Best movies like The Broken Landlord

Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.

In the pre-Civil War South, a plantation owner dies and leaves all his possessions, including his slaves, to his young son. While the deceased treated his slaves decently, his corrupt executor abuses them unmercifully, beating them without provocation, and he is planning to sell off the father'e estate--including the slaves--at the earliest opportunity so he and his mistress can steal the money and move to France. The young boy doesn't want to sell his father's estate or break up an of the slave families, and he has to find someone to help him thwart the crooked executor's plans.

Gipsy boy Heathcliffe is adopted by a god-fearing landowner in northern England and grows up as the soul-mate of the daughter, Cathy Earnshaw. When father dies, stern son Hindley returns and bans Heathcliffe to the stables; when they spy upon their upper class neighbors, Edgar Linton sends the dogs upon them and chases Heath but starts an affair -love comes only from him- with her. When Hindley's socialite wife Frances dies in childbirth, he is completely embittered, becomes a drunk unable to care for his son Hareton and has to sell Wuthering Hights- to Heathcliffe. After a misunderstanding Cathy marries Linton, Heath retorts by a loveless match with his sister. Even Cathy's death doesn't stop the cycle of spite, grief and harm so it poisons the next generation's lives as well while she keeps haunting Heathcliffe

Beautiful aspiring rock star Jude is stuck in a rut - relegated to recording commercial jingles and lost in a series of one night stands. When she is evicted from her Brooklyn apartment, she is forced to move into the Hamptons home of her wealthy - and selfish - father Paul Lombard, an over-the-hill, Sinatra-esque crooner angling for a musical comeback.

With the death of a billionaire engaged in illegal practices, his billion-dollar fortune is up for the grabs. As his art collection is being prepared to be sold at an auction, two Turkish thieves from Germany are hired to steal valuable paintings from the art collection. Meanwhile, Seckin the fashioner designer - also the brother of Binnur, wife of the late billionaire - prepares for a fashion show in the same hotel that the robbery is going to take place. With the intervention of police, the beautiful model and her ex-lover, a hip papparazi, the two "Laz" mafia bosses seeking revenge, and the getaway driver straight out of Selcuk Erdem caricatures, the robbery is bound to go wrong. Prepare for a twist at the end as the plot unfolds towards a climactic ending...

In a village in eastern Turkey, tales of the economic success of Turks in Switzerland inspire Haydar to convince his wife Meryem that they must go. He sells their livestock and small plot of land in exchange for passage for two. He wants to leave their seven children in the care of the eldest and his parents; his father advises him to take one son to be educated in Europe, as economic insurance. The three set off for Istanbul, Milan, and Switzerland, stowing away on a ship. At Lake Como, they pay the rest of their money to unprincipled men who abandon them at an Alpine pass before a blizzard. Father and son are separated from Meryem. Will anyone reach the land of promise?

An undertaker who hasn't had any 'customers' in a long time is forced to pay one year's back-rent. To get money he starts to kill people, which brings absurd results.

Several directors from countries of the region were invited to create stories taking place in and around the beautiful city of Istanbul, in the vein of “Paris, je t’aime” and “New York, I love you”. They come together to remind viewers that Istanbul’s history does not belong only to the people of Turkey.

On their first night at a new, secluded house, a couple (Esin Harvey, Gorkem Mertsoz) encounter the mysterious woman (Derya Alabora - A Most Wanted Man, When We Leave) who claims it to be her home.

Filmmaker John Gillespie and his crew travel to Turkey to document the legend of Vlad The Impaler, only to find themselves caught up in a centuries old conspiracy in a village nestled on the outskirts of Istanbul.

Ali is a young Tunisian who dreams of a better life and ekes out a lonely existence selling contraband oil on the black market. When his father dies, he is forced to care for his two younger sisters who have been left to their own devices in a house from which they will soon be evicted. As he wrestles with the sudden weight of responsibility and the injustices he faces, anger and indignation stir within Ali – that of a generation still fighting to be heard more than a decade after the revolution…

A bohemian artist travels from London to Italy with his estranged son to sell the house they inherited from his late wife.

