Best movies like The Gentleman from Texas

Dusty Smith arrives and takes a job on a ranch that is losing cattle to rustlers. When the rustlers strike again the cattle cannot be found but Dusty shoots one of the rustlers. Arrested for murder, Dusty is broken out of jail and the real outlaws put in the cell. Dusty then has them released figuring they will lead him to the hideout and the missing cattle.

Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.

Johnny Mack Brown stars in this above-average B-Western from Monogram, penned under the pseudonym of Jess Bowers by veteran genre specialist Adele Buffington. Mack Brown plays Johnny Murdoch, a drifter arriving in Gold Flats in search of his prospector father. From old-timer Dusty Hanover (Raymond Hatton), Johnny learns that Old Man Murdoch was murdered for his claim by Rex Hillman (Holly Bane), a hireling of Carter Morgan (Bill Kennedy).

Directed by Philip Ford in 1948. When cowboy Monte Hale (Monte Hale) returns home to investigate his uncle's murder, he's mistaken for a fierce outlaw and is hired by the town's corrupt mayor, Lance Dawson (Douglas Evans), as the new sheriff. But Monte secretly works to undermine Dawson's land-grabbing schemes. Monte defends the feisty owner (Lorna Gray) of a gold mine that Dawson covets, although she is suspicious of the cowpoke's loyalties and demands that he prove himself.

A deputy sets out to prove that a respected judge, who had once been a criminal, is being framed for crimes committed by a crooked saloon owner.

Bill Ralston arrives in town planning to settle down but quickly gets caught up in the fight between the townspeople and Poe Daggett and his gang. He takes the job of town Marshal and soon brings law and order. When Daggetts men ambush him he kills Poe's brother. Poe then kills Bill's friend Brant and this leads to the showdown.

A ranch owner turns his place into a home for boys who have lost their fathers in World War II. His evil female lawyer covets the ranch and uses a gang of local toughs, a pack of killer dogs, and a phoney rancher's beneficiary to get it. U.S. Marshal Rogers opens an investigation when the rancher is killed.

The beautiful owner of a silver mine in Mexico asks an employee for help when bandits keep robbing her shipments.

Rancher Blaze Barker returns to Dead Falls after being framed by land-grabbers and spending two years in jail. Paroled, he can't wear a gun, but is aided by Marshal Fargo Steele. The gang is out to gain control of all of the valley land before a dam is constructed. When Blaze raises the money to pay off the taxes on his ranch, he finds it has been marked to incriminate him.

It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.

A cowboy heads for the town where his father was murdered to find out who was responsible.

U.S. Marshal Wild Bill Hickok arrives in Goldfield to arrest Tex Martin, who has been accused of murdering the sheriff. "Hawk" Hammond, the man behind the sheriff's killing, sends his legions of henchmen to lynch Tex before the trail. Wild Bill and Tex escape to a stagecoach rest station run by Reba Bailey. There is a showdown battle at Hammond's saloon but not before Tex gets to sing two songs followed by a third one after the battle.

Steve Landry arrives as the new Marshal of a town that is having trouble with outlaws. When an outlaw escapes over the State line out of his jurisdiction, the Durango Kid brings him in. The Durango Kid then continues to break up the outlaw raids. But Belle, the saloon owner who is in cahoots with the outlaws, notices the the boot prints of the Durango Kid match those of the new Marshal and a trap is sent to get Durango.

Two ex-cons plan to kill the range rider marshal who sent them to prison and, when their plan fails, join forces with their former boss, a crooked saloon owner who has the same idea.

Texas Ranger Johnny, poses as a hired gunman called The Dog Town Kid in order to infiltrate the outlaw gang, to uncover a plot by a crooked lawman, Sheriff Bradley, and a large landholder, Jim Morgan against the smaller ranches and the homesteaders.

Johnny Brownell, former Confederate officer turned Federal agent, is sent to Texas during the reconstruction years to obtain evidence against a gang of raiders who have been making life difficult for the local carpet-baggers. He saves the life of Shorty Kendall, an unreconstructed rebel about to be hanged, and this wins him the gratitude of Belle Chambers, a widow whose husband was killed in the Civil War who hates all Yankees with a fever.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

Brown's principal antagonist this time is the town boss, an outlaw who has killed the community's leading citizen. The dead man's grown children want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge nor is his sidekick.

