Best movies like The Crow's Nest

A hard-living salesman becomes a quadriplegic after an accident.

Helen Harris has a glamorous, big-city life working for one of New York's hottest modeling agencies. But suddenly her free-spirited life gets turned upside down when she must chose between the life she's always loved, and the new loves of her life!

A prostitute looking for her next meal hitches a ride with a trucker that leaves her praying for her next breath.

A man with a troubled past tries to settle down in a small town, finds love and then ends up being the target of a witch hunt.

A young woman, Dakota, is trying to move on with her life and get away from her past after being rescued from a grim basement, where she was kidnapped and abused by a monstrous man. However, when the normal life she had starts to unravel, Dakota needs to uncover her tormentor and end her nightmare for good, since she fears for her life and is determined to no longer be the victim.

Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.

Balthazar is a young African filmmaker on the brink of directing his first project, The Cycle of the Cockroach, a fictional story about a young woman who survived unspeakable atrocities only to find herself committed to the same mental institution as a man driven insane by the crimes he perpetrated during the war. Potential funders for the film insist the themes are too bleak and pessimistic-they encourage Balthazar to make a "message" film that raises awareness about gender-based violence or HIV/AIDS instead. But he refuses to give up. Instead of telling his production team the news, Balthazar continues preparations for the film without financing or equipment. After rehearsing a scene with each of the characters, reality blurs and scenes from the script materialize, provoking the question: Can a film like this exist only in the director's dreams? Armed with a daring and creative visual language...

A man enters the car and drives it to a local car dealer where he hopes to sell it. It seems that he has moved back from Canada and cannot afford the tax on the car. The dealership is manned by two. One appears to be the worker of the pair - keeping the cars clean and running. The other is a cookie cutter version of many auto salesmen to be found everywhere in the world. He is Shmuel, the apparent owner of the lot and has seen the same car in a German dealer's catalog priced at €50,000. He conferences with Siso, the worker of the pair, whose financial support he needs and convinces him to invest in the purchase of the car. In the typical car dealer fashion, Shmuel makes a deal to buy the car from the "ignorant Arab" for €5,000.

A woman hoping to raise cash to pay for an operation to restore her blind brother's eyesight finds herself implicated in a nightclub murder.

Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.

A newlywed tries to deal with her troubled stepchild.

After directing him as the title character in Huckleberry Finn, William Desmond Taylor again used boy actor Lewis Sargent in this picture. His character, known merely as "the boy," has been raised in an orphanage where he has caused as much trouble as possible. He finally can't stand living there anymore and runs away. On the streets he finds a friend in Mike (Ernest Butterworth), a newsboy. Mike teaches him how to survive but inevitably the boy gets hauled into court. However, the judge sees potential in him and hands him over to be adopted by a young politician. The judge, incidentally, is played by Judge Ben Lindsey, who was famous in his day for his efforts to give delinquent boys a decent chance in life.

Michael Gavin and his partner Daniel trade the rat race of New York City for the idyllic charm of the Connecticut shoreline, with hopes of a simpler life and time for Michael to finish his first novel. All that changes when one of Michael's high school students accuses him of 'inappropriate conduct', and the town rushes to judgment.

Most of us can answer that question without a second thought, but for some people, the answer isn’t so simple. American Transgender takes us firsthand into the daily lives of three individuals—Clair, Jim, and Eli—who each identify with a different gender from the one in which they were born and raised. We witness their struggles and triumphs, and experience their hopes and fears. How do they manage at work, build careers, maintain friendships, and nurture lasting, intimate partnerships? Each of the characters in the film tells their story in their own words as we follow them through life’s daily battles and victories, both large and small.

Seagal stars as mob kingpin Mr. Alexander, an old-school boss who rules his criminal empire with both nobility and brutality. For a simple prison hit, he sends his best enforcer and protégé Roman Hurst (Foster). When the hit goes wrong, Hurst is forced to pay the price of his failure: banishment in the city that he almost once ruled. But a war is brewing for the soul of the city between Alexander, a cold-blooded gangster known as 'The Iceman" (Rhames) and a merciless Mexican cartel. Hurst, with the help of an ex-con restaurant owner (Trejo) who has a few hidden moves of his own, will rediscover his own will to survive the coming conflict and to wreak vengeance on those who have wronged him.

Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.

A possessed piñata, seeking to avenge the savagery that humanity has inflicted on his kind, picks off a group of friends, one by one, in an unending night of terror.

On a morning like any other, Rachel drops her daughter Kylie at the bus stop and continues with her day. But a phone call from an unknown number changes everything. A woman on the line informs her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. Rachel is now part of The Chain, a scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit an act you'd have thought yourself incapable of just 24 hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children... and it turns out that kidnapping is only the beginning.

An escaped criminal impersonates a Police Commissioner, causing no end of trouble to a determined Federal Agent.

A woman agrees to help her husband pay off an extortionist, but when the blackmailer is murdered she becomes the prime suspect, and discovers that the man she married has been leading a deadly double life.

Clay is a killer. He walks the streets, picking his victims by fate. Behind his madness lies Sam, his father, a man who unknowingly raised a serial killer by filling his child's head with years upon years of evil stories, lies, bitterness, abuse and fear. Now Clay has grown up, and his father's vicious rule over him is headed to a certain end...

