Movie Western
"Be my Crusader"
Veteran action hero William Russell starred opposite his offscreen wife Helen Ferguson in this typical Fox oater about a miner who finds himself up against a master swindler (George Webb).
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Just Pals
Bim (Buck Jones) seems to be his town's biggest loser, but when he takes a needy 13-year-old boy named Bill (George Stone) under his wing, it seems there may be some hope for Bim. After learning about Bill, a young teacher, Mary (Helen Ferguson), whom Bim secretly adores, helps get the young boy into school. And when Bim then helps Mary repay a loan, defaulted on by shifty boyfriend (William Buckley), it becomes evident that Bim can reform. As the plot in this captivating film twist and turns, the stakes get higher, the action gets more intense and hope for Bim bounds upward.
The Keeper of the Bees
A severely traumatized World War I veteran, believing that he's living on borrowed time, comes upon a peaceful little village and meets an old man called Bee Master and his protégé, Little Scout, who try to convince him that he has more to live for than he thinks he does.
Dreamboat
Thornton Sayre, a respected college professor - secretly formerly a silent films romantic action hero - is disturbed, feeling his privacy has been violated, and his professional credibility as a scholar jeopardized, when he learns his old movies have been resurrected and are being aired on TV. He sets out to demand this cease. However, his former co-star is the hostess of the TV show playing the films, and she has other plans.
The Secret of the Submarine
An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.
The Royal Mounted Rides Again
In time-honored fashion, a couple of supporting players -- George Dolenz and Bill Kennedy -- found themselves elevated to starring roles in this minor Universal serial. They played Royal Canadian Mounted Police officers investigating the murder of a miner. The story, of course, was less important than speed and action, which directors Ray Taylor and Lewis D. Collins delivered in typical slap-dash Universal style. Starlet Daun Kennedy did not make much of an impression as the imperiled leading lady, and former star Robert Armstrong (of King Kong fame) was wasted in a subordinate role. Rondo Hatton, a non-actor whose grotesque appearance (caused by acromegaly, the so-called "Elephant Man" disease) was tastelessly exploited by Universal in the '40s, appeared as one of the outlaws.
The Famous Ferguson Case
A foreword warns against the peril of yellow journalism, and the story illustrates it by following events in the upstate New York town of Cornwall after prominant financier George Ferguson is killed. Two types of New York City journalists descend on Cornwall, one interested in facts, the other in getting sensational "news". Mrs. Ferguson is known to have been friendly with a local banker. The Fergusons quarrel the evening he is killed (by "burglars", his wife tells the police later), and she is arrested, spurred on by the "bad" journalists, who also manage to badger the banker's wife into the hospital. Meanwhile, young Bruce Foster runs the Cornwall Courier, and shows the big city reporters how to dig out real news while they attempt to subvert justice for their own ends.
The Hawk
Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she discovers she does not have the happy marriage she always believed and begins to piece together the times and dates of her husband's frequent absences, her fears begin to take hold, and her sanity deteriorates.
Live, Love and Learn
A starving, uncompromising artist and an heiress fall in love on first sight and immediately get married. She loves his outrageous behaviour, his strange room-mate and the best apartment poverty can buy.
The Desert Man
William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.
Spook Ranch
Bill Bangs and his Negro valet, George Washington Black, stray into a mining town and are arrested when they attempt to steal something to eat. The sheriff promises them their freedom if they solve the mystery of a haunted house near the town. Bill agrees.....
First Love
The O'Donnells are a typical, everyday family -- Tad (George Hernandez) is a sensible working man, his wife (Fannie Midgely) is a good mother and their daughter Kathleen (Constance Binney) is pretty and innocent to the point of naiveté. Kathleen works in a factory and its owner, Donald Holiday (Warner Baxter), has taken a shine to her. But instead she falls for slick cab driver Harry Stanton (George Webb), who insists, "Honest, kid, you're the only girl I ever loved." Kathleen falls for this, and when her perceptive father makes clear he doesn't approve of Stanton, she moves out on her own.
A Sporting Chance
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
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