The Apple

Ayesha is a widow with a secret past, living with her beloved son Saleem in a small town in Pakistan close to the Indian border. When the fires of Islamic nationalism invade their tranquil lives, Saleem and a few of the town's other young men are soon gripped by a religious fervour, and they attempt to bring radical Islamic law to their friends and neighbours. After a group of Sikh pilgrims arrive in town, tensions reach boiling point as Ayesha's haunted past comes rushing back.

The life of two women and their families in a small provincial town of Salta, Argentina.

A girl reaches the age of nine and is supposed to act as a grown woman according to her family. A girl participates in a bike race against the will of her husband. An elderly woman decides she wants to buy all the things she always wanted but could never get.

The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.

A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.

Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

Former 1960s flower children Steven and Elyse Keaton raise their conservative son Alex, daughters Mallory and Jennifer, and later, youngest child Andrew.

Family man Jim Anderson copes with the everyday problems among his wife Margaret and their three children as they experience day-to-day changes.

Stef Foster, a dedicated police officer, and her partner Lena Adams, a school vice principal, have built a close-knit, loving family with Stef's biological son from a previous marriage, Brandon, and their adopted twins, Mariana and Jesus. Their lives are disrupted in unexpected ways when Lena meets Callie, a hardened teen with an abusive past who has spent her life in and out of foster homes. Lena and Stef welcome Callie and her brother, Jude, into their home thinking it's just for a few weeks, until a more permanent placement can be found. But life has something else in store for the Fosters.

Young Johnny is gung-ho and full of courage. Johnny's brainiac twin sisters, Susan and Mary, use Johnny as their guinea pig for their outrageous scientific experiments. If they can dream it up, Johnny will do it; as long as his genetically engineered super dog, Dukey, can come along.

Just the Ten of Us is an American sitcom starring stand-up comedian Bill Kirchenbauer as Coach Graham Lubbock, a teacher and the head of a large Catholic family with eight children living in Eureka, California. The series is a spin-off of Growing Pains, in which Kirchenbauer portrayed the same character on a recurring basis. As the series progressed, Coach Lubbock's four eldest daughters, the teenagers Marie, Cindy, Wendy, and Connie, became the primary focus of the show. Just the Ten of Us aired on ABC starting with a trial run on April 26, 1988 and ending on May 17, 1990. After the first four episodes in an abbreviated first season were aired, the show was renewed for two more seasons, eventually ending after 47 episodes on May 4, 1990. The show was most notably a part of what would become that network's TGIF programming block.

Matt & Amy Roloff enlist the help of their four children Jeremy, Zack, Molly & Jacob to help expand the business of Roloff farms. As the kids grow older, the family grows larger and the Roloffs learn how to keep their family relationships strong.

The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.

The life of a 15 year-old high school student, whose angst-ridden journey through adolescence, friendship, parents, and life teaches her what it means to grow up.

Michael Kyle is a loving husband and modern-day patriarch who rules his household with a unique and distinct parenting style. As he teaches his three children some of life's lessons, he does so with his own brand of humor.

Twins Tia Landry and Tamera Campbell were separated and adopted at birth. Fourteen years later, they encounter each other by chance at the mall. After the families meet, Tia's widowed father agrees to let Tamera and her single mother move in with them.

Al Bundy is an unsuccessful middle aged shoe salesman with a miserable life and an equally dysfunctional family. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.

Set in the small hamlet of Lark Rise and the wealthier neighbouring market town, Candleford, the series chronicles the daily lives of farm-workers, craftsmen and gentry at the end of the 19th Century. Lark Rise to Candleford is a love letter to a vanished corner of rural England and a heart-warming drama series teeming with wit, wisdom and romance.

The gripping story of three different families living in the same house in the 1960’s, 1980’s and present day. The families are linked by the spirit of a young girl – the 1960’s family’s daughter who died in mysterious circumstances.

An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.

A boy’s brutal murder and the public trials of his guardians and social workers prompt questions about the system’s protection of vulnerable children.