Swing, Sister, Swing

Nicky Nelson is a fast-talking sideshow barker with a wax-and-alive concession on Atlantic City's boardwalk. Even with the band of his friend, struggling musician Gene Krupa, playing on the sidewalk to attract the customers, "The Living Corpse" and other low-rent acts aren't enough to lure the seen-it-all boardwalk strollers, and the landlord closes the show in lieu of never-paid rent. Nicky, always promoting, goes to Stephen Hanratty, head of the pier's Dance Pavilion, to plug Krupa's band as an attraction, but Hanratty won't even listen to them. But, while there, he meets singer Lily Racquel, who knows he is a phoney but might have the ability to to talk a radio-station manager into giving her an audition. She gives him a ring to help finance the project; he promptly loses it in a crap-game.

A painter suffering from amnesia convinces himself that he's a famous bandleader and finds romance with a pretty singer. Comedy with music.

An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.

The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy.

The brash, opinionated owner of a nightclub manages to drive everybody crazy on a boat trip to Havana.

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

Bob Allen, a struggling songwriter poses as a millionaire cowboy to win Broadway star Babs Lee.

Katharine Hilliard, mousy dean of a stuffy music school, meets and is insulted by swing band leader Barry Clayton on a train. To "show" him she takes a friend's advice, removes her glasses, and puts on a designer gown. Naturally, she becomes gorgeous. Soon, both Barry and crooner Jimmy Hale are after her, and she finds herself in the midst of triangles and misunderstandings.

Fame goes to a priggish singer's head and almost costs him his girlfriend.

Ruby Keeler teams with the Nelsons (of TV and radio fame) as the singer in Ozzie's band. The setting is a college campus which is suffering from monetary woes, but somehow Ozzie's band manages to attract enough attention to increase the enrollment and keep the school from having to shut down.

Two couples work through their issues in this backstage Broadway musical.

Evelyn Palmer, a débutante society girl who also is a property landlord, becomes interested in the plight of one of her tenants, a struggling band-leader, to the extent she becomes a hostess in a dance club, incognito, where the band plays, and soon is the band's singer.

A songwriter is sued for libel, and when he gets to court he discovers that his girlfriend is the plaintiff's attorney.

A former bootlegger is now the prosperous owner of a popular nightclub. A hustling promoter manages to pass off a young singer as the heir to a fortune and gets her booked at the club.

A young girl goes to New York to find a band leader who has stolen all the songs she wrote and is passing them off as his own.

The experiences and rivalries of boy band The Wonderland and girls group Girls Here First after their appearances on a reality television competition.

A comedy about the unique relationship between a young songwriter, Ally Dawson, and Austin Moon, the overnight internet sensation who gains sudden notoriety after performing one of Ally's songs. Austin and Ally struggle with how to maintain and capitalize on Austin's newfound fame. Austin is more of a rebel type who doesn't follow the rules and is somewhat immature for his age, while Ally is conservative yet self-conscious.

Exit 57 was a 30-minute sketch comedy series that aired on the American television channel Comedy Central from 1995 to 1996; its cast was composed of comedians Amy Sedaris, Paul Dinello, Stephen Colbert, Jodi Lennon, and Mitch Rouse, all of whom had previously studied improv at The Second City in Chicago. In 1999 Sedaris, Dinello, Colbert and Rouse would also create the Comedy Central show "Strangers with Candy". Humorist David Sedaris also served as an additional writer for the series, sharing a single onscreen credit with his sister as "The Talent Family". The show's producer, Joe Forristal, had also served as executive producer for The Kids in the Hall. All of the sketches in the series are implied to take place in the fictional suburban setting of the Quad Cities. During the show's memorably cryptic opening sequence, the cast members are seen standing next to a broken down car on the highway. Soon they are picked up by a passing driver, who changes the radio station at the mention of a serial killer, and takes Polaroid pictures of his increasingly uncomfortable passengers. Growing suspicious, the cast demands to be let out. The car is then seen pulling off the highway at Exit 57.

The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they've managed to find a manager (whose "other" job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) -- but not much else.

The story of the romantic and creative partnership between Bob Fosse and Gwen Verdon. He was a filmmaker and one of theater's most influential choreographers and directors; she was the greatest Broadway dancer of all time. Together, they changed the face of American entertainment — at a perilous cost.

The Fraggles might be apart in separate caves, but they can still find ways to have fun together! Join Gobo, Red, Boober, Mokey, Wembley, and Uncle Travelling Matt for stories and songs that show everyone how we're all connected.

Go behind the curtains as Kermit the Frog and his muppet friends struggle to put on a weekly variety show.

Rayna Jaymes and Juliette Barnes face personal and professional challenges as they navigate their paths as artists and individuals. Surrounding them, and often complicating their lives, are their family, friends and, in some cases, lovers, as well as the up-and-coming performers and songwriters trying to get ahead in the business.

Elmo is the host of his very own talk show and he's going to bring you some (not-too-late) fun with this celeb-studded talk show, bringing familiar Sesame Street friends like Elmo, Cookie Monster, celebrity guests, and laughs the whole family can enjoy!

A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.

Exclusive interviews and acoustic performances with the legends responsible for some of the most famous songs of our times. Each acclaimed songwriter discusses their unique musical inspiration and writing processes before giving an exclusive intimate acoustic performance of some of their seminal songs.

Johnny Rock is the aging lead singer of NYC's legendary early-'90s band The Heathens, who is trying to get both his band and his life back together. The aging and broke bad-boy rocker gets another shot at fame as a songwriter for a brash and talented young singer who's a big fan of his early work.

The prodigiously talented Gleason became a TV icon after he joined CBS from DuMont, where his work on `Calvalcade of Stars' had established many of his trademark characters, including Reginald Van Gleason III, the Poor Soul and Ralph Kramden, featured here, along with Art Carney, in `Honeymooners' sketches. The Emmy-winning mix also featured guest stars, musical comedy, the glitzy June Taylor Dancers and Frank Fontaine's Crazy Guggenheim character.

The Morey Amsterdam Show is an American sitcom which ran from 1948-1949 on CBS Television and 1949-1950 on the DuMont Television Network, for a total of 71 episodes.

Set in New York City in 1999, Lindsay and Miguel fall in love and discover that the single greatest obstacle to finding happiness together might just be themselves — and the memories, obsessions, fears, and fantasies that lives inside their heads.