Ozgur is a young woman who is the daughter of a refugee family fled to France. She is born and raised in Paris. After her father Huseyin's death, she comes to Istanbul to fulfill Huseyin's last wish. He wanted to be buried in his own country. But because of September 12 military coup d'etat period, Huseyin is no more a Turkish citizen. So this happens to be a great obstacle for Ozgur. This will force Ozgur to a journey both in Istanbul and herself. In this journey Ozgur will meet with her father's and mother's relatives who are completely different people. Most importantly she will meet with Ferhat who will deeply effect her. This journey will become a confrontation with themselves and 2011's Turkey for Ozgur and Ferhat.

After several years of numbly mourning his parents death, 26 year old Selim takes a chance on the US lottery for passports and wins. He decides to sell the family olive grove to raise enough money to live in Manhattan and to break all roots to Turkey, leaving his girlfriend behind. When Selim's aged grand uncle, Nasuhi returns from Russia after 58 years he asks Selim to visit with him the olive grove of his youth. Before they depart, Nasuhi finds a beaten Russian girl, Olga who was robbed when she tried to sell herself to raise money to continue her own search for her sea faring father.

Pedro returns home to a small mountain village in Guerrero, Mexico after years of working in the US. He finds his daughters older, and more distant than he imagined. His wife still has the same smile. Having saved some earnings from two trips to the US, he hopes to now finally make a better life with his family, and even to pursue his dreams on the side by starting a band: Copa Kings. He cherishes the everyday moments with his family. The villagers think this year's crop will be bountiful. There is also good work in a growing city an hour away. But the locals are wise to a life of insecurity, and their thoughts are often of family members or opportunities far away, north of the border. While working in the fields, Pedro meets and begins to mentor a teenager who dreams of the US. That place somehow always feels very present, practically knocking at the door. "Aquí y Allá" is a story about hope, and the memories and loss of what we leave behind.

A left-wing journalist whose wife died while giving birth to his son during a military coup returns to his family's farm. Estranged from his father for turning his back on the family and wasting his life with political activism instead, he tries to reconnect with him so that his son will have a place to live as his health is deteriorating due to the extensive torture he had to endure.

The true story of a man who grew up surrounded by violence and absence of love. But despite everything he became a world-class networking master in his business life. He started from the bottom and was able to reach the top. His story show us that there is no obstacle that cannot be overcome in life.

Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman receives a news which is related with his previous passionate life. Then the whole action stats as a chain of events.

Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.

This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.

Der Spiegel reflects the sad existence of a village couple, Necmetting and Zelihan, whose lives are regulated by nature and the all-powerful feudal lord. When the lord's good-looking brother tries to seduce beautiful Zelihan, her husband has no choice but take up arms to restore his lost honor. But the question of whether anything can be more important than human life haunts him. Der Spiegel is a psychological drama that focuses on a menage-a-trois and at the same time holds a mirror to the generally ignored lives of the poor peasants, examning their loves, passions and dreams, particularly those of the women. Despite the theatricality of the dream sequences and the scene with the slaughter of a cow, the story generally flows easily in a minimalist style, with impressive photography by Kenan Ormanlar.

Tom Andrews, his wife Kathy, their two children & Tom's Father Henry are all driving to a town called Silversprings on Christmas Eve to visit relatives. On the way, they decide to stop at a ghost town called Sutterville which by a strange coincidence Tom has had nightmares about every year around Christmas for his whole life. Tom's father is wary & begs them not to go; however Tom's car develops a mind of it's own & takes them there only to break down so that they can't leave. Meanwhile a man arrested for vagrancy by local police is identified as Clarence McCoughlin who supposedly died in Sutterville 40 years ago, not to mention he seems to have some sort of demonic power. As the Andrews family explore the town a feeling of unease starts to takeover, Clarence escapes jail & heads back to Sutterville for a sinister family reunion...

