Tannhäuser

From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.

The Otto Schenk production of Richard Strauss's "Elektra", filmed live at the Metropolitan Opera in January, 1994. Hildegard Behrens stars as Elektra, with Deborah Voigt as Chrysothemis, Brigitte Fassbaender as Klytämnestra, Donald McIntyre as Orest, and James King as Aegisth. James Levine conducts.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

A lyric tragedy in three acts by Gaetano Donizetti, libretto by Salvatore Cammarano. Roberto Devereux was composed in the summer of 1837, the year, according to biographers, in which Donizetti seems to have suffered most, having lost his third son and his adored wife Virginia Vasselli. The opera made its debut at the San Carlo Theatre in Naples on October 28th in the same year and was a great success. The rehearsals of the original performance were postponed for a month due to censorship of the decapitation scene of the leading actor.

The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.

Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods. Conductor Jiří Bělohlávek mirrors Lehnhoff's approach in his sophisticated plumbing of the score's depths, with every shift in texture carefully laid bare by an inspired London Philharmonic Orchestra. Nina Stemme's Isolde and Robert Gambill's Tristan, both gloriously lyrical, are matched by superb performances from René Pape as the betrayed and vulnerable King Marke and Bo Skovhus as Kurwenal, deeply touching in his helpless devotion to Tristan. This High Definition recording of a production of uncommon intimacy reveals the opera's music and drama in a new light.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

Britain's best (and worst) variety acts compete to win a spot at the Royal Variety Show.

The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Go behind the curtains as Kermit the Frog and his muppet friends struggle to put on a weekly variety show.

The strongest vocalists from across the United states compete in a blockbusters vocal competition, the winner becomes “The Voice.” The show's innovative format features four stages of competition: the blind auditions, the battle rounds, the knockouts and, finally, the live performance shows.

How Do You Solve a Problem Like Maria? is an English reality television talent show that documented the search for an undiscovered musical theatre performer to play the role of Maria von Trapp in the 2006 Andrew Lloyd Webber and David Ian stage production of The Sound of Music. The series was devised by executive producer Gigi Eligoloff, and was announced by the BBC in April 2006. BBC One broadcast the programme, which was hosted by Graham Norton, on Saturday evenings from 29 July through 16 September 2006. The title derives from the refrain of "Maria", a song from the first act of The Sound of Music.

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

WTTW’s legendary and groundbreaking music series filmed in the intimate Grainger Studio presents spectacular performances that make you feel like you’re in the front row.

The Old Grey Whistle Test is an influential BBC2 television music show that ran from 1971 to 1987. It took over the BBC2 late night slot from "Disco Two", which had been running since January 1970, while continuing to feature non-chart music. It was devised by BBC producer Rowan Ayers. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys—doormen in grey suits. The songs they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test.

Music and sketches are used to teach children lessons on subjects like nature and technology. Based on an Australian series.

While working as a staff writer on The Red Skelton Show, local Los Angeles television comedian Carson filled in as host when Skelton was injured during a show rehearsal. As a result of Carson’s performance, CBS created the primetime variety program: The Johnny Carson Show, a traditional potpourri of comedy, music, dance, skits and monologues. The short-lived 1955-56 series served as a precursor of what would come later for Carson, planting the seeds for sketches he would perform on the later The Tonight Show Starring Johnny Carson such as "Mighty Carson Art Players".

In this tell-all drama documentary series, we lift the lid on these titans of music. Hearing from friends, family, band members, partners and the people who were all part of the journey, we piece together the turbulent childhoods, explosive teenage years, relationships with parents, girlfriends, wives and the band members of these unique individuals. We take those that knew them best back to the places where their legends were born – the apartments, clubs, dives, houses and cars in which these men were forged. From crippling drug addictions to scandalous affairs, we’ll uncover the shocking reality of what it takes to be a frontman; we’ll tap into the vast musical archive, use rare band interviews and remarkable off stage footage to piece together each dramatic tale.

Famed Rush bassist Geddy Lee travels to the homes of some of music’s most renowned bass players and digs into the stories that make these musicians stand out. A follow-up to his recent book, “Geddy Lee’s Big Beautiful Book of Bass,” the new 4-part series features episodes with Krist Novoselic (Nirvana), Les Claypool (Primus), Melissa Auf der Maur (Hole, Smashing Pumpkins) and Rob Trujillo (Metallica).