Best movies like The City of Tales

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

Omar Khayyam was one of the greatest Persian poets. He was also a brilliant mathematician. Though his quatrains were written in the 11th century, they are still popular the world over. The details of his life are unknown, so this movie invents a biography for him and includes in it his real achievements - the invention of a new calendar and the penning of those epigrammatic poems. This film has him romancing a sultan's bride and foiling the assassin sect's plot to kill the sultan's son.

Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series.

George Bernard Shaw’s breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion’s paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. Pascal’s final Shaw production is played broadly, with comic character actor Alan Young as the titular naïf. He’s ably supported by Jean Simmons, Victor Mature, Robert Newton, and Elsa Lanchester.

A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.

Geppetto is a 2000 made-for-television musical remake of the popular children’s book The Adventures of Pinocchio and the original 1940 Disney film. Starring Drew Carey and Julia Louis-Dreyfus, the film debuted on The Wonderful World of Disney. The score featured original songs written by Broadway composer Stephen Schwartz. Schwartz had developed the songs as a reunion for Mary Poppins stars Julie Andrews and Dick Van Dyke, but Andrews was undergoing throat surgery so the idea was dropped.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

An eccentric Parisian woman's optimistic perception of life begins to sound more rational than the rather traditional beliefs of others.

Eve's Secret is that she's not the elegant society woman she seems to be. In fact, Eve is an unkempt country girl who's been "transformed," Pygmalion style, by European duke Poltava.

A modern day musical telling of the ministry of Jesus Christ set in New York. The Apostles, portrayed as an acting troupe re-enact the parables and teachings of Jesus.

Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed by American film maker Jonathan Nossiter. It was nominated for the Palme d'Or at the 2004 Cannes Film Festival and a César Award. The film explores the impact of globalization on the various wine-producing regions, and the influence of critics like Robert Parker and consultants like Michel Rolland in defining an international style. It pits the ambitions of large, multinational wine producers, in particular Robert Mondavi, against the small, single estate wineries who have traditionally boasted wines with individual character driven by their terroir.

The Seed follows the events surrounding a homeless veteran named Ken Mercado, played by Will Yun Lee. Living along the banks of the Los Angeles River, he is attacked by masked men in black vehicles, invisible to the eye. To any passers-by, Mercado appears to have some sort of mental illness, but as he is chased throughout the city, it is revealed to the audience that he is not in fact paranoid, but rather the victim of a government conspiracy. Sung's adversaries are visible to him, yet only visible to the audience part of the time. At the end of the film, an alien ship is visible in the sky, watching the scene.

When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes into a world alien to him - incredibly hectic Tehran, where sudden opportunities for independence, thrill and challenge him. But his honor and honesty, plus traditional authority over his inventive clan, are tested, as he stumbles among vast cultural and economic gaps between his village nestled in the desert, and a throbbing international metropolis.

On the keyboard, the young hands fly rapidly and the melody rises. For the child, nothing is easier; he hears the sounds in his head. These hands belong to 6 years old André Mathieu. He won his audiences and fired up concerts halls in London, New York, Paris and around the world. Adulated, hailed, praised, the child prodigy seemed to have everything to succeed. From the top of his vertiginous successes, to depths of torment, the life of the "Little Canadian Mozart" blends into his music. A romantic and passionate composer wishing for happiness, his story is nevertheless played on tragic notes.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

The story of an aspiring musician from Kaufman, Texas who travels to Nashville with the lifelong dream of trying his hand at country music. By embodying the title character under prosthetic make up, actor Stephen Dorff successfully infiltrates Music City and takes his character on an authentic singer / songwriter journey. With the help of key allies on the ground, "Wheeler" converses with real people in real locations, with every musical number performed live. The line between reality and fiction blurs as Wheeler chases his dream in this touching tribute to old school country legends.

Single mom Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.

The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.

In a small Jewish community in a pre-Revolutionary Russian village, a poor milkman, determined to find good husbands for his five daughters, consults the traditional matchmaker – and also has words with God.

Japanese actor Sessue Hayakawa was one of the most popular leading men in American silent films-this despite the fact that orientals were traditionally (and stereotypically) cast as villains at the time. In The Bravest Way, Hayakawa carries self-sacrifice to the nth degree. He is so devoted-in a perfectly platonic manner-to the widow of his best friend (Tsuri Aoki) that he loses the love of his American fiancee (Florence Vidor). Lost film.

Captain Khorshid is a sailor who although only having one hand, manages to sail his little boat. In his village, due to its hot climate and hard living conditions, dangerous criminals are sent into exile. They want to escape from the area, so they ask a middleman to strike a deal with Khorshid. Khorshid is asked to illegally take them out of the country with his boat. At first he is reluctant, but because of the hardships of living he accepts the job.

