Best movies like The Fine Art of Separating People from Their Money

A fashionable contemporary art gallerist in Chelsea, New York falls for a brooding new music composer in this comic satire of the state of contemporary art.

For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Follows a struggling movie studio that's willing to do anything to make some money - even if it means ruining their reputation, and running the movie industry into the ground.

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

A documentary about the history of exploitation films that focuses on the careers of legendary producers David F. Friedman and Dan Sonney.

Chevy Chase makes his film debut in this riotous collection of live skits. Directed by Ken Shapiro and featuring Chase, Richard Belzer and others, The Groove Tube mocks TV Land and its trappings by spoofing kids' shows -- from a marijuana-smoking Koko the Clown who resides in Make Believe Land, to Safety Sam, the penis with a plan who gleefully informs the audience of the perils of casual sex.

Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.

A series of comedic short films guaranteed to offend.

A mysterious comedy about love, lust, art and the power of the "charged image", Dark Arc follows the eccentric love triangle between an artist, a graphic designer and their inspiring muse

An accidental slip reveals that a happily married couple were intimate before marriage.

A young actor's fascination with Rober De Niro's TAXI DRIVER persona leads him into a morass of strange and obsessional behaviors.

In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.

In 'Live Action', young psychiatrist Henry Carstairs moves into an apartment building filled with lonely, sex starved women. This soap is interrupted several times by sexy ads.

My Breakfast with Blassie is a movie starring Andy Kaufman and professional wrestler "Classy" Freddie Blassie. It is a mostly improvised parody of the popular art film My Dinner with Andre and is set in a restaurant where Kaufman and Blassie have a discussion over breakfast. Also featured is Kaufman's partner Bob Zmuda, who plays a nosy fan. Lynne Margulies, who would later become Kaufman's girlfriend, also plays a role; in fact, she and Kaufman met for the first time on camera.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.

Advertising executive Gwen Taylor sends her art director Rick Todd on a mission to bring an artist back to the commercial fold. Meanwhile, Gwen's fatherless son Timmie, at a remote boys' school, is riding for a fall by manufacturing evidence of his "explorer father." By an amazing coincidence, Rick steps off the bus at just the right moment for Timmie to recruit him as "father" without his knowledge. With no intention of collaborating, the befuddled Rick is carried along by the sweep of events. Who can predict the outcome?

Teddy works for a large advertising company. Given the seemingly impossible task of selling frozen porridge, he decides to produce commercials that make the product seem sexy. This leads him to confrontation with the "Keep Television Clean" movement, of which his wife is a senior member.

This movie invites you to take a look at the world of micro budget indie cinema. The point is to entertain you while also teaching you some insider knowledge. You'll love this story even if you don't care about the genre, but if you are part of the industry, you will hail this as your video bible.

In order to advance her career in the dynamic world of publicity in Mexico City, Raquel tries to reunite with her high school friend Cecy who has become the queen of social media. But unlike followers, friendships do not come instantly.

Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named Tyler, first for a night and then to work for his company. Things get increasingly complicated as Conrad tries to rekindle things with Martin. Meanwhile Tyler (who's daytime name is Ian) falls for Michael his new supervisor

Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.

Three-year-old Monique Corzilius counts to 10, pulling petals from a daisy. A voice from mission control then counts down as the camera zooms into Monique's dark pupil. An atomic blast and ensuing mushroom cloud consumes the TV screen as President Lyndon Johnson's voice proclaims "We must either love each other, or we must die." This political ad, “Peace Little Girl,” aired only once or twice during the 1964 presidential campaign between Lyndon Johnson and Barry Goldwater, but it ushered in a new era of the television attack ad. The 1964 campaign also reshaped the American political landscape in other significant ways. Johnson's "Great Society" and civil rights agendas pushed southern states toward the Republican Party and brought the northeast in line with the Democrats, creating America's contemporary geopolitical map of red and blue states.