Best movies like The Death of Indie Rock

Indie director Jim Jarmusch lenses a low-tech tribute to protean rocker Neil Young and his long-standing band, Crazy Horse. Stitched together from archival material shot in 1976 and 1986 along with candid scenes of Young and the band kicking back between shows, this rockumentary is as ragged as it is direct.

A young American hockey player, studying in Canada on a hockey scholarship, falls in love while risking his scholarship and the prospect of the Vietnam war draft.

William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.

A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.

Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.

Based on the life and career of legendary entertainer, Bobby Darin, the biopic moves back and forth between his childhood and adulthood, to tell the tale of his life.

Teens in a small conservative town are turned into evil demons thanks to the music of the titular heavy metal band.

Two musicians and a roadie take money that is owed to them from a job. One flees to Mexico, and everyone has questions.

Story of a wild first love that takes place at the mouth of the St. Lawrence River between the refineries at Pointe-Au-Trembles and the rock culture of Montreal.

Dragonslayer documents the transgressions of a lost skate punk falling in love in the stagnant suburbs of Fullerton, California in the aftermath of America's economic collapse. Taking the viewer through a golden SoCal haze of broken homes, abandoned swimming pools and stray glimpses of unusual beauty, Dragonslayer captures the life and times of Josh 'Skreech' Sandoval, a local skate legend and new father, as his endless summer finally collides with the future. Set to the alternately roaring and dreamy soundtrack of bands from the indie labels Mexican Summer and Kemado Records including Best Coast, Bipolar Bear, Children, Dungen, Eddy Current and the Suppression Ring, Golden Triangle, Jacuzzi Boys, Little Girls, Real Estate, The Soft Pack, Saviours, as well as DEATH and Thee Oh Sees. Dragonslayer is a punk-rock manifesto to youth, love and learning to survive after the decline of western civilization.

In the sixties, Eddie and the cruisers was the hottest band around. But the tragic death of its lead singer broke the band up. Only Eddie is not dead. He works as a carpenter in Montreal. His love of music forces him to create a new band which will have to struggle with its anonymity.

For as long as she could remember, Dakota Skye has been cursed with a super power. She has the ability to see the truth in any lie she hears. From small, harmless white lies, to the more devious kind, they have come from the people that she should trust the most; her family, friends and teachers. These lies have snowballed, leading to her becoming bitter and apathetic towards the world around her.

Francis is a young gay man, Marie is a young straight woman and the two of them are best friends -- until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas' indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas' mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.

Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don't necessarily work long-term. Making the difficult decision to separate, they must split their prized music library. But the soundtrack that defined their relationship keeps pulling them back together.

A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.

Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. She resists, afraid of his kooky ideas until she travels with him to San Antonio and meets his wise grandmother. Story of two disparate people linked by "fate" gets increasingly interesting as it rolls along.

A documentary about the English alternative rock band, The Stone Roses. Meadows interweaves archive film, intimate behind-the-scenes footage and never-before-seen material, delivering the definitive account of the band and their music. He was also granted unprecedented access to their rehearsals for the summer 2012 Manchester concerts. A momentous occasion in modern music, these were the first gigs performed by The Stone Roses in 16 years.

Martin Stone chose freedom: in 1966, he took his young daughters, Deborah & Jacqueline and hit the road on a six-year adventure with America's wildest hippy community, the Hog Farm. Five decades later, Martin and his girls live very separate lives. Martin remained true to his counter-culture beliefs and today, lives "in community," sharing his rambling Montreal, Mile End apartment with young roommates who dig his alternative vibe. For Martin, being a hippy wasn't a phase, it's a way of life. His daughters, both now living in Philadelphia, decided on less eccentric existences. Martin and his girls give honest accounts of their lives together and why their paths and dreams ran so far apart. This is a film about choices and how they impact those we love.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can't help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

A rock musician and a free-spirited woman start an intense relationship which soon spirals into a world of drug addiction and crime.

An architect goes to bed with a seductive stranger only to awaken beside the corpse of his boss.

This movie invites you to take a look at the world of micro budget indie cinema. The point is to entertain you while also teaching you some insider knowledge. You'll love this story even if you don't care about the genre, but if you are part of the industry, you will hail this as your video bible.

