Best movies like The Cinephile

A re-imagining of "Peter Pan" from the point of view of Wendy Darling, who finds herself lost on a mysterious island where aging and time have come unglued. She must fight to save her family, her freedom and the joyous spirit of youth.

Bored by her country life and misunderstood by her parents, Emma Rolfe marries Dr. Charles Bovar, an older man whose dedication to his medical practice results in wifely neglect. To alleviate her growing loneliness, Emma enjoys the company of many of the young men from the village and eventually begins an affair with Rudolph Bulwer.

A 1917 movie serial

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony.

A 1917 American silent comedy film

The life of Sam Houston, soldier, statesman, patriot and one of the founders of the Republic of Texas, is depicted.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

A young woman, who is the daughter of a sea captain, falls in love with a man from a rich family who does not approve of her.

A doctor's wife is arrested for educating impoverished women about birth control.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

When young inventor Bob Moore fails in his efforts to provide his father, a safe manufacturer, with a lock that is burglar proof, he contacts The "Eel," the most talented safecracker in the city, to offer him a job in his factory. The Eel, deciding to go straight, accepts the offer, but when he later learns that Irene Hardin has been given a valuable necklace by her father, The Eel plans one last job to secure Irene's pearls.

When circus aerialist Polly Fisher is injured, she is taken to the nearby home of minister John Hartley. The two fall in love and marry secretly. But when the news leaks out, the minister loses his pastorate over disdain by the parishioners for Polly's background as a performer. Polly must decide whether to stay with the man she loves or leave him for the good of his calling.

A 1917 film directed by Edward José

A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930.

In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

Roger Curwell (William Stowell) is disowned by his father (Joseph W. Girard) because of his desire to be an artist. But instead of making good as a painter, Roger finds himself drunk and on the skids in San Francisco's Barbary Coast. At a dive run by Hell Morgan (Alfred Allen), he meets Lola (Dorothy Phillips), who nurses him back to physical and moral health.

When Richard Cameron, a secret service agent tracking down international spies, is kidnapped by the enemy, Mirian Somerset, to whom Richard has been surreptitiously married, believes that he is dead.

Adele has grown up in a tenement, but she longs for greater things. She gets her chance at the stage when her mother runs into an old friend, Blanche. Blanche has been working steadily in the theater, and she helps Adele get work. The young girl finds romance with Vincent Harvey, an aspiring composer. One day Adele suffers an accidental fall out of a window.

Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

A train that is carrying the formula for a valuable form of granulated gasoline disappears before it reaches its destination. Railroad investigators and the authorities try to determine where it is and who took it.

In dire financial straits, businessman John Baird considers liquidating the bonds that are held in trust for his little daughter Margery. Failing to comprehend her husband's desperation, Virginia Baird refuses his request and, upon overhearing his lawyer advising him to utilize the bonds without consulting her, she decides to place them in the hands of George Drake, an old friend. Drake hijacks the securities, however, and their disappearance leads to the break up of the Baird's marriage, resulting in Virginia leaving the house. Attempting to console her father, Margery sets out on her pony to bring her mother home. But she is held up on the road by Captain Kidd Jr., who adopts her as his first mate, and the two children take up residence on a grass hut on a nearby island.

When Marjorie Caner returns from abroad, she is quite lonely in her millionaire father's big house. Learning that a young poet, Anthony Quintard, is living in poverty next door while working on the libretto of a great opera, she skips across the roofs and brings him a Christmas banquet. The poet sees Marjorie, and knowing that he detests wealth, she pretends to be the secretary of the Caner family.....

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

It s Christmas Eve in London, 1974 - and seven lonely people are on the town, looking to grab that elusive slice of enjoyment. So who better to contact than an escort agency- providing high-class ladies and gentlemen for anyone willing to pay the right price. But even in the saucy seventies, things weren t that easy- and our intrepid pleasure seekers have to face everything from inadequacy, rejection and catharsis to racism, violence and grand theft. Just goes to show how lonely a place the throbbing metropolis can be, especially during the holiday season...

A young man buys an Aladdin’s lamp at an auction and employs the genie to help him see his love.

Set in the Great White North, the film stars Bennett as the object of affections for several rugged northerners, including a couple of disreputable gamblers.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

The Desire of the Moth is a 1917 American silent western film directed by Rupert Julian

Phillip Haver, who, along with his friend Toby Jones, finds David Ainslee dying in the desert. After rustlers stole his cattle, Ainslee went off in search of a lost mine and fell victim to a killer. Before he kicks the bucket, Ainslee hands Haver a poke of gold dust to pay off the mortgage on the ranch.

While waiting in a hotel lobby for instructions from his government, Ludwig Schumann, an agent of the Black Legion, is enchanted by Marion Washburn, the daughter of a Texas senator. As he is about to speak to the girl, Schumann is stunned to see a young American enter who could be his double. The American is James Walbert, whom Schumann's contact mistakes for the agent. The contact passes to Walbert a photograph of a woman spy, Wanda Bartell, whom the agent is to meet aboard a steamer. Walbert realizes the mistake and determines to protect his country.

Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella.

On a voyage from Europe to the U.S., Desselway meets and falls in love with Diana Curran. Diana has a dark past, however -- she is married to Wrenshaw, a criminal known as "the Hawk." Diana got involved with Wrenshaw because she thought he was honest, and he keeps her under his thumb by making her believe she killed a man.