Best movies like The Case of Poisons

The Four Musketeers defend the queen and her dressmaker from Cardinal Richelieu and Milady de Winter.

In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?

The life of Jeanne Bécu, who was born as the illegitimate daughter of an impoverished seamstress in 1743 and went on to rise through the Court of Louis XV to become his last official mistress.

Jean is thrown out of the house by his father, a remarried politician, out of jealousy for his friendship with his mother-in-law. He finds refuge at an artist's apartment. In the same building lives a famous fortune teller that the mother-in-law just happens to consult. With her help, Jean will be able to marry his young sweetheart and his father will solve his political troubles.

August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.

Duelist and poet Cyrano de Bergerac and musketeer d'Artagnan meet and team up to stop the conspiracy against King Louis XIII of France.

Jerry, his girlfriend Angela, and their friend Harold take a trip to a local seaside carnival, but when the carnival's fortune teller, Madame Estrella, predicts death for someone close to Angela, strange things begin to happen.

The daughter of a seamstress, Jeanne Bécu could hardly imagine she would later become one of the most influential women of the Kingdom of France...

Brought to Versailles as the companion of courtier D'Aigullon, former street waif Madame du Barry charms her way into the heart of gouty King Louis XV.

Francis, who is in his forties, manages the French subsidiary of an American high-tech company. But the shareholders suddenly decide to close it. Depressed by the idea of being unemployed and the prospect of losing his second wife, Francis decides to consult a fortune-teller. The experience is a real eye-opener for him and the start of a new career: He pretends to be a fortune teller himself and turns into Madame Irma. How to explain that to his wife Clotilde?

The French king's mistress frees her jailed lover and makes him her bodyguard.

A bumbling barber in the court of King Louis XV becomes engaged in political intrigue when he masquerades as a dashing nobleman engaged to the princess of Spain.

Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Fouquet believes Louis will soon tire of exercizing power and overplays his hand by offering a bribe to Louis' mistress to be his ally. She reports this to the king who arrests Fouquet. Louis and Colbert design a brilliant strategy to keep merchants making money, nobles in debt, the urban poor working and fed, and peasants untaxed.

A man and a woman are poisoned. The woman dies, but the man survives. The finger of blame begins to point at the man. A policeman and a newspaper journalist pursue the truth.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

A publicity-minded French mayor reunites quintuplets and their earthy father, all six played by Fernandel.

Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

Morgan Leafy is a secretary to the British High Commissioner to an Africa nation. Leafy is a man that makes himself useful to his boss, the snobbish Arthur Fanshawe, who has no clue about what's going on around him, but who wants to use his secretary to carry on his dirty work, which involves getting one of the most powerful men in the country to do business with his country.The young secretary has an eye for beautiful women around him, especially Hazel, a native beauty, with whom he is having an affair. Things get complicated because Sam Adekunle, a man running for president of the country, wants a favor from Leafy in return after he has accepted the invitation to visit London. The proposition involves swaying a prominent doctor's opposition to a plan that will make Adenkule filthy rich.

A young woman runs away from an abusive home and pre-arranged marriage only to be frustrated in her attempts to find happiness with a handsome engineer.

Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.

Squire Pierre St. Laurent returns from wars in India to 17th-century provincial France to find his estate confiscated by governor Narbonne, for back taxes, and resold to Katrina, a Dutch Countess. Katrina offers to return Pierre's property if he will help her get possession of the 'Star of India,' a fabulous sapphire, held at the moment by Narbonne.

Docudrama about the life of Louis XIV nicknamed "the Sun King", the King of France who ran a glamorous court, expanded the borders of France, loved women and parties and built an incredible palace for himself - the Versailles.

The life and work of Jean-Baptiste Poquelin (1622-73), the greatest French-language playwright, Molière, who revolutionized theater by bringing to the stage, with lucidity and dazzling modernity, the themes of his time and who had a special relationship with Louis XIV, the dazzling Sun King, that allowed him to develop as an artist while using his talent, like that of many other artists of his time, to enhance his personal glory.

Oriane and Hadrian's couple is going through a crisis. Determined to save their marriage, Oriane visits a Gypsy fortune teller who foresees a dark future. But Oriane won't hear of anything but a happy ending and the psychic is forced to read another future which, unfortunately, also happens to end bitterly. Will the third reading satisfy the young woman?

September 2015 marks the 300th anniversary of the death of King Louis XIV of France and this documentary looks at how Louis XIV not only had a personal passion and talent for dance, but supported and promoted key innovations, like the invention of dance notation and the founding of the world's first ballet school, that would lay the foundations for classical ballet to develop.

After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…

Pierre , a young lawyer, has enormous debts due to his mistress Florence and her whims of luxury life. Pierre has gone too far and put the family firm in jeopardy. They ask him to expatriate. To avoid scandal, Pierre joins the Foreign Legion. In Morocco, near the desert, Pierre goes with his comrades of the Legion to a bar-restaurant-brothel, owned by a shady character, Mr. Clement . Clement lives more or less with Ms.Blanche who is a fortune teller with cards, as a hobby. But Clement is also after his girls now and then. Pierre is still obsessed with Florence but he meets Irma , one of Clement's girls, who is the double of Florence except for hair color. Irma has had an accident and has lost part of her memory at a certain point of her recent past, and Pierre slowly persuades himself she is Florence, but cannot remember it. Advised by Ms.Blanche, Irma finally accepts to act as if she was Florence because she is falling in love with Pierre.

How Louis XV, a young king loved by his people, sensitive to the artistic and intellectual turmoil of his century (that of the Enlightenment), will end his reign in decay and hatred? Only fifteen years after his death, it's the Revolution.

The Loves of Madame du Barry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The Du Barry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame du Barry, mistress of Louis XV (Owen Nares). Refusing to gloss over du Barry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which du Barry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame du Barry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes.

1665. Louis XIV has seen fit to send a gift to the New World: surplus women to bring succor and support to French settlers in what is now Quebec. Among them is Marie-Jeanne (Julie McIsaac), who immediately falls foul of the matronly Madame Savoie (Claire Johnstone) by making nice with a native Mohawk trader, Jean-Baptiste (Raes Calvert), and his naive young sister Kateri (Kaitlyn Yott).

"Tu seras duchesse!" ("You'll Be a Duchess!") With these words, self-made industrialist Poisson orders his daughter Lucie to marry a wealthy Duke. The duke's father objects to the union, whereupon Poisson arranges another marriage for his daughter, this time to an impoverished and sickly young marquis. Poisson's strategy runs something like this: the Marquis is expected to die soon, whereupon the widowed Lucie will become a marquess, and thus a worthy bride for the Duke. But the Marquis foils these plans by staging a miraculous recovery. The explanation? The Marquis and Lucie have been in love all along, and this was the only way that they could wed with Poisson's blessing. Darned clever, these Frenchmen!.