The Boy with the Topknot

An Air Force officer returns to his father, son and remarried wife in Vermont after 17 years in Vietnam.

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

Dreams can make a life worth living, but they can also be dashed by bad decisions. This is the crossroads whare the Younger family find themselves when their father passes away and leaves them with $10,000 in life insurance money. Should they buy a new home for the family? Perhaps a liquor store? While no choice is easy, life on the South Side of Chicago in the 1950s is even harder.

A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.

A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass-shooting at his college, then took his own life.

Nothing warms the heart like the story of a boy and his dog. Lonnie (Johnny Whitaker) and Text (George Spell) are two friends determined, against all odds, to turn a misfit hound into a hero. Tennessee farmer and dog trainer Harve McNeil (Earl Holliman) tells his son Lonnie that his dog, Moreover, is a good-for-nothing "biscuit eater."

In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general.

A couple's attitudes are challenged when their daughter brings home a fiancé who is black.

Pakistani taxi-driver Parvez and prostitute Bettina find themselves trapped in the middle when Islamic fundamentalists decide to clean up their local town.

Freedom Song (2000) is a made-for-TV film based on true stories of the Civil Rights Movement in Mississippi in the 1960s. It tells the story of the struggle of African Americans to register to vote in the fictional town of Quinlan. In the midst of the Freedom Summer, a group of high school students in the small town are eager to make grassroots changes in their own community. The young activists meet resistance not only from white southerners, but from their parents, who have experienced firsthand the violence that can result from speaking out.[1] As high school students band together with the support of the Student Nonviolent Coordinating Committee, they make strides in registering African-American voters and gaining awareness for their cause.

A husband and wife are forced to re-evaluate themselves and their relationship through the reality of the Covid-19 lockdown.

Football star Charlie has the world at her feet. With a top club desperate to sign her, her future is seemingly mapped out. But the teenager sees only a nightmare. Raised as a boy, Charlie is torn between wanting to live up to her father's expectations and shedding this ill fitting skin.

Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.

A young filmmaker returns home after many years away, to write a script about his childhood, only to find his neighborhood unrecognizable and his childhood friends scattered to the wind.

James Mink is a black man in Canada who has built a very successful livery business, and enjoys a white wife and a beautiful daughter, Mary. An excellent match is arranged with an American businessman, but when he takes his new wife Mary across the border his true character emerges - he sells her into slavery. James and Elizabeth must go to Virginia to rescue their daughter.

Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.

From the comedy of Jerrod Carmichael and Nick Stoller ("Neighbors") comes an irreverent sitcom inspired by Jerrod's relationships with his say-anything, contrarian father, his therapist-in-training girlfriend, his ever-hustling brother and his mother who is always, always, always right with Jesus. Taking the next step and moving in together, Jerrod and his girlfriend, Maxine (Amber West), are your average young couple trying to make it in the city. They’re smart, motivated and looking to build a fulfilling life together. The only thing standing in their way is family. Between Jerrod's larger-than-life brother, Bobby (Lil Rel Howery), and his smothering and passionate parents (David Alan Grier, Loretta Devine), Jerrod and Maxine are put to the test navigating the boundaries of romance, family and sanity.

Stef Foster, a dedicated police officer, and her partner Lena Adams, a school vice principal, have built a close-knit, loving family with Stef's biological son from a previous marriage, Brandon, and their adopted twins, Mariana and Jesus. Their lives are disrupted in unexpected ways when Lena meets Callie, a hardened teen with an abusive past who has spent her life in and out of foster homes. Lena and Stef welcome Callie and her brother, Jude, into their home thinking it's just for a few weeks, until a more permanent placement can be found. But life has something else in store for the Fosters.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore "The Beaver" Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

Matt & Amy Roloff enlist the help of their four children Jeremy, Zack, Molly & Jacob to help expand the business of Roloff farms. As the kids grow older, the family grows larger and the Roloffs learn how to keep their family relationships strong.

Fran, fresh out of her job as a bridal consultant in her boyfriend’s shop, first appears on the doorstep of Broadway producer Maxwell Sheffield peddling cosmetics, and quickly stumbled upon the opportunity to become The Nanny for his three children. But soon Fran, with her offbeat nurturing and no-nonsense honesty, touches Maxwell as well as the kids.

Following the chronicles of the East End working-class Garnett family, headed by patriarch Alf Garnett, a reactionary working-class man who holds racist and anti-socialist views.

The lives of three families are woven together across three decades in multi-cultural Britain.

Some Girls is a British comedy series written by Bernadette Davis that airs on BBC Three. The show stars Adelayo Adedayo, Mandeep Dhillon, Alice Felgate, Natasha Jonas, Dolly Wells, Colin Salmon, Jassa Ahluwalia and Franz Drameh. It debuted on 6 November 2012 and the first series ran for six episodes. BBC Three announced at the end of the first series that the show would return for a second series. On 18 September 2013, they confirmed that each episode of the second series will premiere on BBC iPlayer a week ahead of being broadcast on BBC Three. The first episode became available on iPlayer on 23 September and will be broadcast on BBC Three on 30 September with the rest of the series following that trend.

Twenty years old and from Leicester, Nina moves to North London in 1982, to care for the two young boys of a working single mother, George, the editor of a London literary review.

A 17-year-old boy, known only as HIM, caught in the limbo between childhood and adulthood is also trapped in a limbo between the two homes of his divorced parents, each now remarried with new families. Like most boys he finds it hard to process his feelings so tends to “act out”. But his behaviour is also triggered by something else - his primal struggle to contain the terrifying secret of a supernatural power he inherited from his grandfather. A power that only his ageing grandmother understands, who urges him to use his gift only for ‘good’ for she knows if he doesn’t it could end in tragedy. 

Having a hard time making ends meet after her divorce, Millicent Torkelson moves her three children to Seattle, where she becomes the nanny to the spoiled Morgan children.

Exposing the parental-paradox that it is possible, in the very same moment, to love your child to the horizon of the universe, while being apoplectically angry enough to want to send them there.

Writer Sathnam Sanghera travels across the country exploring the effects of the British Empire on modern Britain

An autobiographical scripted comedy based on stand-up and presenter Alan Carr's life.