Best movies like The Headless Woman

A woman in an unhappy relationship takes refuge with a friend's family on holiday in Tuscany.

A repressed young woman becomes obsessed with pornography and the mysterious rich patron of the Times Square porn theater where she works selling tickets.

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

A Road-Movie on rails, Ocean offers both a journey between Montreal and Halifax, as well as a sensory evocation of the intimate experience of travelling.

A surreal look at the schizophrenia of a group of girls in a therapy session.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.

Mulvey's readings of the myth of Oedipus and the sphinx are layered atop 360º panning shots of various locales; the protagonist appears in elliptically-edited sequences.

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Sarah and Isolde share an interest in the traditional music and dance of the Balkans, but it turns out that shared interests don’t always unite them. Their trip, initially a fun bonding experience, takes a southward turn when Sarah becomes interested in handsome fellow camper Steph. A seemingly innocent romantic overture touches off an abrupt shift in the dynamic between the two girlfriends, steering a previously ecstatic camp outing down a psychological rabbit hole.

A drama and thriller story of a young woman who has suffered great abuse as a girl and who finds happiness when in a car accident, by mistake, she finds refuge in a false personality. She allows a pair of grieving parents to believe she is their late son's wife. But happiness is not so easy, since the past always comes out and Catherine will have to act to protect the family who has given so much affection.

Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.

Algiers, 1997. The country is in the hands of terrorist groups, seeking to establish an Islamic and archaic state. Women are particularly affected and oppressed by primitive diktas, who seek to take control of their bodies and control their passage through the public space. While a frenzied hunt for women unveiled is launched, Nedjma, a young student passionate about fashion, is determined to federate the girls of her campus to organize a fashion show braving all the forbidden.

In Anaconda, Montana, a strong-willed teenage girl navigates a loving but volatile relationship with her veteran father. In a desperate search for independence and her own identity, she risks family, heartbreak, and her standing in the only place she can call home.

While a rumor about the presence of sharks in a small beach town distracts residents, 14-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo's.

When Ellen, the matriarch of the Graham family, passes away, her daughter's family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

When a car crash leaves Frannie immobilized, she has brushed off by everyone she can count on. With nowhere else to turn and desperate for help, she turns to an unlikely source, her ex Devon.

Eva can't stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.

An avant-garde examination of the relationship between women and money in society. Mixing musical, silent melodrama, and philosophical treatise into a post-punk, heady brew.

Thirteen years old Achille is waiting for his father to return from prison. Will everything go as planned and could the family survive?

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Back Soon is a story of love, loss, identity and hope. It follows the relationship between aspiring actor Logan Foster and reformed drug dealer Gil Ramirez, two men who find themselves inexplicably drawn together despite their disparate backgrounds, and the fact that they both regarded themselves as straight. However, their bond is soon threatened by Gil's mysterious past and a startling revelation about the true nature of their connection. Neither man is prepared for this, nor the impact it will have on their lives.

A busload of women become stranded in an isolated part of the Canadian countryside. As they await rescue, they reflect on their lives through a mostly ad-libbed script.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

In Vero Beach, Florida, a trio of couples at various points in their relationships become the subjects of a film about marriage being an antiquated idea that needs a reboot: Why not turn marriage into a seven-year deal with an option to renew?

On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.

A young woman who is passionate about ballet dancing and experiences a trauma, and then she meets other women who have experienced similar situations and they find a creative way to pursue their passion.

Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.

In the turbulent aftermath of the Tunisian revolution, young Samia flees her homeland. She braves hostile seas in the crossing to France, but once there she finds that her struggles have only just begun. With no friends, no family, and — most crucially — no immigration papers, Samia has to figure out how to make a life and a living in a foreign land. She meets a young man, Imed, and soon finds work in the employ of the elegant Leila. But her presence in Leila's middle-class household triggers a shift in its dynamics, and soon Samia is enmeshed in a web of sexual tension.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

Roberto and his three sisters don't know what to do with their lives.