The Home and the World

The film is set in the India of the tumultuous 1930's when nationalists fighting for the country's independence rose up as one, urging the British to quit. At this time, a young Indian, Kisna befriends and then shields a British girl Katherine, from an enraged mob of nationalists including Kisna's own uncle and brother. Katherine is the young daughter of a ruthless British collector. Kisna takes it upon himself to escort Katherine to the safety of the British High Commission in New Delhi, who will arrange for her to board a ship home. A tender attraction develops between Kisna and Katherine during the journey, a love story that is torn between 'Karma' (the noble deed) and 'Dharma' (the duty). Laxmi, the Indian girl Kisna is engaged to, forms the third point in an emotional triangle involving the Indo-British romantic pair

Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

Peshwa Bajirao married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.

Born with a silver spoon in his mouth, and a peg of brandy instead of a glass milk, Vicky Kapoor, the only son of multi-millionaire industrialist, Amarnath, grows up to be an alcoholic, albeit with a good heart. Amarnath has detached himself completely from Vicky s life, and provides him money in lieu of affection and care, living this to be taken care off by Munshi Phoolchand. Vicky is very resentful of being ignored by his dad in this manner, and leaves no stone unturned to mock and belittle him at every available opportunity. Amarnath hopes to get his son married, but Vicky loves the daughter of a poor blind man, Meena, which is not acceptable to Amarnath. One day Amarnath decides he has had enough and decides to turn Vicky out of his house. He has him sign waivers, and asks him to get out, which Vicky does so. While Vicky is relieved of being freed from his dad s control, the question remains that with no skills at making a living, how is Vicky to survive in a cold-hearted world

Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.

Raja, a fisherman is secretly in love with Mona. When wealthy Ravi comes to live with his grandmother, Kamladevi, he sees Mona and falls in love with her. Mona also reciprocates his love. Raja is devastated by this turn of events. But when Kamladevi gets to know that Ravi is seeing Mona, she puts pressure on Mona to give up Ravi and marry someone else.

Radha (Pooja Bhatt) and Manohar (Vivek Mushran) love each other and want to get married, but Radha's dad (Ashok Saraf) does not approve of their marriage as Manohar comes from a poor family. He instructs Radha not to leave the house, but Radha finds a way to escape and goes to Manohar's house. Anticipating more obstacles, they run away, guided by Radha's uncle Natwarlal(Prem Chopra). Natwarlal convinces them that they must kidnap a wealthy person and demand a big ransom and take the money to appease Radha's dad. It is then they start to realize that their uncle has some other devious plans for them.

Phirojshah (Naseeruddin Shah) and Pestonjee (Anupam Kher) are two close friends. They attempt to do everything together, and they hope that they will marry the same day as well. Unfortunately, both go to see the same young lady, Jeroo (Shabana Azmi), and Pestonjee ends up getting married to Jeroo. Phirojshah has been stricken by Jeroo's beauty and decides not to marry, and takes a transfer away from the couple. During the years, he keeps in touch with the couple by mail. While on a visit to the couple, he finds out that Pestonjee has a mistress, and Jeroo does not know of this. How will this effect Phirojshah's friendship with Pestonjee? Does Phirojshah stand a chance with Jeroo?

An unemployed man saves a rich woman and takes her to the hospital where her relatives mistake him as her husband. He plays along as he needs money to repay a loan.

Anwar is the story of a young man, an artist, who leaves his home and everything he knows in order to escape a world he no longer recognizes. All he ever wanted was a love story, Instead, his mentor abandons him and his best friend and his one true love betray him. Devastated, emotionally exhausted, he takes refuge in an old building, only to wake up the next morning to find his world turned upside down. Mistaken for a terrorist, Anwar finds himself in the midst of an unusual set of circumstances that resonate deeply with the modern Indian Condition and indeed with the Human Condition in this present-day global village.

The film is about the childhood of Lord Ganesh. The film covers a) Lord Ganesh's birth and b) The story behind Lord Ganesh's voracious appetite which recalls the incident of Lord Kubera inviting Lord Shiva and Goddess Parvathi for a feast and the consequential events

Manorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem unfair, Deodhar must fight for what's right.

Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.

A link in their pasts leads an honest cop to a fugitive gang boss, whose cryptic warning spurs the officer on a quest to save Mumbai from cataclysm.

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

Adaptation of the Balzac novel. A poor and homely spinster, who feels she's been walked on all her life, teams up with a scheming courtesan to wreak elaborate revenge on her rich and handsome relatives.

Four adults nearing 40, living under the same roof, struggle to keep their relationships and their individual dreams alive.

The story revolves around how different people in the family adjust to the magical powers of naani and her daughters, who use their magical powers for their needs.

Mayor Nick Wasicsko took office in 1987 during Yonkers' worst crisis when federal courts ordered public housing to be built in the white, middle class side of town, dividing the city in a bitter battle fueled by fear, racism, murder and politics.

Follow the next generation of Duggars as they celebrate some of life’s milestone moments, including the realities of growing up and raising their own families.

The very different lives of Jan Leigh, a poor but studious young country lad, and Diana Gayelorde-Sutton, the equally single minded daughter of a rich landowner, from the 1920s through to post-war Britain.

An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.

Esther and Benji are platonic best friends who want nothing more than to be accepted by the vain and status-obsessed culture of Los Angeles. Despite their sometimes contentious relationship, when push comes to shove, they’ve got each other’s back … And they have nobody else to hang out with.

Gold Digger tells the story of wealthy 60 year old Julia as she falls in love with Benjamin, a man 25 years her junior. As this six part series progresses the impact their unconventional relationship has on her family is explored and the secrets of their past are revealed. Has Julia finally found the happiness she's always deserved? Or is Benjamin really the gold digger they think he is?

Maureen is an Irishwoman, happily married and living in Germany. Or so she thinks. When her husband dies, she finds that not only had he debts, but was also a bigamist, having had a second wife and family in Ireland. Shocked and angry, she travels there to meet the other family. And she learns that they have troubles of their own, the worst of them being that the other woman's young son is suffering from leukemia and a suitable bone marrow donor is urgently needed.

'2by3' tells the story of a married couple, Balan and Aashna, who are both in their early 30s and are well settled into their 'adulthood'. However, due to a temporary financial crunch, they are forced to move in with three, 20-year-old college roommates, Rohan, Veer and Akash - all three of whom are trying to wriggle around life without having to really grow up. The series is about finding comfort where none exists; it is a "coming of age" story meeting a "coming down in age" story.

Jhilmil Sitaaron Ka Aangan Hoga is an Indian soap opera about a poor boy, Akash, and rich girl, Angana, who fall in love and get married. Akash is forced to be a ghar jamai or live-in son-in-law to Angana's parents. This is because of a peculiar tradition in Angana's family, but the self-respecting Aakash feels humiliated by it. The title relates to a popular song, "Jhilmil Sitaron Ka Aangan Hoga," sung by Lata Mangeshkar and Mohammed Rafi. The show started on February 27, 2012.