Best movies like The Beloved Of The Shepherdess

200 BC. During a merciless drought, the brute nature of man and the delicate essence of woman become inextricably intertwined, as the omnipotence of the carnal instinct demands the total surrender of the flesh.

In 1940, during the outbreak of Greek-Italian war, Dimitris Nicolaou goes to fight as lieutenant in Greek-Albanian border. After their victory over Italians by epic battles, Dimitris is.....

Not having much information about the discovery of the perpetrator of the robbery of the jewelry of the lonely and strange Christina, the security commander, tries through her narratives, to discover the persons with whom she has been associating lately. Christina keeps her personal life to herself, so she sends police officer Dimitris to approach her, pretending to be in love

Aris, Nikos Kourkoulos, is released from prison after three years, and he turns up at Troumpa, a slum area in Piraeus. His purpose is not to settle his own accounts but to find out if Lola (Tzeni Karezi), a young woman who works at Stelios’ cabaret, was among the ones who betrayed him. Aris loves and cares about Lola and wants to get her out of there, but Stelios, who is also in love with her, assigns a thug to kill Aris.

Based on Aristophanes's play, Athenian women band together to encourage their men to stop fighting the Spartans by withholding sex from them when they return from the front.

A popular and honest man, Dimitris (Dimitris Papamichael), who works at the Perama yards, sings at a local tavern in the evenings. One day, his revered brother proposes to break a villa, and to prove to him that these things do not need any special capacity, he accepts the challenge. The noise they do, however, awakens the daughter of the owner, Zoitsa (Zoe Laskari). The two invaders are surprise. Zoitsa, who understands that Dimitris is not a villain, asks her not to hand him over to the police and is listening. Shortly thereafter, the girl visits the owner of the shipyards in which Dimitris works. The two young men are reunited.

The abysmal hatred which exists between two landowners is transferred to their natural environment as well. Whatever crosses the river separating the two families, be it man or beast, dies. The film is yet another rendering of the Romeo and Juliet tale, with intense emotions, dominated by the extreme behavior of the heroes. The film tries to imitate the style, atmosphere and action of westerns.

A gunman, during the Turkish occupation of Greece, collides with the landlords, considering them traitors. But when he learns that belong to the Society of Friends and prepare the Revolution, would become their ally.

Charming, affluent--with his father's money--and self-assured, a frivolous son who can have any woman he desires falls head over heels for a beautiful Italian student; however, she is a hard nut to crack. Will he manage to impress her?

Lambros has a bizarre office that does crazy jobs, because he is not a fan of the "Fake pie to eat" theory, but he also puts his hand on every time he wants to reach a happy ending in a neighborhood. But he believes that marriage is a bad thing, until the day when the female Satan, using tricks similar to his own, appears in front of him.

Kimon and Aris are brothers, still they are completely different characters. Kimon, the eldest one, is a serious, conceivable, and stubbornly man who refuses to marry. In opposite, Aris is an open-minded, lively and austere man. Their older sister Polyxeni is trying to bring them closer. Aris wants to meet his girlfriend, Myrto to his brother, but he fears that he will reject her because she is a singer so he convinces him to recruit her as his secretary by concealing her real identity.

After the death of her wealthy father, Marina learns that her entire fortune is lost. Pavlos is an old family friend who offers to help. He is in love with Marina but she rejects him for her father's secretary.

In Lesvos, shepherd Lamonas someday finds an abandoned baby boy suckling a goat and adopts it, and names him Daphnis. Around the same time, another shepherd, Dryantas, finds too an abandoned baby girl and adopts it, naming her Chloe. Daphnis and Chloe grow together and, passing the threshold of puberty feel the buzz of first love. They do not know yet what is happening to them, until a beautiful woman who desires Daphnis, initiates him into the secrets of love. Daphnis in turn initiates Chloe, too. In the meantime, it is revealed that Daphnis is the son of Lord Dionysiofani, and Chloe daughter of a ruler of the island, Megacles.

