sister Kosode.

Kyutaro is a swordsman who was feared by people at one time. Now, he is poor and lives alone quietly. Kyutaro doesn't know how to earn money without using his sword. By chance, Sakichi happens to see Kyutaro's swordsmanship and offers to hire him for a job.

The historical novel series depicts Heizou Hasegawa, who metes justice on wrongdoers and supervises the crackdown on arsonists and robbers in Japan's Edo period (1603-1868).

A samurai lord has bartered away his newborn son's organs to forty-eight demons in exchange for dominance on the battlefield. Yet, the abandoned infant survives thanks to a medicine man who equips him with primitive prosthetics—lethal ones with which the wronged son will use to hunt down the multitude of demons to reclaim his body one piece at a time, before confronting his father. On his journeys the young hero encounters an orphan who claims to be the greatest thief in Japan.

Broadcast TV drama NHK broadcast on January 4 to December 13, 1987 (Showa 62). In the questionnaire survey conducted by NHK, it is shining in the most favorite river drama. The original is Yamaka Sosaichi's novel "Date Masamune", the biggest drama on the theme of the Date house was the first time in 17 years since the "Shinnogi remained" (1970), which painted Datejo in the Edo period. It depicts the life of Matsudo Date of Sengoku warrior · Date Masamune who built the foundation of Sendai clan 620,000 stones in his generation as a result of my own wisdom and talent.

Ten years have passed since the end of Bakumatsu, an era of war that saw the uprising of citizens against the Tokugawa shogunate. The revolutionaries wanted to create a time of peace, and a thriving country free from oppression. The new age of Meiji has come, but peace has not yet been achieved. Swords are banned but people are still murdered in the streets. Orphans of war veterans are left with nowhere to go, while the government seems content to just line their pockets with money.

Driven by a dream of revenge against those who made her an outcast in Edo-period Japan, a young warrior cuts a bloody path toward her destiny.