Best movies like The Dead Life

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

A thoughtful portrait of a renowned artist, this documentary shines the spotlight on New York City painter Jean-Michel Basquiat. Featuring extensive interviews conducted by Basquiat's friend, filmmaker Tamra Davis, the production reveals how he dealt with being a black artist in a predominantly white field. The film also explores Basquiat's rise in the art world, which led to a close relationship with Andy Warhol, and looks at how the young painter coped with acclaim, scrutiny and fame.

Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the human actors – are forced into Warhol and Tavel’s cruelly comical theatre of the absurd. Inside this cramped domestic space, boredom, confusion and a sense of existential dread hang heavy in the air. Warhol and Tavel transform the modern 1960s kitchen – replete with the latest gadgets and conveniences – into a chaotic laboratory for self-creation and interpersonal conflict.

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A rock band is on the brink of super-stardom. Until now they've juggled their music career with cocaine smuggling. The musicians and their manager wish to sever ties with organized-crime, leave the drug world behind and concentrate on music. They are coerced into doing one last job for the Mob. They lose the $2 million of cocaine and find themselves marked men unless they can fulfill their obligations.

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.

Soon after the rising young singer-songwriter Beau Williams gets involved with a fallen, emotionally unstable country star Kelly Canter, the pair embark on a career resurrection tour helmed by her husband/manager James and featuring a beauty queen-turned-singer Chiles Stanton. Between concerts, romantic entanglements and old demons threaten to derail them all.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.

A surreal, half-fiction, half real life footage of a day in the life of John lennon and Yoko Ono, composed to music from John's historic 'Imagine' album and Yoko's 'Fly'.

Footage of John Giorno sleeping for five hours.

Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.

"Tub Girls" features Warhol superstar Viva lying in a bathtub with different people of both sexes, including Brigid Berlin (as Brigid Polk), who appeared fully clothed in the tub.

The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.

A feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film weaves together extemporaneous monologues with archival footage and the effect is a portrait of Fran's worldview and experiences.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and must decide whether to continue with it, or return to her lover, a fellow journalist trying to track down the elusive Andy Warhol.

Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.

A group of wealthy boys in Los Angeles during the early 1980s establishes a get rich quick scam that turns deadly.

Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.

A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.

Gutter King is an urban coming-of-age fight drama about a tough street kid just released from the Juvenile Department of Corrections. The girl next door needs help, so he turns to the world of amateur bare-knuckle brawling for money.

Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com)

Based on the semi-hit Broadway musical of 1968 starring Joel Grey, this TV version has been re-fashioned in significant ways. The premise here is that a small group of modern-day performers have gotten together in a rehearsal studio to celebrate George M. Cohan's life and work. Joel Grey and Bernadette Peters (also from the original cast) and the other cast members are apparently playing themselves, with Austin Pendleton serving as a stage manager/director.

After nearly 40 years of waiting for his big chance, Wilfred Morgenhall is given the case of defending Herbert Fowle who is accused of murdering his wife. Despite Fowle's insistence of guilt, Moregenhall will not let go of the opportunity to plead his client as innocent and be a star in the courtroom.

Shot during Warhol's cross-county trip to Los Angeles during his second exhibition at the Ferus - the same trip during which he filmed the footage for Elvis at Ferus. Locations included Hollywood, Malibu, Venice, Pasadena, Topanga Canyon, the Santa Monica pier and the Beverly Hills Hotel.

Musical stage adaptation of JM Barrie's classic tale, which tells the story of the boy who wouldn't grow up and the adventures of the Darling children in Neverland, as they battle with Captain Hook. Staged at the Lowry, Salford, with a cast packed with CBeebies stars, the blend of music, laughter and high-flying adventure is a treat for the whole family.

Raised in poverty, Gutter realizes thriving in this world, means embracing the streets that made him.

A change in a will, a murder and a mysterious letter. The police look to a former cat burglar to aid them in the investigation.

Follow a beloved Andy Warhol Brillo Box sculpture as it makes its way from a family's living room to a record-breaking Christie's auction, blending personal narrative with pop culture, and exploring how we navigate the ephemeral nature of art and value.

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Docu-fiction hybrid about Ulli Lommel and Andy Warhol.

This film follows the life of a mentally ill street itinerant whose name is not worthy of mention. When not sleeping in the gutters of Manhattan's Lower East Side, our protagonist keeps busy juggling her schedule of drug abuse, trips to her shrink, and stealing from those misguided souls who, after taking pity on her, allow her temporary shelter in their homes.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.

Monogram's Outlaws of Texas is surprisingly bereft of the action highlights one might expect from star Whip Wilson. This time, the Whip and his saddle pal Andy Clyde play heroes Tom and Hungry who work undercover to break up a gang of bank robbers.

Penn Jillette and Teller are called upon to display their unique brand of humor to save civilization from strange extraterrestrial beings who have invaded Earth and who, disgruntled and bored with the mundane nature of human life, threaten to blow up the planet unless someone gives them a good reason not to.

A London actress collapses on stage and is sent by her doctor to stay in the country with a farmer and his wife. But when she starts an affair with the farmer, the idyllic life at "Crooning Water" is threatened with tragedy.

A silent film version of the Gershwin stage musical

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. "Mickey: The Story of a Mouse" explores Mickey's significance, getting to the core of what Mickey's cultural impact says about each of us and about our world.

Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.