Ten

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

A girl reaches the age of nine and is supposed to act as a grown woman according to her family. A girl participates in a bike race against the will of her husband. An elderly woman decides she wants to buy all the things she always wanted but could never get.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

Pakistani taxi-driver Parvez and prostitute Bettina find themselves trapped in the middle when Islamic fundamentalists decide to clean up their local town.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

Various women struggle to function in the oppressively sexist society of contemporary Iran.

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?

Filmmaker Saman Moghadam details the struggles of three women living in an antiquated district of Tehran in this emotionally resonant drama. Fabria's husband has been morally corrupted, and now it's up to her to take charge of the small café that proves the only source of income to the couple. Saloomeh is a beautiful young woman who dreams of marrying Ebi, but how will the couple survive on the salary of a simple mechanic? Lastly, middle aged Moluk has fallen for a much younger man, and her heart breaks when she discovers that her love is unrequited.

Reverend Eric Camden and his wife Annie have always had their hands full caring for seven children, not to mention the friends, sweethearts and spouses that continually come and go in the Camden household.

The assorted humiliations, disasters and rare triumphs of four very different twenty-something girls: Hannah, an aspiring writer; Marnie, an art gallery assistant and cousins Jessa and Shoshanna.

Well-educated and upper middle class, Maude Findlay is the archetypal feminist of her generation. She lives in suburban Tuckahoe, New York, with her fourth husband, Walter, their divorced daughter, Carol, and grandson Phillip.

Set against the backdrop of the Wars of the Roses, the series is the story of the women caught up in the protracted conflict for the throne of England.

Hope, a down-to-earth, happily married mother of three has her tidy world turned upside down when her celebrity sister moves in. Faith was living the Hollywood life as a soap opera star before her character was killed off.

A Bit of a Do is a British comedy drama series based on the books by David Nobbs. The show starred David Jason and was aired on ITV in 1989. It was made for the ITV network by Yorkshire Television. The show was set in a fictional Yorkshire town. Each episode took place at a different social function and followed the changing lives of two families, the working-class Simcocks and the middle-class Rodenhursts, together with their respective friends, Rodney and Betty Sillitoe, and Neville Badger. The series begins with the wedding of Ted and Rita Simcock's son Paul to Laurence and Liz Rodenhurst's daughter Jenny; an event at which Ted and Liz begin an affair. The subsequent fallout from this affair forms the basis for most of the first series.

The lives of three families are woven together across three decades in multi-cultural Britain.

The Mokhtar Narrative is an Epic/History television series directed by Davood Mirbagheri, based on the life of Al-Mokhtar. Over 140 actors were cast in it. Mokhtar Saqafi was a Shiite Muslim leader who sets up a rebellion movement in 686 A.D in the town of Kufa to avenge the martyrdom of Hussain (grandson of Islamic Prophet Muhammad).

Carrying nearly five million passengers per day, the London Tube is one of the world's oldest and busiest metro systems in the world. Today the Tube is undergoing a complete overhaul that is long overdue. Take a behind the scenes look into the daily lives of drivers, emergency personnel, operations managers, and many others among the near twenty thousand employees of this massive rail system, as they navigate the evolution of the London Tube.

An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship. A TV adaptation of Margaret Atwood's novel.

The experiences of four British men and women who leave their lives behind to join ISIS in Syria.

A provocative and darkly comic meditation on the disparate forces polarizing present-day American culture, as experienced by the members of a progressive multi-ethnic family — a philosophy professor and his wife, their adopted children from Vietnam, Liberia and Colombia and their sole biological child — and a contemporary Muslim family, headed by a psychiatrist who is treating one of their children.

A definitive look at how the new challenges facing the Kingdom of Saudi Arabia could change our world. This investigative series takes an in-depth look at one of the most important international stories of our generation, examining a crucial moment in Saudi Arabia's history - one that could impact the future of the world at large.

What happens when you return from a family holiday to France and open the boot to find a Syrian refugee where your luggage was supposed to be? That’s the situation facing new couple Peter and Katy when they get back to Dorking from their first family holiday with Katy’s young son John, who has spent the journey from Calais winding up his would-be stepdad. Their unexpected passenger is a bloke called Sami who hopes to claim asylum in Britain.