Best movies like The Book of Solutions

Renowned filmmaker John Wilson travels to Africa to direct a new movie, but constantly leaves to hunt elephants and other game, to the dismay of his cast and crew. He eventually becomes obsessed with hunting down and killing one specific elephant.

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Director John Landis has combed the vaults of Universal Studios, Hollywood's preeminent producer of horror films and edited them into this retrospective documentary featuring clips from preview trailers dating from Lon Chaney's 1923 "The Hunchback of Notre Dame to the present day. Scream queen Jamie Lee Curtis hosts and narrates this tribute featuring Frankenstein, the Wolfman, the Creature from the Black Lagoon, Dr. Jekyll and Mr. Hyde, Godzilla, Tarantula,, the Phantom of the Opera, Dracula and their infamous progeny.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

An intimate conversation between filmmakers, chronicling De Palma’s 55-year career, his life, and his filmmaking process, with revealing anecdotes and, of course, a wealth of film clips.

Vincent Machot knows his life by heart. He shares it between his hair dressing salon, his cousin, his cat, and his too-invasive mother. But life sometimes holds surprises, even for the most prudent of people... He crosses paths with Rosalie Blum by accident. She is a mysterious and solitary woman whom he is sure he has already met. But where? Intrigued, he decides to follow her everywhere, in the hope of knowing more about her.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

A documentary about the history of exploitation films that focuses on the careers of legendary producers David F. Friedman and Dan Sonney.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

When Emily Woodrow and her friends happen on a treasure chest full of gold coins, they fail to to heed the warnings of a wise old psychic who had foretold that they would encounter trouble with a very nasty and protective Leprechaun.

Paddington, now happily settled with the Browns, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy, but it is stolen.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

The teenage daughter of a Brooklyn beauty-parlor owner blossoms under the influence of her recently-returned show-biz aunt.

Jane is the subject of a twisted science experiment where she is placed in a parallel world and is forced to find a way to either alter her reality or be stuck in a time-loop, destined to repeat the same test over and over again, with no memory of her doing it before. But with each 'reset' she starts to retain fragments of memory. With clues pointing to the mysterious Wytness Quantum Research Centre, she tries to find a way out. (The film was shot entirely on an iPhone during the UK’s first lockdown.)

A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.

Carlos Revalos a 21 times Film Director embarks on his biggest Film yet 'Le Fear' a horror love story with a 3 million pound budget what can go wrong? everything as Carlos hires the worst cast and crew ever to walk on this planet which makes the film a recipe for disaster, Larry Rothschild the executive producer on the film who was promised Brad Pitt which never happened instead he got Leon the pompous Lead actor who walks off set time and time again, Debbie D the hysterical inexperienced glamor model who fluffs her lines over and over, the werewolf wearing a rain coat and who cant speak a word of English and the sparky who is color blind and many more misfits and Carlos has no control of any of them this is Larry's first attempt at investing in a film and no doubt his last.

A burlesque dancer with dreams of becoming a comic book artist investigates the disappearance of a close friend.

A documentary encapsulating the career and Western films of director 'John Ford' , including clips from his work and interviews with his colleagues.

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

The animated film is based on the comic book "Cerebus the Aardvark", considered by many to have started the indie alternative comic field. It started in 1977 and ran for 300 issues and holds the Guinness World Record for "Most consecutive issues of a comic-book drawn and written by one person". The comic's creator, Dave Sim, told us there was a 99% chance he would not approve of our film, but against all odds upon finishing the film he gave a thumbs upon completion. Our film is the first CGI feature to be done on no budget in history. He has previously turned down George Lucas, DreamWorks and Paramount.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

A rare look at the the career of film director Pedro Almodóvar, especially his early works, with interviews with the director himself and his stars and admirers.

A behind-the-scenes look at Jim Henson's 1986 fantasy film, 'Labyrinth', featuring David Bowie and Jennifer Connelly.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

After his sister-in-law dies in a freak motorcycle accident in Saigon, Thien is bestowed the task of delivering her body in their countryside hometown to which he also takes his nephew Dao, who miraculously survived the crash. Amidst the mystical landscapes of rural Vietnam, Thien begins a search for his older brother who vanished years ago to hand Dao over to him - a journey which deeply questions his faith.

A filmmaker continues shooting his film after his funding is pulled - a grim reality he has kept secret from his cast. His mind awash in the noise of memory and morphine, he reflects on his own life through the characters in his script. The story is told with highly stylistic vignettes projected in the black void of his mind, bringing to life each of the characters he has created on paper. "Phantom Images" explores the new challenges confronting gay men - and the cultural changes that have made communication between generations more difficult.

Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called "Calavera", "Sandunga", "Maguey", "Fiesta", "Soldadera", and "Epilogue". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.