Malarek is a film directed by Roger Cardinal in 1989. Ex-juvenile offender Victor Malarek catches a break when he's hired as a cub reporter for the Montreal Star. After witnessing a cop murder a street kid, Malarek dedicates himself to exposing corruption in the social welfare system.

A female singing group from the '60s reunites for a TV special.

What do you do when you love music, and music doesn't love you back? It's a question that haunts Walt (Jim Tavaré), the owner of Essential Music, an indie record store in the heart of Silver Lake. Walt's all too aware of how his punk-rock glory days are fast fading in the rear-view - even as he can't help recounting war stories to his much younger employees: Lysette (Kate Dalton), who has to contend with a parade of customers convinced she's the Record Store Girl of their dreams; Chris (Derek James Elstro), the lead singer of Troubled Meats, a band poised for takeoff, and maybe not just in Chris' mind; and well-meaning music nut Duane (Adam Weber), who's a little too fluent in Rock Critic for his own good. With a love of all types of music evident in every shot, WARMED-OVER KRAUTROCK is a comedy for anyone who's ever spent too much time obsessing over playlists - and for anyone who's ever been driven crazy by that type of person, too.

When an indie rock band sneaks into a haunted house to record their final album, they are met with more than they bargained for: fairies, banshees, and the ominous Innkeeper.

A group of twenty-somethings struggle through the misguided awkwardness that comes with early romance. Bryce meets a French girl one day in the city. Jules runs into an old flame he has secretly been in love with for years. Blake realizes that his friend's sister is suddenly "all grown up" and these young men are forced to come to grips with the unknown... women.

Raoul and Beatrice’s eyes meet in the Montreal metro. This sets off a chain of events that will affect the whole city. He's a rock star activist on a secret mission, she's a bohemian who wanders the streets at night, handing out books to the homeless. Every Thursday evening, she meets Constance and Eugène in their small candlelit apartment, for their weekly reading ritual. Constance broadcasts her live-sampled, politically conscious sound art on an independent radio station; Eugène has been working on a novel for years, whilst trying to shut himself off from the outside world. The three young friends all dream of their own poetic revolution, inspired by the situationists, on whom Raoul has modelled his persona.

An open and honest autobiographical account of male sexuality centered on Frank, an unemployed photographer, and his circle of mainly gay friends. He and his best friend, Bozo, attempt to have sex, although they consider themselves straight. But things begin to fall apart when Frank meets and falls in love with Johnny, a 13-year-old boy.

Live performance by English indie band Foals. Filmed at the Royal Albert Hall in London, the band perform a selection of tracks from throughout their career including 'Spanish Sahara', 'Inhaler', 'My Number' and 'Late Night'.

Through an online contest, six fans were selected to film Dinosaur Jr. performing Bug in its entirety at the 9:30 Club in Washington, DC in June 2011. Under the awesome direction of Dave Markey (The Year Punk Broke), “In the Hands of the Fans” brings the fans closer to the band and the music closer to you.

Compilation celebrating some guitar band performances at the BBC that feature some of the best female musicians in rock. Beginning with the oft-forgotten American group Fanny performing You're the One, it's a journey along rock's spectrum from the 1970s to now. The selection includes the powerful vocals of Elkie Brooks on Vinegar Joe's Proud to Be a Honky Woman, the mesmerising poetry of Patti Smith's Horses and the upbeat energy of the Go-Go's on We Got the Beat. Mighty basslines come courtesy of Tina Weymouth on Psycho Killer and Kim Gordon on Sugar Kane, whilst we trace the line of indie rock from the Au Pairs through Lush, Elastica and Garbage to current band Savages.

This is the story, as told by fans and fellow musicians, of one of the greatest indie rock bands of all time: Solar Bear. Retold through a collection of archival footage and never-before-seen interviews with the band, the reign of Solar Bear at the top of the independent music world is brought to life in this retrospective.

Bop Girl Goes Calypso is a 1957 American United Artists film directed by Howard W. Koch and starring Judy Tyler. It featured Calypso music, and music by the Bobby Troup Trio and bassist Jim Aton. The calypso craze of the late 1950s drives this fun musical about grad student Bob Hilton (Bobby Troup), who sets out to prove that rock 'n' roll and bop are going the way of the dinosaur, to be replaced by the refreshing rhythms of calypso.

Scott Pilgrim vs. The Animation is an animated short based on Bryan Lee O'Malley's "Scott Pilgrim" franchise.