Thanks for Everything

Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.

A radio announcer gets caught up with a fake clairvoyant and his gang of thieves.

Rival advertising firms compete for a radio show's pickle manufacturing account.

An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

It's love at first sight for singer John Craddock and Jane Blodgett who meet while John is seeking a radio job with the "Blodgett Dog Biscuit Hour," and John learns that the sponsor is Jane's father, Warren Blodgett, an avid souvenir and antiques collector. John gets himself in bad with Blodgett when he accidentally ruins a deal in which Blodgett was attempting to acquire a bedpost for his collection. To break up the romance, Blodgett and his wife take Jane to Switzerland, where Blodgett has his heart set on obtaining a jealously-guarded cowbell.

Caroline Bird, the crotchety and stingy owner of Bird Milk Products, is not amused when her employees at the Dairyville factory, the oldest plant in the company, broadcast a special radio program in honor of her birthday. Employees Lulubelle, Scotty and Vera Vague, fed up with the terrible working conditions at Dairyville, cut into the broadcast, and Lulubelle asserts that Caroline is a "big hunk of cheese." Lane, the factory manager, cannot find the culprit, and so Caroline goes with her secretary, Dale Evans, to Dairyville.

Gracie Allen assumes the "management" of the shop owned by her papa Horatio Allen, turning it into a radio station and then an aviary---with the usual Gracie Allen logic---while distracted Papa is trying to get younger daughter, beauty contest winner Florence, married before she can head to Hollywood and get into the movies.

Posing as unemployed musicians, Roy Acuff and his Smoky Mountain Boys, are being helped by Ted Gibson owner of the Harmony Inn in San Antonio, Texas. Gibson is impoverished because he keeps buying his kleptomaniac Uncle Zeke out of trouble, supports his Ma, and Grandpa. He wants to marry Jean Wallace, and doesn't know that Acuff and his musicians are traveling incognito for the radio show "Who Am I Helping?" If he guesses their identity, he wins $100,000.

A sister act finds itself stranded and broke, and teams up with a medicine man who is promoting a child talent contest.

Three young girls working in an agency have build a singing trio. They want to "lease" the Dictaphone of their boss to make a record of their singing, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio station.

A harried, overworked advertising executive is being pursued romantically by one of his clients, a successful perfume magnate ... and his former fiancée. The latest client of the agency is a psychiatrist and author of a new book. When the executive goes over to discuss the ad campaign, the psychiatrist turns out to be a woman. But what does he really need? Romance? Or analysis?

Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and would-be singer Jerry Dennis (Frankie Laine). When Nancy and Martin fall in love but quarrel over her old flame, David Parker (William Leslie), Nancy returns to her teaching job. Jerry reunites Nancy and Martin and, in turn, succumbs to the charms of his new secretary Marge Stevenson (Lucy Marlow).

National DJs help a promoter make an unknown girl a star, to prove the power of radio over TV.

A former bootlegger is now the prosperous owner of a popular nightclub. A hustling promoter manages to pass off a young singer as the heir to a fortune and gets her booked at the club.

A British comedy television series with turns of phrase and elaborate wordplay, written by and starring former Cambridge Footlights members Stephen Fry and Hugh Laurie.

A young fresh-faced Hill staffer gets her first job in Washington, D.C. and discovering two things: 1. The government has stopped working, and 2. alien spawn have come to earth and eaten the brains of a growing number of Congressmen and Hill staffers.

Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.

MADtv is an American sketch comedy television series originally inspired by Mad magazine. The one-hour show aired Saturday nights on Fox.

Satirical sketch comedy set and filmed in Portland, Oregon that explores the eccentric misfits who embody the foibles of modern culture.

The Smothers Brothers Comedy Hour is an American comedy and variety show hosted by the Smothers Brothers and initially airing on CBS from 1967 to 1969.

Satirical sitcom set in the office of a UK Cabinet minister, Jim Hacker MP, who struggles with Civil Service bureaucracy and political machinations as he tries to get on with government business.

Hilarious, totally-irreverent, near-slanderous political quiz show, based mainly on news stories from the last week or so, that leaves no party, personality or action unscathed in pursuit of laughs.

Jam is a postmodern British dark comedy series created, written and directed by Chris Morris, and was broadcast on Channel 4 during March and April 2000. It was based on the earlier BBC Radio 1 show, Blue Jam, and consisted of a series of unsettling sketches unfolding over an ambient soundtrack.

The office politics and interpersonal relationships among the staff of WNYX NewsRadio, New York's #2 news radio station.

The Chris Rock Show is a late night comedy talk show featured on HBO. It was created by Chris Rock and featured various guests. The show won an Emmy for Outstanding Writing for a Variety or Music Program in 1999. It ran for five seasons from 1997 to 2000.

An experimental fusion of reality and fiction--a fly-on-the-wall look at government, filmed in and around the corridors of power in Washington. The series ventures inside the world of powerful political consultants--a world that few people ever experience first-hand. Produced on location in Washington, D.C., the largely improvised ten-episode series combines fictional characters with appearances by real-life political figures, all centered around the biggest political news of the week.

Comedy soap opera re-imagining the lives of the British Royal Family as you have never seen them before.

The Great American Dream Machine was a weekly satirical variety television series, produced in New York City by WNET and broadcast on PBS from 1971 to 1973. The program was hosted by humorist and commentator Marshall Efron. The show centered around skits and satirical political commentary. The hour and a half long show usually contained at least seven different current event topics. In the second season, the show was trimmed down to an hour. Other notable cast members included Chevy Chase. Contributors included Albert Brooks and Andy Rooney. Some of the skits would later be revamped for the movie The Groove Tube. There were also occasional short films presented on the show, most of them "experimental" or documentaries about artistic endeavours. Some of these were subtitled.

The weekly puppet-based sketch show that skewers the politicians and celebrities who need it the most. With a cast of characters from Britain, America, and around the world, no one is safe from a satirical roasting.