Best movies like The Deserted Station

An inner-city high school teacher discovers she is pregnant at the same time as one of her most promising students and the two develop an unlikely friendship while struggling to navigate their unexpected pregnancies.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

A woman leaves her husband after the death of her child to teach deaf children how to speak. Her own child was deaf and although she has no formal training she successfully teaches one boy.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

The story revolves around a blind boy named Mohammed who is released from his special school in Tehran for summer vacation. His father, shamed and burdened by Mohammed's blindness, arrives late to pick him up and then tries to convince the headmaster to keep Mohammed over the summer. The headmaster refuses, so Mohammed's father eventually takes him home.

A young, white school teacher is assigned to Yamacraw Island, an isolated fishing community off the coast of South Carolina, populated mostly by poor black families. He finds that the basically illiterate, neglected children there know so little of the world outside their island.

An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.

A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

After their father dies, a family of five are forced to survive on their own in a Kurdish village on the border of Iran and Iraq. Matters are made worse when 12 year old Ayoub, the new head of the family, is told that his handicapped brother, Madi, needs an immediate operation in order to remain alive. This heartbreaking tale shows the lengths to which a family will go in order to survive in the harshest of conditions, where even the horses are fed liquor in order to work.

A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes into a world alien to him - incredibly hectic Tehran, where sudden opportunities for independence, thrill and challenge him. But his honor and honesty, plus traditional authority over his inventive clan, are tested, as he stumbles among vast cultural and economic gaps between his village nestled in the desert, and a throbbing international metropolis.

Tells the story of seven Iranian transgender individuals living in Tehran who live pieces of their own lives on the screen.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

During the rule of Taliban in Afghanistan, about 3 million illegal Afghani immigrants entered Iran and caused numerous problems for the Iranian society to accept them. This film depicts the story of a 17 year old rural girl by the name of Mahi (Fish), who comes from a war-stricken family in southern Iran. Mahi falls in love with Heiran, an Afghan student who has come to their village to work. However, Mahi's family being strictly against her marriage to Heiran, force Mahi to choose one between her family and an Afghan boy.

When a young girl's mother doesn't meet her after school, she tries to navigate the streets of Tehran by herself.

A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.

Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.

Religious beliefs clash with the law when an Amish infant is killed in a rural community.

As a war rages on in the province of Bougainville in Papua New Guinea, a young girl becomes transfixed by the Charles Dickens novel Great Expectations, which is being read at school by the only white man in the village. In 1991, a war over a copper mine in the South Pacific tore the island of Bougainville apart. The reclusive “Popeye” (Hugh Laurie) offers the children in fourteen-year-old Matilda’s tiny village an escape with Charles Dickens' Great Expectations. But on an island at war, fiction can have dangerous consequences.

The Pregnancy project tells the real story of Gaby Rodriguez, a seventeen-year-old who attended a Washington state high-school and made her senior school project the treatment of pregnant teenagers by pretending to be pregnant.

The story begins on a fine summers morning, when San-woo and his mother board a bus to the country. It is soon clear that the unsophisticated rural passengers annoy the seven-year-old urban boy. His mother is taking him to live with his 78-year-old mute, but not deaf, grandmother while she looks for a new job after a business venture failed in Seoul.

Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.

Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.

Out on the lacrosse pitch, wealthy but troubled Jesse and poor but driven Tosha form an easy and deep bond, but their relationship is threatened once they enter the hallways of an elite prep school they attend in Washington, D.C. There, they must work to overcome racial and other tensions in their classmates, and in themselves, if they hope to keep their friendship alive.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

Filmmaker Saman Moghadam details the struggles of three women living in an antiquated district of Tehran in this emotionally resonant drama. Fabria's husband has been morally corrupted, and now it's up to her to take charge of the small café that proves the only source of income to the couple. Saloomeh is a beautiful young woman who dreams of marrying Ebi, but how will the couple survive on the salary of a simple mechanic? Lastly, middle aged Moluk has fallen for a much younger man, and her heart breaks when she discovers that her love is unrequited.