The Very Hungry Caterpillar and Other Stories is a compilation of five of Eric Carle’s most popular stories. In The Very Hungry Caterpillar, a tiny caterpillar eats and eats... and eats his way through the week; Papa, Please Get The Moon For Me shows a young girl asking her father for the moon, but he discovers that the moon is very, very big. The Very Quiet Cricket is about a cricket who finally finds his voice and The Mixed-Up Chameleon learns an important lesson about being himself. Finally, I See A Song invites audiences on a magical musical journey. But can you really see a song?

A teenage girl who halfheartedly tries to be part of the "in crowd" meets a dashing rebel who teaches her a more sinister way to play social politics.

Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).

Filmed in Karasjok, Norway - 200 miles north of the Arctic Circle, BBC Four rigs a traditional reindeer sleigh with a fixed camera for a magical journey across the frozen wilderness of the Arctic. Following the path of an ancient postal route, the ride captures the traditional world of the Sami people who are indigenous to northern Scandinavia and for whom reindeer herding remains a way of life. Deliberately unhurried, the rhythmic pace of the reindeer guides us along an epic two-hour trip that takes us over undulating snowy hills, through birch forests, across a frozen lake and past traditional Sami settlements.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

In the years after his graduation Allen Shepherd has become a successful novelist and has married Jane Anderson. A firm proponent of traditional sex roles, Shepherd leaves Jane when she accepts a teaching post at Oxford. He later changes his views, and the couple is reunited.

The daughter of a senator from South Dakota visits Manhattan for the first time, eager to see the sights of the big city. While there, she finds herself caught up in an affair with a married man, whose wife soon commits suicide. Complications ensue.

The story is about a doll named Amo Pumble who teaches children how to live in society by reading a magic book to children.

Pacific Overtures is a musical written by Stephen Sondheim and John Weidman. The show is set in Japan beginning in 1853 and follows the difficult westernization of Japan, told from the point of view of the Japanese. In particular, the story focuses on the lives of two friends caught in the change. The original Broadway production of Pacific Overtures in 1976 was staged in Kabuki style, with men playing women's parts and set changes made in full view of the audience by black-clad stagehands. It opened to mixed reviews and closed after six months, despite being nominated for ten Tony Awards. Set in 1853 Japan, Pacific Overtures follows the Westernization of Japan, mainly through the story of Kayama, a samurai, and Manjiro, a fisherman. The lives of both men are radically changed by the coming of American ships to Japan.

Space Dogs is an epic new musical that tells the mind-blowing true story of Laika and the Chief Designer - a stray dog and the top-secret Russian scientist who sent her to space during the Cold War. Written and performed by actor-musicians Van Hughes and Nick Blaemire, it is a sweeping, kaleidoscopic tale of invention, betrayal, international political intrigue, and the immortal friendship that exists between man and dog, as they journey together to the stars.

In Sing a Jingle, Allan Jones plays popular radio crooner Roy King, who goes to work in a war plant after being declared 4F. He falls in love with Muriel Crane, the boss' daughter, who is at first unaware of the fact that King is the heartthrob of millions (he's gotten the job under an assumed name).

The film takes the viewer on an embodied journey moving through a space in which its existence in the real or imagined is debatable. Alike how the alleyway is a physical bridge between two main streets, the film presents a series of juxtaposed images that might seem opposing at a glance – the seer and the seen, the outside and inside, young and old, low and high, the leaving, coming, and returning – but are co-existing elements that sustain the living and breathing of the alleyway. The tactility of witnessing inherently embodied by the 16 mm celluloid is mirrored by the witnessing(s) of the tourists, the residents, the non-human subjects in the space. Via a constructed soundscape in which sonic elements from eastern spirituality find their prominence amongst real-life sounds, and through an embodied camera eye that moves freely in the geographical space of the alley, the film evokes a sense of magical realism which gives texture to the meditation on the Chinese American identity.

Piece by Piece is an unparalleled motion picture experience that captures the magic and brilliance of Pharrell Williams’ creative genius, one LEGO® brick at a time. Uninterested in making a traditional film about his life, Pharrell set out to tell his story in a way that would set audience’s imaginations free. Developed from his singular vision, Piece by Piece defies genres and expectations to transport audiences into a LEGO world where anything is possible.

From civil rights to the anti-war movement to the struggles of workers, folksinger Phil Ochs wrote topical songs that engaged his audiences in the issues of the 1960s and 70s. In this biographical documentary, veteran director Kenneth Bowser shows how Phil's music and his fascinating life story and eventual decline into depression and suicide were intertwined with the history-making events that defined a generation. Even as his contemporaries moved into folk-rock and pop music, Phil followed his own vision, challenging himself and his listeners. Not one to pull punches, Ochs never achieved the commercial success he desperately desired. But his music remains relevant, reaching new audiences in a generation that finds his themes all too familiar.