Best movies like Sweethearts

Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.

A career woman reassesses her parents' lives after she is forced to care for her cancer-stricken mother.

Two women, Nic and Jules, brought a son and daughter into the world through artificial insemination. When one of their children reaches age, both kids go behind their mothers' backs to meet with the donor. Life becomes so much more interesting when the father, two mothers and children start to become attached to each other.

Overwhelmed by a world he can no longer control, a quarrelsome worker in his fifties tries to preserve the integrity of his neighbourhood...

As World War II rages on, Villi and Colette are captured and sent to Auschwitz concentration camp. Imprisoned within separate compounds, the lovers must risk their lives to be together again.

This Hrebejk’s comedy is set in Prague, four years after the democratic “Velvet revolution” of 1989. This was an era of sudden freedom, transition and confusion. Most people got carried away, quickly abandoning the old values and uncritically accepting the new. Some people just took a break…

A well-known writer now aged 75 is aware of his increasing age and the risk that his literary style will grow worn. His everyday existence is enlivened by characters from his stories, who tend to enter reality in unexpected ways, at various stages of completeness and with all kinds of strange demands.

Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.

A boy imprisoned by an abusive recluse mother alone in a mansion in the 1920s begins to get ideas of his own when a goblin in his closet comforts him in the dark.

When a marriage counselor is abandoned by her husband for a younger woman, she sets out for new companionship.

Marcela can't bear Jarda any longer, so she threatens divorce and takes the kids to her mom's, whose husband is a creep. While Marcela is there, Jarda is jailed, because he is part of a gang steeling cars and they get caught in the act. Benes, the urbane man whose car got stolen by Jarda and his gang, befriends Marcela. Soon she feels drawn to Benes and all of a sudden she must make up her mind: Jarda is still sexually attractive to her, but Benes offers security, and her own body and mind may not pull at the same strand.

A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life she saved, a man from a remote mountain village where time stopped 150 years ago, agrees to hide her as his wife.

A story of Eliska and her daughter, starting a new life in a remote house with the 'father away on business', as the mother claims. After the lie is disclosed, their relationship begins to wither. At that time, the mythical Noonday Witch begins to materialize. She is coming closer and closer and the question is poised: is the danger real or is it all in the mother's crumbling head?

The four best friends are confident, smart, having fun, discussing men, relationships and sex. But they're also taking care of kids, or they just had kids, or they're pregnant. Sara has a nice ass, so she started taking pictures of it and living in the world of social media. Hedvika lives in a bit of a golden cage, her workaholic husband isn't home much, so it's no wonder she's charmed by the young busker David. Zuzana, after her break-up with Kamil, is penniless, just a worked-up and hurried mother of two. Slovak immigrant Eliska, on the other hand, has a great boyfriend, unbearable parents, is pregnant and is sick of everything.

An adaptation of a best-selling novel by Michal Viewegh is a comedy about friendship, fateful loves, beauty and ugliness, alcohol, and the search for human happiness. The plot revolves around three friends - Jeff, Skippy and Tom - whose ups and downs and relationship breakups keep bringing them back to a shared bachelor apartment. Their counterparts in the story are two women - the class beauty Eva, who becomes the object of desire of all three guys in turn, and the ugly Hujerova, whose ironic attitude to herself and life in general gives her the ability to survive in a world that prizes beauty and to find her own path to happiness. - Czech film center

Director Olga Malirova Spatova's feature documentary authentically portrays Karel Gott as a phenomenal singer who gives his all to his fans, as a painter, but also as a loving husband and father. A man who was spreading joy with his songs for sixty years, among several generations not only here, but also in Europe, and even worldwide. The singer traces the steps of his life, allows viewers to peek behind the scenes of concerts, and shows also his family life and privacy that he otherwise tries to lovingly and humbly protect.

This film is about life of a family, which lived in Prague since since 1968 to 1980. Father of the family comes from Ukraine and so every year someone from Ukraine to visit this family and to buy something more better than is in Ukraine. As the times go by, the friens of family live in Austria. And now for change the family visit "a better life" in west Europe and they found out how it is to be something second-rate.

This romantic comedy presents a story of two women, twenty-year-old Laura, an editor at a woman’s weekly, and her widowed mother, a translator-interpreter named Jana. The two of them tirelessly seek Mr. Right. Having once lived through an intense relationship with a ‘typical’ Czech man, Jana intentionally avoids Czech men. She searches for her dream foreigner while long-sufferingly warding off the tragicomic advances of her good-natured neighbor Žemla. After several unsuccessful attempts, Laura falls in love with Oliver, a forty year old who works as an ad agency idea man. Little does she suspect that twenty years ago Oliver was Jana’s true love…

Saturnin je sluha, který se stane pánem svého pána. Mladý muž dobrého společenského postavení a vychování, trochu konzervativní, získá, ne vlastní vinou, sluhu Saturnina. Ten se de facto stane pánem svého zaměstnavatele a způsobí v jeho dosud poklidném životě řadu překvapivých zvratů a situací. Ty by se bez Saturnina daly těžko zvládnout. Už proto ne, že by bez něj pravděpodobně nikdy nenastaly. Saturnin je v Čechách pojmem již několik generací. V roce 1942 napsal spisovatel a novinář Zdeněk Jirotka (1911 až 2003) knížku s tímto názvem a od té doby byla vydána dvanáctkrát. Čtenáři ji milují pro její suchý humor, ne nepodobný "anglickému", množství parodií a nadsázky a zejména pro absurdní situace, do kterých uvádí svérázný sluha Saturnin celé své okolí.

Based on a best-selling novel by Michal Viewegh, Angels of everyday focuses on a few intimate family members: a recently widowed young doctor Ester; a school canteen cook and her son; a driving instructor, his wife, and their closest relatives.

The story of communist show-trial victim Milada Horáková. Horáková was one of the first victims of the communist regime in Czechoslovakia. She opposed the communist coup in 1948 but did not leave the country. She was arrested and tried for treason on fabricated charges in a show trial that was broadcast on the radio and shown in film clips. The film focuses on the time from 1945 to 1950 when the communists took over, but also goes back a little further in Horáková's life into the late 1930s

Linda and Vanda, two good-looking women in their thirties, are inseparable friends and co-owners of a small bookstore in the city center. Linda is divorced, educated and practical, has a little daughter and a sense of responsibility. Vanda, on the contrary, is single and free, attracting men as a magnet, but none of them is able to keep up with her spontaneity. Edo, shy, sensitive, and introverted gay working with them in the bookstore, longs for love for ages too. The lives of this trio get finally tangled by several men, while everything turns up differently than any of them had expected.

Celebrity hairdresser Erika might seem to have it all: a successful business, her own TV show, stylish modern loft in center of Prague, designer clothes, lots of friends and an ever-loving mother with a housework fixation. However, as Erika reaches her 40th birthday, all of a sudden here comes the deafening tick of her biological clock.Erika wants a baby and it has to be now or never. She is longing for a young life, even though she finds her own mother hard to get close to. The trouble is, she needs a man. The film follows in the lines of trashy genres, but at the same time it plays with them and by stressing 'gender themes' it even enters the poetics and ideology of feminism.

A misfit teenager, an anxious mother, and a recent widow see their day interrupted by a mysterious natural phenomenon. As their world descends into chaos, the three women struggle to find their place in life.

After two troubled but powerful men rape a young hitchhiker who happens to be a vet, she drugs them and removes their testicles.

A writer gets into a rehab where he meets a lot of successful men who destroyed their lives with alcohol.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

Martina is 18, loves dancing and goes by a nick name Shakira. Also, today she is leaving an orphanage...