Best movies like Sweet Dreams

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

Mother Superior of St. Francis Academy is challenged by a modern young nun when they take the girls on a bus trip across the country.

Follows a struggling movie studio that's willing to do anything to make some money - even if it means ruining their reputation, and running the movie industry into the ground.

At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.

Pietro is a successful businessman with a wife and a daughter. One day he helps his brother save two women from drowning at the beach. When he returns home he finds that his wife has died. Now Pietro has to take care of his daughter, Claudia. When he drives her to school soon after, he decides to wait for her all day in front of the school, and soon that's what he does every day.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.

Bruno Bonomo was a famous producer of B-movies in the ‘70s. After a long hiatus, Bonomo offers a screenplay to RAI centered on the figure of Italy’s prime minister and media tycoon Silvio Berlusconi, a subject so controversial that even the public television broadcaster refuses to produce it

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.

Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.

In December 1995, a four-man team from the public-access program, "Fact or Fiction", braved the New Jersey's desolate Pine Barrens determined to deliver a live broadcast of the legendary Jersey Devil. Only one came out alive. It took the jury ninety minutes to sentence the lone survivor to life in prison. One year later, a filmmaker decides to mount his own investigation...

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Janet and Brad Majors, unhappily married, are separated after appearing on a game show. Janet becomes a superstar while Brad is thrown into a mental hospital. But what does fast food magnate Farley Flavors have up his sleeve?

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Eccentric and full of manias, Michele is a young high school professor who defines himself as “not used to happiness”. He realizes his life is meaningless if he doesn’t have a woman by his side but, after a series of rather disastrous experiences, he feels more alone than ever. Then, out of the blue, a new French teacher called Bianca arrives at school. Amongst uncertainties and contradictions, the two start dating. In the meantime, a series of homicides take place and a police officer begins to suspect that Michele is involved. Bianca will save him providing an alibi at the right moment, but then, everything goes wrong again.

Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice. Over the course of a water polo match ahead of election day, he begins to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

In the remote Alpine village of Tolzbad at the turn of the century, people talk quietly and restrain their movements lest avalanches come and kill them. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sound film, complete with intertitles, deliberately crackly soundtrack and 'hand-tinted' colour effects.

Earl Williams is a dreamer teenager obsessed with monsters, who fantasizes his life as if he were living in the world of the monsters of Universal Studios. Although being an excellent student, his intolerant and nasty school teacher Mrs. Perdue does not like him and punishes him for any minor fault. His supportive father Les Williams is also a dreamer, who has never been successful in life. When his father dies, his mother becomes lost with two boys, and tries to change the behavior of Earl. One day, the boy finds the "true Frankenstein" lost by a Carnival, and decides to bring the monster back to life.

Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.

Still living at home with his avant-garde actress mother, constantly rejected by art schools, and without a lover, aspiring painter Andrew decides to enter a contest in hopes of winning a six month stay in Kenya. Though things aren't great for Andrew, neither are they wonderful for his lesbian friend Lucy who constantly bickers with her lover Ingrid. Lucy complicates Andrew's life when she introduces him to the suspicious-looking, enigmatic Jerry.

Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear little factory.

A screening of the 30 year old Hands Over The City at the School of Architecture in Naples is the occasion for a debate among youth, historians, politicos, industrialists, environmentalists.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

A documentary about the life and films of director John Ford.

The film, a nostalgic fantasy documentary, depicts in six episodes a family story in Bobbio between 1999 and 2008. We discover the 5 years-old Elena being brought up by her aunts (Marco Bellocchio's sisters) because her mother Sara is trying to succeed as an actress in Milan. Her uncle Giorgio has a difficult relationship with his sister and judges her for not taking care of her daughter. But as soon as Sara can afford it, she offers to take Elena with her, leaving the village and her aunts, perhaps for ever - while Giorgio, up to his eyeballs in debt, takes refuge in Bobbio. His sister will help him and sell a house.

A film director unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising faces divorce from his producer wife.

Michele Apicella lives in Rome, in an apartment paid for by his father. Abandoned by his wife and his son Andrea, he occupies his time acting in an experimental theater company under the artistic direction of his friend Fabio.