The End of Old Times

A lyrical story about first love, death and disappointment, based on a poem of the same title.

Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

Adolf (Miloš Kopecký), the irresistible seducer of women, is fond of Janicka (Hana Lelitová), a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek (Pavel Landovský) who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

Eva's aunt is jealous of her neighbor's excellent roses and wants to know the secret. To help auntie out Eva applies for secretarial work at the neighbor's house in order to find out the formula. Things get complicated when it turns out that Eva's brother is in love with the daughter of the house and also wants to get in there under false pretenses.

In Nazi-occupied Czechoslovakia, a doctor-turned-warehouse employee reluctantly agrees to treat a gravely wounded political fugitive, putting himself and everyone living in his building complex in danger.

Adaptation of Vladimir Paral's comic novel, which criticizes consumerism as an attitude of life.

A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.

A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

A crime movie directed by Zbynek Brynych.

It’s 1882 and the Gilded Age is in full swing when Marian Brook, a young orphaned daughter of a Southern general, moves in with her rigidly conventional aunts in New York City. With the help of Peggy Scott, an African-American woman masquerading as her maid, Marian gets caught up in the dazzling lives of her rich neighbors as she struggles to decide between adhering to the rules or forging her own path.

Surviving power struggles, betrayals and plots, Hitler's inner circle of Nazi leaders seizes control of Germany and designs its disastrous future.

Max is a charismatic self-made American businessman with media outlets in London and around the world. When the self-destructive lifestyle of his 30 year-old son, Caden, spirals out of control, the devastating consequences threaten the future of the family, its empire, and a country on the brink of change.