During the period of the Wealth Tax, where many non-Muslims in Turkey were forced to pay higher taxes, often in an arbitrary and unrealistic way. Nimet and Durmuş migrate from Niğde to Istanbul and take shelter with Durmuş's friend Bekir, who finds Durmuş a job at the inn. However, making a living by serving as a porter is not in line with Durmuş's ambitions. He wants everything Halit Bey has, the inn owner. Halit Bey begins to dispose of his property in order to pay the tax stipulated to his beloved wife Nora, who was treated in a nursing home. Wealth Tax has begun to affect everyone's destiny.

To bid for his beloved's hand in marriage, poor villager Feyzo must come up with an enormous dowry to appease her father.

The film is set in present-day Istanbul. Selim is a shop owner in his early forties. He sells clothing for men in his shop situated in one of the back streets of Istanbul. Selim is a family man who has devoted his life to his home and his work. He lives with his wife Ayla, his six-year-old daughter Esma and his old father in a simple flat in and old, modest neighbourhood. He has warm relations with his family. He is an affectionate father. One of his neighbours, a young widow named Nihal tries to seduce Selim, but her flirtation leaves him cold. Selim is known for his honesty and integrity among his family and friends. He is a careful spender. As a little child, he has learned that money is not easily earned. He has no tolerance for petty "trickery" met in daily life. One day, Selim finds a bag full of dollar bills (approximately 500,000$) in a cab. From that day on, Selim finds himself in a bewildered state with a bag full of money on his hands.

A married restaurant owner is persuaded to become a bootlegger by a beautiful young girl. When he starts making money at it, she steals it, then runs off with another man. His wife finds out what happened. Complications ensue.

A carnival burlesque dancer robs her junkie ex-husband, goes to New York, gets a job at a high-class club where she becomes the mistress of the wealthy owner. She seduces his son and causes a murder.

A retired teacher who returns to Istanbul after years away, Nazim tries to reacquaint himself with his hometown, which has changed significantly. While waiting for his pension to begin, Nazim takes a temporary job as a taxi driver and frequently ends up in the seedier parts of the city. …

Ali Silvan,violence prone person from shantytown of Istanbul,after committing homicide he rises rapidly within underworld owing to his gameness and intrepidness personality and became one of the most powerful underworld leaders of Istanbul. Due to being unlawful, He must trust his old friend Bülent who studied counting from same neighborhood to incorporate legitimized companies; however carrying all the authority and withholding all the wealth Bulent sets out to provoke Ali and other leaders of the underworld. Hereby, Bulent is forced to find a way out to procure the balance of power back.

The neurotic Fikret and tavern singer Solmaz, whose 21 year long relationships end on the same day, meet through a funny coincidence. When Solmaz's daughter Zeynep decides to marry her lover from Adana, the ever-fearful Fikret ends up having to play the role of his life. Intended at first to be kept in the family, the wedding becomes a much bigger event upon the insistence of the groom's relatives. Can our heroes come to terms with the traditional Adana family who carry guns and own a kebab restaurant chain, and see the wedding through without mishaps?

Ruben and Robby are twin brothers, adopted by Mona, one of the wealthiest - and most eccentric - women in Santa Barbara. Ruben is devoted to Mona, but Robby is more devoted to her money. So when Mona leaves her fortune and estate to Ruben it starts a battle between brothers that soon leads to madness, mayhem, and even attempted murder. On Ruben's side is Lou Perilli an ex-Chicago cop and used car dealer who knows the law - and how to get around it. On Robby's side is ruthless businessman Reed Tyler, who is out to turn a swift profit on Mona's property. Walking a shifty line between them is Eddie Agopian, the family lawyer, who doesn't care which side wins as long as he's on the winner's side. But whether they're stealing big or stealing little, they're all stealing in this hilarious comedy about greed, power... and brotherly love.

While working as an assistant to swindling driver Şakir, ingenuous Abbas falls for the same woman his boss loves.

The lovely Ayşe moves from her country village to Istanbul in the hope of becoming an actress. One day she meets Haşmet, a grumpy, world-weary street photographer. He takes it upon himself to cure Ayşe of what he sees as her blind optimism, but some of it begins to rub off on the old cynic.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

Oliver Barrett IV is emotionally devastated by the death of his wife Jenny, and, while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit, the wealthy and beautiful heiress to the Bonwit Teller fortune. Despite his affection for her, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in their relationship.