A United States marshal uncovers a plot to steal the valuable gold-laden property of ranchers.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

When Ranger Raymond is killed during a stage holdup, Wells Fargo Agent Whip Wilson assumes his identity.

Veteran cowboy star Johnny Mack Brown plays a cattle buyer turned prairie sleuth in this low-budget oater from Monogram, which co-stars perennial old-timer Raymond Hatton as a retired U.S. Marshal assigned to investigate the mysterious disappearance of a rancher. As the two old friends soon learn, a gang of smugglers headed by the town's banker (Frank LaRue) needs the use of the Flying Arrow Ranch for their nefarious purposes.

A mysterious masked rider and his gang are murdering ranchers and robbing stages. Government Agent Johnny Mack Brown has been called in to help the Sheriff.

Johnny Mack Brown's Universal western series was drawing to a close when Cheyenne Roundup was released in mid-1943. Brown is herein cast in a dual role, as honest Gils Brandon and his less-than-honest brother Buck. Pursued by lawman Steve Rawlins (Tex Ritter), Buck tries to pass himself off as the upright Gils.

Johnny Williams (Johnny Mack Brown) returns to his home town of Beaufort, and finds himself when being chased by banker Henry Stevens (Tristram Coffin), Grangers Association head Les Travers (Ed Cassidy as Edward Cassidy) and real estate agent Frank Wilkins (Ted Adams.)

Having briefly abandoned his standard "Nevada Jack McKenzie" characterization in Flame of the West, cowboy star Johnny Mack Brown was back as Nevada Jack in Monogram's The Lost Trail. Vowing to bring in a gang of stagecoach outlaws, Nevada redoubles his efforts when he learns that the owner of the stagecoach line is pretty Jane Burns (Jennifer Holt).

Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office.

When Sheriff Jeff Connor of Powder River cannot stop the crime wave, his young son, Larry, writes to the Durango Kid for aid. Taggart, the saloon owner, is the secret head of the outlaws, while Connor's brother Bill is in cahoots with him. Steve Randall, the Durango Kid, and his pal, Smiley Butterbean, arrive in time to stop a stagecoach holdup, and Steve is made a deputy sheriff. Taggart has one of his men, Slade, pose as the Durango Kid and while he is speaking to the townspeople, the rest of the outlaw gang pillages the town, and this somewhat damages the Durango Kid in the eyes of Larry and his sister Doris. Steve suggests that Sheriff Connor visit the government about a railroad project, and Taggart instructs Slade and the gang leader to kill Connor on his trip back.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

U.S. Marshal Johnny Mack Brown once again goes undercover in this Nevada Mckenzie series entry from Great Westerns Prod./Monogram. Masquerading as a parson and a drifter, Sandy Hopkins (Raymond Hatton) and Nevada Jack McKenzie (Mack Brown) come to the aid of the beleaguered residents of Goldville, a small ranching community being terrorized by greedy saloon keeper Ace Benton (Kenneth MacDonald) and his gang of cutthroats. Unbeknownst to the citizenry, the railroad is planning to build tracks through town and Benton is attempting to secure the land by scaring off the settlers.

After a brief mid-1940s burst of originality, Monogram's Johnny Mack Brown western series settled back into the commonplace with such entries as Flashing Guns. In this outing, Brown tries to save his pal Shelby (Raymond Hatton) from being thrown off his ranch by crooked banker Ainsworth (James E. Logan). To do this, our hero must prove that the banker is in cahoots with the local gambling boss (Douglas Evans).

Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.

Johnny Mack Brown comes to the aid of a beleaguered female freight line operator in this standard Monogram oater directed by veteran Lambert Hillyer. Having saved his old friend Faro Jenkins and young Dave Porter from marauding outlaws, Ranger Johnny Hudson learns that the attack may be part of a concerted effort by bandits to drive Dave's sister Peggy out of the freight business. Unbeknownst to Johnny and the Porters, the crimes are committed on behalf of local banker Gordon Gregg who wants to bankrupt the freight business in order to take over the valuable Porter ranch.

Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).

Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99