Best movies like Take One

A royal mistress, Vaishali, is sent to bring sage Rishyasringa to the kingdom of Anga. After Rishyasringa follows Vaishali, he performs the ceremonies to break the curse and make it rain in Anga.

Reincarnated 30 years after being killed in a suspicious on-set fire, a small-time actor is determined to punish the person who ignited the blaze.

An out of work actor takes a role in a vampire porno.

After inspector Dev stirs the reign of Veeraiya, a tribal outlaw, the latter responds by kidnapping his wife, Ragini. While she tries to escape from him, Dev fights many resistances to find her.

In Ayodhya, the royal palace of Kosala Kingdom in Ancient India, four princes were born to three queens, each of whom grew to great stature. Banished for 14 years due to court intrigue, Prince Rama retreated to the forest with his beautiful wife Sita. When Rama vanquishes the demons of the forest, he invites the wrath of the demon king Ravana, who kidnaps Sita. Based on the Indian epic the Ramayana.

Kiran is mortified by her growing lesbian desire for the effervescent Delilah in an idyllic Indian village where arranged marriage is the only acceptable form of coupling.

Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.

The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Peshwa Bajirao married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

India, 1825: the country lives in mortal fear of cult members known as the “Deceivers." They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.

After running away from home in search of movie stardom, a village girl rises to become a prominent sex symbol.

Balarama promises Subhadra to get his daughter married to her son. However, when he loses his kingdom to the Kauravas, Balarama has no choice but to break his promise.

A bus is setting out to Calcutta from a village in West Bengal. Meenakshi Iyer, who is from a strict orthodox Hindu background, is leaving to Chennai for her husband, with her young child, after the vacation with her parents. By chance, she gets a co-passenger who is also to Chennai, Rajah, a photographer, introduced by one of the friends of her father. During the journey they build a good relationship. But a Hindu-Muslim communal riot sets out in the meantime, in some areas they had to travel. Then she comes to face the fact that Rajah is not a Hindu but a Muslim whose real name is Jehangir. Even though she curses herself at that time while some Hindu fanatics evade their bus she saves him introducing as Mr. Iyer. But they have to reach their destination while the other passengers know Rajah as no one else but Mr. Iyer.

Based on the Hindu mythological story of Prahlada and his devotion to the god Maha Vishnu.

A famous British actress gets involved with two members of a reserved British noble family, whose plan to get rid of her backfires.

The journey of Bhagwan Dada. A common man who rose to the top and became a legend in Indian Cinema.

A young boy, Minku, ridiculed by his friends, begs the gods to send him down to Earth, and his wish is granted.

Legend knows him as an archer of unwavering focus, the soldier who fought a battle in his own heart before taking up arms against his enemy. This is the untold story of Arjun, hero of the Mahabharata. A precocious talent plunged from boyhood and innocence into a murky world of deceit and betrayal, coming of age to become the most powerful warrior of his time. From the dusty plains of Hastinapur to the icy peaks of the Himalayas, Arjun: The Warrior Prince is the story of a man discovering what it takes to be a hero.

Sri Krishnarjuna Vijayam is a 1996 Telugu mythological film, produced by B. Venkatarama Reddy under the Chandamama Vijaya Combines banner and directed by Singeetam Srinivasa Rao. It stars Nandamuri Balakrishna, Roja in the lead roles and music composed by Madhavapeddi Suresh. The film is based on a small portion from the epic Mahabharata; 'Vidya Pradarsanam' to 'Panchali Parinayam'.

Vrunda is married to Jalandhar who gets involved in a vicious battle with Lord Vishnu. As a war between gods and demons wages, Vishnu earns Vrunda's wrath after her husband is killed by Shiva.

When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective.

Raja RamMohan Roy, a social reformer, stands against the evil customs of the society. Soon, he starts a battle to abolish 'sati pratha' in the Hindu communities.

A photographer invites her closest friends to vacation at her family's home in Goa in celebration of her upcoming marriage.

Marigold Lexton, an American actress who gets stranded in Mumbai and lands a minor role in a Bollywood musical. She meets Prem, the film's choreographer, and undergoes a personal transformation as she experiences Bollywood firsthand.

An Indian student in Prague and a lonely New Yorker correspond online through video letters. A voyeuristic love story about aching for human connection in a hyper-connected world.

The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

Manjunatha, an atheist, fights against social evils. He marries Kathyayini, a staunch devotee of Lord Shiva. As the days go by, Manjunatha realizes the existence of God.

This movie deals with the later part of Ramayana written by Valmiki Maharshi and depicts the lives of the sons of Rama & Sita.

'Shrimati' is the story of a middle class, conservative housewife, who falls prey to society's glitz and glamour and in the bargain, loses her own identity. In today's malevolent world, where the outer appearance means everything, this middle-aged lady falls victim to the clichéd problem of overall personality and outward appearance that irks all the minds - from teenagers to adults and beyond. She becomes obsessed and, in the process,, almost loses her mind and identity till the sudden realization that - irrespective of the way people think and the way the world goes - one should never forget the soul that dwells within. For it is not about the length or texture of your hair or how perfect your bumps are, but about the kind of person you are and the number of people who love you solely for your nature. She finally gains confidence and self-respect in her own skin and gets ready to take on the world with new vigor and a new "her".

Peruvazhiyambalam is a 1979 Malayalam film directed by P. Padmarajan based on his novel of the same name. It marked Padmarajan's directorial debut and the acting debut for Ashokan who plays the central character Raman. The film is an incisive examination of how violence or totalitarianism works in our society; it dealt with disturbing questions relating to masculinity and how people adore and dread it at the same time. The Hindu described this film as one of the finest films in Malayalam. It won the National Film Award for Best Feature Film in Malayalam. The film was included in IBN Live's list of 100 greatest Indian films of all time.

Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.

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