In the southeast region of Turkey, the Kurdish family of Altun lives in a small mountainside village plagued by a 25-year war that makes their daily lives a hellish struggle. As the war intensifies, the family is forced to migrate west to the city of Istanbul.

Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.

Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.

Yaprak is just one of thousands of young women, who leave their quiet village lives behind them to seek their fortune in Istanbul. But the reality of life in a big city is harsh, and Yaprak is forced to take a job in one of the cities licensed brothels. Her beauty and youth make her popular with the patrons and she is soon the focus of the attention of two men; Necmi, a spineless but well meaning young man, and Arab, a deranged pimp who has recently lost his main source of income, his wife Zargana. Necmi wants to take Yaprak away from her nightmare existence, but soon finds himself forced to separate from her by the viscous Arab. Arab spends all of Yaprak's money, but after a savage attack on her, she comes to her senses. She and Necmi get married and as Yaprak says farewell to her friends in the brothel, Arab returns for the last time to seek his brutal revenge...

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.

Reminiscent of Martin Scorsese's 1985 production, After Hours, this film narrates the events of a night in the chaotic backstreets of Beyoğlu in Istanbul. The day he receives his wage, and after arguing with his wife, Haydar (Tarik Akan) leaves the house in a fury and heads to Beyoğlu for a wild night out. However, a prostitute and her pimp bring him such troubles, and he finds himself penniless and in police custody.

Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.

Having just entered puberty, bride (Dilan Aksüt) had been forced to marry with groom (Ilyas Salman) whom returned to his hometown after doing many years of jail time and more than fifty years older than her. At first she was afraid, she cries, even resists, having equipped with patchy and second hand sayings, she did not know what is going to happen to her. Sitting in the nuptial chamber with horror, she will start to face with realities after grandfather-aged groom steps into the room.

Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.

A bag full of money lands in front of you. Is it luck? The answer to your prayers? Part of a predetermined plan? Or all of the above? Set in the chaotic streets of Istanbul, 40 is a story of three strangers making their way in a city of 12 million, all searching...for one bag. Shot entirely on location, '40' combines intense story telling with documentary style cinematography embarking on a synchronistic journey dealing with faith, love, luck, destiny, human trafficking...and a bag of cash that falls from the sky.

Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.

This is a tragic love story between the Agha's daughter İpek and the poor farmhand Ferdi. The two lovers, who grew up in the same village, separated when İpek moved to the city, but their love continued. Despite the kinship between Abbas Agha and Ferdi's father, the Agha's change of heart when he inherits money puts an end to the friendship. Despite his father's warnings about Ipek, Ferdi doesn't listen and moves to the city, thinking that Abbas Agha will help him. As Agha despises Ferdi, he endures every insult and hardship for his love. Realizing that he cannot be with İpek while he's poor, there is only one way left for the young man to realize his dreams: to go to Istanbul.

The film tells the struggle of two young lovers trying to reunite with each other. Nazlı's father Asım asks for bride price for his daughter. Ferdi spent the bride price he had saved, for his brother Kemal's surgery. In order to save money again, he travels to Germany to find work. Nazli is pregnant with Ferdi's child. Sait, the son of the village's landlord, has set his eyes on Nazli. In order to have Nazli, Sait spreads the rumor that the child is from Kemal. Nazli, Kemal and her mother are forced into exile by the villagers. As if these pains were not enough, the news of Ferdi's death comes. The reunion of these two lovers is now a miracle.

A chance meeting at the airport leads two married people to an unforgettable night full of excitement, desire, and temptation in New York City.

Muhad, a Muslim boy from Afghanistan, attends college in California, where he falls in love with an American journalism student, Victoria. Shortly after, his father suffers a stroke and Muhad must return home to tend to the family farm. As time passes, most of the crops are wiped out by the ongoing drought. Muhad is forced to head North with the rest of the farmers to harvest the poppies. Victoria has settled into her new life as a journalist for a local newspaper in San Francisco. When she follows a lead on a story about the ongoing war on drugs in Afghanistan, she is surprised to find her once innocent, first love is now a major player in the opium poppy trade.