After surviving a plane crash a young conservative woman suffers a crisis of faith.

I AM THAT GIRL is the story of Maxine, an anti-typical Asian American woman who lives a life of partying, funded by her eighty-thousand dollar credit card debt that she pays for by working at her ten-dollar-an-hour desk job. Desperate for affection, Maxine grabs hold of 'Noodle,' an enigmatic wanderer on his way to the Sierras, and convinces him to take her on his road trip where she discovers the beauty of nature. On their journey, Maxine falls for Noodle, but his haunting secret keeps him distant. Part comedy, part drama, I AM THAT GIRL is a love story that truly captures the spirit of D.I.Y. film-making and comments on American credit card culture while revealing the beauty of the simpler things in life.

Danny, a ragamuffin orphan, is adopted by a brutal plumber and his frail wife. His fear of hunger, resulting from his foster father's indifference, at one point leads him to substitute for the plumber in repairing a leak, but he causes a flood. Later, Danny is instrumental in saving a policeman's life and in sending the plumber to jail. He finds new happiness with his foster mother on her parents' farm.

Joanne Connors is a successful obstetrician whose life is turned upside down when her partner at their fertility clinic, Dr. Jake Hines, is brutally murdered. Trying to rebuild her life, Joanne attends a lavish charity function, where she meets Michael. But by the end of the evening, Michael is dead - murdered. It quickly becomes apparent that the assassin's intended victim was actually Joanne. She must now race to find out who wants her dead before the killer can strike at her again.

A wild gang of bikers who shamelessly idolize the Nazis, brutalizes anyone or anything that stands in their way. Dealing in illegal weapons, assassinations, power and violence, they seem invincible until they push one man too far... When his girlfriend is savagely murdered, he declares a personal war...but to destroy them, he has to join them!

Three Marines take shore leave in San Francisco during World War II. Frankie O'Neill visits his lower-class dysfunctional family; Nico Kantaylis visits his pregnant fiancée; and the upper-class Alan Newcombe visits his high-living playgirl girlfriend. Each must decide whether to make the best of his situation or break out of it. O'Neill drowns his troubles in alcohol, losing the respect of a potential lover; Kantaylis marries his fiancée, but realizes he may not survive the war to see his child; while Newcombe sheds his decadent girlfriend for a pure-hearted Hawaiian nurse. Later, in battle, a heroic act costs one of the Marines his life.

Three smalltown friends looking to leave their troubles behind come up with a robbery scheme to fund their trip to the big city. But as their plan goes awry and the authorities become involved, they are left with no other alternative but to take hostage a pair of traveling young lovebirds, with no shortage of problems of their own.

Set in Hoxton, East London; our story follows George and Sophie, they're saving money to go on their first holiday together, the deposit is paid, and they have two weeks left to pay the outstanding balance of £2,000. Sophie has entrusted George with her holiday savings and is keen to settle the debt with the travel agents. The only trouble is, unbeknown to Sophie, George is flat broke. In a vain attempt to raise cash, George uses Sophie's holiday money to fund an ill judged deal.

After finding out that an abused women’s shelter is losing funding, a group of determined ladies form a bakery in hopes to raise the money before it’s too late.

Alex Tallman has never hurt another human being. As a nurse she has dedicated her life to the care of others...until one shattering night her whole life changes forever. Three strangers brutally beat and rape Alex. She is abandoned naked. A victim no more, she pursues her assailants relentlessly. At a firing range she designs her revenge for her targets in a tight pattern of 45 mm. slugs to the groin. At night she stalks her tormentors and returns in kind the terror they inflicted upon her.

Victor is a struggling playwright and theater director and his girlfriend Mary is expecting their first child. He has a temporary job in construction to make ends meet, but the dusty, dirty job exhausts him. Across town, Mary is a manager in a tony Madison Avenue boutique. The young couple is about to move out of their bohemian apartment in Brooklyn to the suburbs, all funded by Mary's father. As Dad keeps buying buying them things they could never afford, Victor's sense of entrapment grows. His inner struggle to meet their expectations seems to be guiding him towards a way of life he is unwilling to accept.

Mr. Wilson hires Mantan to travel out West and clean out an old property. Mantan runs into trouble in believing the house is haunted while a gang uses it as a hideout. A race film Western produced by the Toddy Company; made for $500 over two days. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from the only surviving 35mm nitrate print donated by Giancarlo Esposito and Laurence Fishburne.

This political documentary illustrates the turbulent history of El Salvador from the 1920s-1970s, and the role of the U.S. government in that history. The most comprehensive film introduction to that country, examines the civil war there in light of the Reagan administration's decision to "draw the line" against "communist interference" in Central America. Archival material offers an overview of U.S. military and economic policy in Central America since 1948, while footage drawn from sources in the U.S., Mexico, and Europe provides extensive background to the current political and military situation.

Having trouble fitting in at her new high school, outspoken teen Hannah is invited to a sleepover at the popular Melissa’s house, not realizing she was only invited to be the victim of a prank–but when the night turns more sinister than intended Hannah’s mother will become her only chance of surviving the night.