Best movies like Tehran 1500

A tax collector is accused of taking bribes, and also has to deal with problems at home, including a suicide attempt by his wife.

A tough-as-nails farm contractor proves she can compete, against unfair odds, with male competitors and lead her crew of female workers on northern Tehran’s largest orange harvest.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes into a world alien to him - incredibly hectic Tehran, where sudden opportunities for independence, thrill and challenge him. But his honor and honesty, plus traditional authority over his inventive clan, are tested, as he stumbles among vast cultural and economic gaps between his village nestled in the desert, and a throbbing international metropolis.

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who seems to be his girlfriend and is in need of some money to repair her father's car with which she has had an accident the day before. Each of the house's residents have their own fish to fry and they also want their satellites installed as soon as possible.

Tells the story of seven Iranian transgender individuals living in Tehran who live pieces of their own lives on the screen.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Arash is an Iranian academic who lives in the West. He returns to Iran to teach in Shiraz, a city far from Tehran where his mother lives. Drawn into a series of domestic and financial dramas, he faces a country that is now alien to him. Following the death of his father and the discovery of what his “respectable family” has become, he is forced to make choices.

A satirical comedy about the oddball inhabitants of a Tehran apartment building and their landlord.

For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.

This is the story of Tehran from the Qajar time (middle of 19th century) to today. Tehran has become a metropolis from a small village, now a developed city with many social problems.

Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.

On June 20, 2009, Neda Agha-Soltan was shot and killed on the streets of Tehran during the turmoil that followed the Iranian presidential contest. Within hours, images of her dying moments, captured on cell phones, appeared on computer screens across the world, focusing the world's attention on mass protests against the rigged elections in Iran. Featuring previously unseen footage of Neda with friend and family, as well as exclusive video of her recorded the day she died, "For Neda" debuts just before the anniversary of her death.

Sagband is a comedy and social film directed by Mehran Ahmadi. This film was the last play of Sirus Gorjestani in cinema. This film is the story of two brothers who get rich illegally after their father's death. Sagband is derived from the name of one of the techniques of wrestling.

The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...

Rahman is the custodian of a company and the doctor has told him that he will die soon. He decides to with the help of his friend Anush make a plan and inherit some money for his family.

A young taxi driver who is a happy man encounters lots of different stories through his daily life. One day, he is driving a young American woman and he enters an unusual and protracted adventure which he should follow to the end. The American woman has lost the address she is going to refer and it is almost impossible to reach her relatives. The young driver believes that he should help the woman until she finds her relatives and this issue causes many problems between him and his fiancee. He also has other problems regarding the American woman and his unusual friend.

The film follows the story of a man in Tehran, from 7 am to 5 pm, when he must do a job because it is his last chance.

Two young students want to go to Germany for a seminar on religion. The head of their seminary, called Haj Agha Frosti, blocks the way for them to travel. The young scholars, with the deceit of Hajj Agosti, get a visa for him and take him to Germany.

How come three young carefree women wish to enjoy their days in Tehran at any cost? How possible is to realize such dream effortlessly? This is not a dream, this is their life style.

In coincidence with the Nationalization of Iranian Oil Industry, when the Iranian government faces budget deficits due to the fact that the entire world stops acquiring oil from the country, Prime Minister Mohammad Mossadegh asks the people for support. So a group of university students decide to rob the National Bank of Iran for good, but simultaneously some robbers enter the bank and steal the money. It seems that the destiny would be marked in the confrontation of the student activists and the opportunist thieves…

Qader, a bricklayer from Sardasht in Kurdistan Iran whose wife is pregnant with her 4th child, suddenly found himself amid a war crime perpetrated by the Saddam regime. On June 28th, 1987 Iraqi air fighters dropped mustard gas bombs on the city...

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...

A colonel, who has two daughters working as nurses in Tehran, retires to a small city. The man marries a teacher from the provinces and goes with her to Tehran. However, he finds that his daughters have changed. The elder daughter eventually commits suicide and the younger daughter goes through an ill-fated marriage. The father, observing the problems of his children, goes insane and is confined to an asylum. For its political and social content, the film was banned by the government for several years.

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

The camera of Janet Petrosi a christian girl who studies photography is stolen when she is in the flower market trying to take a photo. Amir a young guy who sells flower with his father ...

Mohey is separated from her twin sister and abused after she is plucked from an orphanage as a girl. She becomes trapped in a life of underhand dealings and illegal trading, where her intellect and beauty are used as commodities. When she is coerced into a temporary marriage to secure a deal...

Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.

It is about life of a young couple who want to migrate from their country. But the arrival of Nazli makes problems...

Parvin meets a young man named Jalal Agha-Balakhan on the street and takes him to his friend Azar's birthday party. Jalal, who is a mechanic, introduces himself as a engineer Omidvar. Parvin also pretends that his father is a police colonel. Azar is also interested in Jalal; But soon Bahram, Azar's friend, seeing Jalal in the mechanical workshop, doubts Jalal's job and social status and discusses the matter with Azar and Parvin.