Best movies like Sweet and Lowdown

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

American couple Jake and Tina are living in an expensive London hotel above their means, incurring a sizeable debt. When they are asked to pay a lavish dinner bill and Jake's card is declined, he suggests they sell Tina's tiny, expensive Henry Moore sculpture to cover the debt. After they hatch a scheme to claim the sculpture was stolen in order to collect insurance on it, the sculpture mysteriously goes missing.

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like "anything else," but soon he finds that life with the unpredictable Amanda isn't like anything else at all.

Chronicles the early days of The Beatles in Hamburg, Germany. The film focuses primarily on the relationship between Stuart Sutcliffe, John Lennon, and Sutcliffe's girlfriend Astrid Kirchherr.

A woman who is robbed on her way to catch the 1:30 train to Boston is left stranded in New York City. She meets a man who helps her during the course of the night and the two form a romance.

After being dumped by his girlfriend, a man stuck in a deadend life decides to audition for a small role in a local community theatre's production of Cyrano de Bergerac. Despite having no experience as an actor, he lands the lead role, which wreaks havoc upon his life.

A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova (Nick Apollo Forte), whose career is on the rebound.

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda Lee Thomas were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.

When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values — love, sex, marriage, religion and family — in the 1990s. Directed, written, produced by and starring Edward Burns.

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

When Jack and Sally announce that they're splitting up, this comes as a shock to their best friends Gabe and Judy. Maybe mostly because they also are drifting apart and are now being made aware of it. So while Jack and Sally try to go on and meet new people, the marriage of Gabe and Judy gets more and more strained, and they begin to find themselves being attracted to other people.

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

A girl trying to make it in the 1980's New Wave rock and roll scene in L.A.

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

A look at the lives of several struggling L.A. musicians. Gwen, a singer-songwriter, is on a quest for the big-time. Working as an assistant to a film production designer, Gwen tries to steal her boss' boyfriend, a veteran rock producer. The producer, meanwhile, is trying to orchestrate a comeback for an '80s band.

Alchoholic former country singer Mac Sledge makes friends with a young widow and her son. The friendship enables him to find inspiration to resume his career.

A mysterious comedy about love, lust, art and the power of the "charged image", Dark Arc follows the eccentric love triangle between an artist, a graphic designer and their inspiring muse

Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

A washed-up musician befriends a reclusive artist with an unusual name.

A famous jazz trumpeter finds himself unable to cope with the problems of everyday life.

The big-screen debut from Scottish stage director David Kane, This Year's Love is a comedy about the romantic misadventures of six young people in Camden, North London. The marriage of tattoo artist Danny (Douglas Hanshall) and dressmaker Hannah (Catherine McCormack) gets off to a less-than-inspiring start when Danny finds out Hannah has already been fooling around with a friend's husband, so Danny takes a walk and Hannah splits with a friend to get drunk. At the airport, where the newly-weds were supposed to leave for a honeymoon, Danny meets a cleaning woman named Mary (Kathy Burke) and is immediately infatuated, while Hannah is picked up by a scruffy artist named Cameron (Dougray Scott). Elsewhere, Liam (Ian Hart), a geeky comic-art enthusiast who shares an apartment with Cameron, finds romance with Sophie (Jennifer Ehle), a single mother and full-time neurotic.

In 1994, in Toronto, the vampire Boya awakens from his twenty-five years of sleep in a basement hit by a golf ball. He takes a cab to the local cemetery, retrieves his belongings from a grave and lodges in a low budget hotel nearby an all-night donut shop. Boya does not drink human blood anymore but rats and pigeons blood instead. While in the donut shop, Boya befriends and protects the taxi driver Earl, who is having trouble with two criminals, and falls in love for the waitress Molly. Meanwhile, his former passion of 1969, Rita, who misses her lost youth, is trying to locate him.

Actor Michael Madsen turns the tables on notorious paparazzo, Billy Dant, by hiring a trio of documentary filmmakers to chronicle Dant's life, loves, and troubles.

To help his actress girlfriend regain her confidence a Hollywood bigshot bankrolls a small budget film being made by a first-time producer and director pair. Despite the hand-to-mouth way it has to be made the film starts to come good, as does the off-set relationship between the actress and her unknown male lead.

A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn't see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach's performance, and the early-morning aftermath comprise the film.

After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.

She seems like your ordinary overweight middle-aged wife & mom except her dream of being a rock star still weighs heavy on her soul, "they" say she can't do it, watch her transform and over come life's brutal obstacles to turn her dream into reality.