The Dessert

A story about the rich McCulloch Family, their overbearing father and the children's misguided blaming him for everything that doesn't go right.

On a Knife Edge is a father-son story about Guy and George Dull Knife that unfolds over the course of George’s coming-of-age journey. Under his father’s guidance, George becomes an activist and organizer, and begins identifying with the role of traditional Lakota warrior, which he views as his family legacy. He commits himself to the fight for social justice, but struggles with adapting the old ways and his father’s expectations to the modern-day realities of growing up on the Pine Ridge Reservation. Told largely through George’s eyes, the film offers a privileged glimpse into the youngest generation of the American Indian Movement, as well as George’s own evolving notions of Native identity, manhood, and duty. His story is interwoven with animated sequences that depict five generations of family history, narrated by his father and based on paintings he has created to explore the continuum of their fight through the generations.

A collection of Monty Python's Flying Circus skits from the first two seasons of their British TV series.

A pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.

Divine Madness is a 1980 concert film directed by Michael Ritchie, and featuring Bette Midler during her 1979 concert at Pasadena's Civic Auditorium. The 94-minute film features Midler's stand-up comedy routines as well as 16 songs, including "Big Noise From Winnetka," "Paradise," "Shiver Me Timbers," "Fire Down Below," "Stay With Me," "My Mother’s Eyes," "Chapel of Love/Boogie Woogie Bugle Boy," "Do You Want to Dance," "You Can’t Always Get What You Want/I Shall Be Released", "The E-Street Shuffle/Summer (The First Time)/"Leader of the Pack" and "The Rose".

Sex comedy takes a look at contemporary dating mores and hypothesizes that the new dating location may be the dog walk in the park. Follow one mild-mannered man who's consistently unlucky in love and dogs.

John and his girlfriend have vowed to marry once they save $30,000 for their dream house. But the minute they achieve their financial goal, John finds out his niece has been accepted at Harvard, and he's reminded of his promise to pay for her tuition (nearly $30,000). John's friend Duff convinces him to turn to petty crime to make the payment … but Duff's hare-brained schemes spin quickly out of control.

Chevy Chase makes his film debut in this riotous collection of live skits. Directed by Ken Shapiro and featuring Chase, Richard Belzer and others, The Groove Tube mocks TV Land and its trappings by spoofing kids' shows -- from a marijuana-smoking Koko the Clown who resides in Make Believe Land, to Safety Sam, the penis with a plan who gleefully informs the audience of the perils of casual sex.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

Orphan Mary Katherine Gallagher, an ugly duckling at St. Monica High School, has a dream: to be kissed soulfully. She decides she can realize this dream if she becomes a superstar, so her prayers, her fantasies and her conversations with her only friend focus on achieving super-stardom.

During summer break, 14-year-old Darious explores the boundaries of his manhood through tumultuous interactions with Malcolm his strict father and a burgeoning mentorship with mysterious drifter Porter.

First Down. Second Chance. Skylar is a star quarterback of his football team. He's got the skills, the looks, and the girls. His next-door neighbor, Walter is a loving husband, good father and all-round decent family man. When their worlds start to crumble they find themselves in jail together and suddenly these former enemies must rely on each other to rebuild their lives...

The movie consists of three odd and strange tales that each teach a different lesson.

Amy and Mike unearth a centuries-old curse when they decide to watch an exclusive film reel. The duo must track down an infamous filmmaker and navigate a town of hungry zombies to save the world.

In this dystopian-musical-comedy, corporations and self-appointed guardians of "decency" and "morality" have society in a fascist choke-hold. It's up to a rag-tag group of actors, artists, and musicians to save the world the only way they know how - through the power of - wait for it - Performance Art! Led by the legendary Existo (Bruce Arntson (musical composer, "Ernest" film franchise), his faithful sidekick Maxine (Jackie Welch, (Ernest Goes to Jail), provocateur Marcel (Jim Varney, (Ernest, Toy Story), and Vigo (Cooper Thornton (Parks & Recreation) this troupe of subversive insurgents have the Religio-Capitalist Complex in their cross-hairs. But the powers-that-be know Existo's weak spot - his ravenous libido - and seek to exploit it to derail the Revolution with a secret weapon - a curly-haired corporate-pop singer named Penelope (Jenny Littleton).

