Best movies like The Extraordinary Voyage

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

In a bakery in the French countryside, Father Latourte, his wife, and their staff are busy with customers, pastries, and baked goods of all kinds. The Latourtes' young daughter, called Red Riding Hood, reads by the firelight until her parents leave for a moment. She starts to play boisterously, getting the bakery staff mixed up in hijinks and pratfalls. Her father and mother return, chagrined by her escapades, and she is told to take a pot of butter and a galette to her grandmother's cottage. Red Riding Hood travels through the forest on her errand, meeting a wolf, who finds out where she is going. Encountering her friends from the village school, she happily pauses her journey to play and dance with them. Meanwhile, at a windmill near the cottage, the miller Sans-Souci has comic trouble with his mule.

Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored.

A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.

At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.

The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog)

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues.

In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

In 30 years of a deeply committed career and 50 roles, Denzel Washington, double-Oscar winner, placed the figure of the Black man in all its complexity at the heart of the American paradoxes: from Black activist, rebel soldier to gangster torn between violence and charity. Voted best actor of the 21st century by the New York Times a few months ago, Denzel Washington, 65, has risen to the top of American cinema. As an Actor, director and producer, he has shaken up a "color line" as immutable as it is subtle. Often identified with his characters, he reveals himself to be disconcerting and paradoxical. As if he were holding up a mirror to America in which all of its contradictions and failings were reflected. A documentary that chronicles the extraordinary career of the world-renowned African-American actor.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Documentary telling the little-known story of how Darwin came to write his great masterpiece, On the Origin of Species, a book which explains the wonderful variety of the natural world as emerging out of death and the struggle of life. In the twenty years he took to develop a brilliant idea into a revolutionary book, Darwin went through a personal struggle every bit as turbulent as that of the natural world he observed. Fortunately, he left us an extraordinary record of his brilliant insights, observations of nature, and touching expressions of love and affection for those around him. He also wrote frank accounts of family tragedies, physical illnesses and moments of self-doubt, as he laboured towards publication of the book that would change the way we see the world. The story is told with the benefit of Darwin's secret notes and correspondence, enhanced by natural history filming, powerful imagery from the time and contributions from leading contemporary biographers and scientists.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

A look back at Charlie Chaplin's early life and career, from his rough childhood and music hall success in England to his early Hollywood days and the development of his enormously popular character, the Little Tramp, also called Charlot.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.

Neil Armstrong's family and friends, many of whom have never spoken publicly before, tell the story of the first man to set foot on the moon. Drawing heavily on unbroadcast archive footage and the unique perspectives of the contributors, this is an exclusive account of Neil Armstrong's extraordinary life story. From his childhood during America's Great Depression to the heady days of the space programme, his historic first step on the Moon and his famously private later life. Seen through the eyes of those who were with him, the film explores the man behind the myth, a man who was very much a product of his time. The film goes beyond his days as an astronaut and shows that his life after the flight of Apollo 11 was, in many ways equally challenging, as Armstrong came to terms with life outside NASA and the relentless demands of fame until his death in August 2012.

How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.

An account of the life and work of Spanish actress Penélope Cruz: a long journey that began in the working-class neighborhoods of Madrid and ended in the hills of Hollywood.

Documentary presented by Professor Simon Schaffer which charts the amazing and untold story of automata - extraordinary clockwork machines designed hundreds of years ago to mimic and recreate life. The film brings the past to life in vivid detail as we see how and why these masterpieces were built. Travelling around Europe, Simon uncovers the history of these machines and shows us some of the most spectacular examples, from an entire working automaton city to a small boy who can be programmed to write and even a device that can play chess. All the machines Simon visits show a level of technical sophistication and ambition that still amazes today.

Paul Merton goes in search of the origins of screen comedy in the forgotten world of silent cinema - not in Hollywood, but closer to home in pre-1914 Britain and France. Revealing the unknown stars and lost masterpieces, he brings to life the pioneering techniques and optical inventiveness of the virtuosos who mastered a new art form. With a playful eye and comic sense of timing, Merton combines the role of presenter and director to recreate the weird and wonderful world that is early European cinema in a series of cinematic experiments of his own.

The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Since 1922, Boulogne-Billancourt cinema studios have welcomed the greatest actors, directors and technicians of French cinema and have given birth to many masterpieces.

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.