Best movies like The Compass Rose

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

Havana, Cuba, 1990. René González, an airplane pilot, unexpectedly flees the country, leaving behind his wife Olga and his daughter Irma, and begins a new life in Miami, where he becomes a member of an anti-Castro organization.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

At early 16th century a priest joins the spanish conquerros in order to bring christianity to the indios. The expedition is murdered by the indios, only the priest is sparred. Santiago, the priest, first tries to continue christianization, but finally becomes one of them - until the Spaniards return.

The last 7 hours of former President of Chile Salvador Allende, and his closest collaborators inside the Palace of La Moneda, during the brutal military coup d'etat on Sept. 11, 1973, the day democracy in Chile ended. Based on true events.

Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.

The Spanish explorer Pizarro captures the Inca god-chief Atahualpa and promises to free him upon the delivery of a hoard of gold. But Pizarro finds himself torn between his desire for conquest and his sense of honor after friendship and respect develops between captive and captor.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

Bolívar was instrumental in Latin America’s struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians and emancipators in American history. Libertador is told from the viewpoint of Bolívar, portrayed by Ramírez, about his quests and epic military campaigns, which covered twice the territory Alexander the Great conquered, and his vision to unify South America.

One Man's Hero tells the little-known story of the "St. Patrick's Battalion" or "San Patricios," a group of mostly Irish and other immigrants of the Catholic faith who deserted to Mexico after encountering religious and ethnic prejudice in the U.S. Army during the Mexican-American War. The plot centers around the personal story of John Riley, an Irishman who had been a sergeant in the American Army who is commissioned as a captain in the Mexican army and commands the battalion, as he leads his men in battle and struggles with authorities on both sides of the border

Madeinusa is a girl who lives in an isolated village in the mountains of Peru. This strange place is characterized by its religious fervor, and seemingly odd custom: from Good Friday at three o’clock in the afternoon to Easter Sunday, the whole village can do whatever it feels like.

Chronicles the events immediately surrounding the CIA- supported coup itself.

A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

La Araucana is a Chilean film based on an epic poem in Spanish about the Spanish conquest of Chile, by Alonso de Ercilla; it is also known in English as The Araucaniad. It is considered the national epic of the Kingdom of Chile and one of the most important works of the Spanish Golden Age

During the socialist government of Marmaduke Grove in 1932, a group of villagers decide to take some land in the area of ​​Palmilla. Almost like a mythical journey, problems arise when seated and in a position to bring the socialist ideal in the population. Everything becomes more complicated with rumors that the reactionary forces have overthrown the socialist government. A movie that because of the coup was not released in Chile and was only terminated by Littin in exile in Mexico.

Sergio and his father, Simão, haven’t seen each other for over 20 years. On the eve of the 2014 World Cup, Sergio returns to his hometown, São Paulo, hoping to watch the games with Simão, as they used to when he was a kid. It seems to be a perfect plan for a father-son reunion: a whole month together, their schedule based on the World Cup calendar. But as the days go by, their relationship starts to wander into unknown territory and their pact to watch the entire tournament together turns into a dangerous ritual…

Simon Bolivar is the true-life story of the leader of the 1817 Venezuelan revolution.

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Beginning just before his debut as Frankenstein’s creation, this documentary compellingly explores the life and legacy of a cinema legend, presenting a perceptive history of the genre he personified. Karloff's films were long derided as hokum and attacked by censors, but his phenomenal popularity and pervasive influence endures, inspiring some of our greatest actors and directors into the 21st Century – among them Guillermo Del Toro, Ron Perlman, Roger Corman, and John Landis, all of whom and many more contribute their personal insights and anecdotes.

This documentary follows 76-year-old nomadic musician Miguel Del Morales during his travels throughout Cuba, Guantanamo and Trinidad. Amid his journey, he meets up with some long-lost friends and makes brand-new ones. This engaging film was shot with just one hand-held camera and was a Director's Fortnight feature at the 2000 Cannes Film Festival. French filmmaker Karim Dridi directs and co-writes.

Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.

The film follows the events of the night of February 4, 1992 in Caracas, Venezuela. That night a group of military rebels staged a coup d'etat. Venezuelans found themselves as virtual prisoners. As the coup starts and fighting takes place from a military base which is in the center of the city's most affluent areas, with both luxury high rises and palatial mansions. The area of La Carlota provides a wealth of very interesting, often flamboyant and typical characters of the Latin America upper middle and upper classes. They are among the most affected. Various vignettes in these different characters' homes are developed. These people's reactions, lifestyles, vices, and humanity come out in a very honest fashion under duress.

Saga about a proud band of Sioux Indians, and the efforts of one brave to save his people from destruction through the use of mysterious powers handed down by ancestors.

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

Narrative of a period of life (1926 - 1934) of the Nicaraguan revolutionary leader Sandino, who was known as "The general of free men."

Three women from different cities in Latin America, they simultaneously face the same challenge: an unexpected pregnancy. They do not know each other, but a golden and invisible thread links their lives. Their stories cross-relate and meet in different points, despite the distance. Each one in her own city, culture, and personal environment, will walk the streets, traversing fantasies, fears, desires and joys, looking for a door towards their new life, with as much glam our as they possibly can. A movie with many exhilarate and dramatic situations presented in an impeccable frame, driven by fashion, music, and a very feminine and sophisticated touch. Three accents, three colors, three kinds of sound, three cities. A movie as mandatory for women as wearing make-up

My Jules Verne, by director Patricio Guzman, presents modern-day explorers who retrace the paths of some of Jules Verne's intrepid characters. Accompany Hubert Reeves, Laurence de La Ferrière, Hubert Falco and others to the Antarctic, to the centre of the earth, under the seas and into outer space.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the last of the six films, "The American Tapestry," filmmaker Gregory Nava takes viewers on an uplifting and challenging journey through the memoirs of five immigrant families, each one on a quest for its own American Dream. Beautifully interweaving accounts from several generations, Nava composes an astonishing tapestry of personal triumphs and tragedies, as each story of courage unfolds. The American Dream is an elusive thing, and the lives of the people in Nava's film are both triumphant and tragic, teeming with optimism and sometimes despair. They expose the finest and worst in America as well as what we feel most magnificent and dreadful. They are part of the many contrasting threads that make up the American tapestry — a complex portrait of a nation at the turn of the millennium.

In his award-winning film Lucía, Humberto Solás interpreted the theme of Cuba’s hundred years' struggle in an entirely novel way to create an epic in three separate episodes, each centred around a woman called Lucía and each unfolding in a different period of Cuban history, corresponding to the three stages of colonialism (1895), neocolonialism (1930) and socialist revolution (1968). The three episodes also present us with "Lucías" of different social classes. Solás described his film in this way: "The woman's role always lays bare the contradictions of a period and makes them explicit: Lucía is not a film about women, it's a film about society."

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

The story of the Santa María School massacre of miners in 1907.