The Edge is an American sketch comedy television series created by David Mirkin which ran on the Fox Network from 1992 to 1993.

Exit 57 was a 30-minute sketch comedy series that aired on the American television channel Comedy Central from 1995 to 1996; its cast was composed of comedians Amy Sedaris, Paul Dinello, Stephen Colbert, Jodi Lennon, and Mitch Rouse, all of whom had previously studied improv at The Second City in Chicago. In 1999 Sedaris, Dinello, Colbert and Rouse would also create the Comedy Central show "Strangers with Candy". Humorist David Sedaris also served as an additional writer for the series, sharing a single onscreen credit with his sister as "The Talent Family". The show's producer, Joe Forristal, had also served as executive producer for The Kids in the Hall. All of the sketches in the series are implied to take place in the fictional suburban setting of the Quad Cities. During the show's memorably cryptic opening sequence, the cast members are seen standing next to a broken down car on the highway. Soon they are picked up by a passing driver, who changes the radio station at the mention of a serial killer, and takes Polaroid pictures of his increasingly uncomfortable passengers. Growing suspicious, the cast demands to be let out. The car is then seen pulling off the highway at Exit 57.

Fridays is the name of ABC's weekly late-night live comedy show, which aired on Friday nights from April 11, 1980 to April 23, 1982.

In the fictional Ontario town of Shuckton, the mayor has been murdered! As the Shuckton residents cope with the loss, a new lawyer moves in to prosecute a suspect – though another resident, unsatisfied with the evidence, tries to find the real killer. At the same time, a character who is a personification of death waits at a motel room for the latest Shuckton residents to die...

Pop-culture phenomenon All That is returning for a new generation of kids. The new weekly sketch-comedy series will showcase an all-new cast of kids, with original cast members making special appearances.

Four guys who carpool to work every day come to savor their commute as the only safe time to commiserate about jobs, families - and secrets. Even though "what happens in the carpool stays in the carpool," they'll go beyond the boundaries of this fast-moving commuter confessional to get involved in each other's lives and develop friendships.

Two bourgeois-bohemians struggle to stay on the cutting edge of trends and fashion while never sacrificing a single ounce of comfort, style or social conscience.

Light at the Edge of the World examines this distressing truth, tracking four indigenous cultures. Humanity may be losing half of its intellectual, social and spiritual legacy in a single generation, as the world loses a reported one language about every two weeks. Light at the Edge of the World examines this distressing truth, tracking four indigenous cultures, each uniquely dedicated to the preservation of their customs in the face of modernization: Inuit, Nepali Buddhist, pan-Andean and Polynesian.

Comics offer humorous advice and common-sense solutions to universal issues facing all adults who feel like they're a kid stuck in a grown-up body through interviews, sketches and animation.

Biz Kid$ is an educational television show that teaches financial education and entrepreneurship to a preteen audience. It uses sketch comedy and young actors to explain basic economic concepts.

In a series of savage, often offbeat, comedic sketches, Like Me! illustrates the myriad facets—emotions, friendships and sex lives—of the Millennial generation. A mixed bag of absurd send-ups, laser-sharp observations and raw dialogue, the show explores a world where relationships are disposable, sentiment is recyclable, and pleasure is marketable.

Documentary series going beyond the theatre doors of Queen Elizabeth Hospital Birmingham, where surgeons push medical boundaries to the limits.

Screened on ITV, Saturday nights throughout the autumn and winter of 1978. A total of 12 episodes were broadcast between 7 October and 31 December 1978, with an additional highlights show and a further one off special on 4 April 1980. Despite a huge budget and big name guest stars it was poorly received and was broadly unsuccessful, with Forsyth's former big hit The Generation Game (hosted then by Larry Grayson) winning higher audience figures.

Clemens Gabriel and his crew of family and friends set sail from the Marshall Islands to cross the perilous Northwest Passage -- an Arctic ship route known for its harsh weather, thick ice, and historic dangers and deaths.

The iconic Canadian sketch comedy show returns with an exciting new season, a fresh batch of fun, off-beat characters and beloved favorites, and sketches that pack a satirical punch, all laced with the edgy and fearless comedy the Kids are synonymous for.