Four stories, humorous, romantic or dramatic, are linked by a counterfeit gold sovereign. It is made by the honest engraver in the first story, seduced by the charms of a young widow, and it subsequently passes into the hands of a beggar and a prostitute, a wealthy miser and a newly married couple where the husband is a poor artist.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

The plain of Thessaly, 1910. The tenant farmers suffer untold hardships, both from the Arvanites invaders who ravage and seize their possessions and from the chief landlord of the area Stratos Karatzas, who claims the lion’s share of their harvest. The dynamic daughter of one of the tenant farmers, Maya, who is about to get married to a young farmer, Lefteris, leads their struggle for better conditions and confronts Karatzas – as well as his niece Vgenio, who also wants Lefteris. The latter plots and succeeds to separate them. Lefteris leaves for the army and Karatzas persuades Maya to marry him. Lefteris is captured during an ambush set by the Turks, but in the end he is set free and returns to Maya’s arms forever.

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.

The story of three young girls that are sisters and remain with their mother a tavern in the port. The Persa, the more dynamic it has relations with the labeled Zachos. The Tasia waiting at the port for years, the return of her beloved. Hara, a tomboy, reluctant to reveal feelings for Alekos, who sees it as a good childhood friend. Among all these catalytic moves a man of law, Orpheus.

The friendship between two young boys during the summertime in 60's Chios Island.

Marios and Louiza broke up because of the war. Marios goes to the front to fight, and Louiza agrees, under pressure from her father, to marry a wealthy man named Alkis, as she believes that Marios has died. When Marios comes back from the front, he wants Louiza back, and he meets with his friend Alkis, who asks him not to contend for the woman he loves. Louiza gets very upset by the new turn of events and loses her memory.

A dark atmosphere pervades this film in true noir fashion. So does the feeling that our principals are trapped. They fight their way against economic forces and their status in life, and love might conquer all.

Spiridon Peresiadis (1864 - 1918) was one of the best writers of the dramatic idylls and mountain adventure genre that flourished into the late nineteenth century in Greece. In 1894, Peresiadis wrote Golfo, a story of love, jealousy and betrayal. In a village near Mount Helmos where the waters of the River Styx of Mavroneri flow, the young Golfo and Tassos swear eternal love to one another. True to her word, Golfo rejects a nobleman who wishes to marry her, but Tassos breaks his oath and agrees to wed a rich young woman instead. When he changes his mind, it is too late and the forces of destiny continue to their inevitable conclusion

In a village in the Peloponnese, on the slopes of Mt. Chelmos, lives rich sheep owner Mitros with his wife Asimina, his son Thymios and adopted daughter Astero. The children love each other, but Mitros betroths Astero to Stamos, another rich sheep owner. When Stamos is killed and Astero loses her mind, Mitros, watching his son wither away, tells him that his entire fortune is Astero's and urges him to marry her.

A carnival sideshow dancer falls in love with a handsome young man.

A rich widow tries to pursue a relationship with a younger violinist despite the objections of her older brother and his wife.

It is the third film in a row of the type that much later on was called "fustanella (Greek kilt)", following Gkolfo by Bachatoris (1914) and Astero by Gaziadis (1929). It is based on the successful theatrical play (rhyming pastoral romance) by Dimitrios Koromilas, who draws his inspiration from a poem by Giannis Zalokostas "I fell in love with a shepherdess". The setting is Greece, a rural country in the middle of the 19th century. A landlord, Mitros, gives Kroustallo a golden cross as a gift to show her his tender feelings. He doesn't know, however, that she is already in love with Liakos, a destitute young shepherd to whom Mitros owes his life - in the past he had saved him from drowning in the river. The cross around the neck of the shepherdess causes fights between the two men, while Mitros asks Kroustallo's hand from her mother, Mrs. Stathaina, who had been his childhood love.

A girl, after the death of her fiancé, ends up working in a cabaret. A year later he meets a friend of his, who tells her that he loves her, but she leaves him because he fears that his past will be revealed.