The Hunger Years: In a Land of Plenty

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

Katharina and Anne go on trips, visit cafés, acquaintances and parties. In doing so, they explore the chances of female emancipation in a male-dominated society. Katharina strives for a life without sentimental compulsion. She believes that she has succeeded, and therefore looks at the beloved friend Anne compassionate, as it can be good. Anne is learning the left jargon. But it is sheer helplessness. She says it's political commitment that she does not trust her friend Katharina, so Anne smiles as well.

Directed by Cristina Perincioli.

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.

Berlin 1808. A young, immature student who considers himself a poet, August Varnhagen, enters the famous salon of Rahel Levin, one of the first assimilated Jewish women of the Romantic period. He has heard of this woman who was praised by all for her wit and wisdom and he comes because he seeks connection and relations and in this salon the most famous men of the time crowded.

It's a perfectly ordinary day in Rita's life: early in the morning her lover from last night left the apartment, and Rita doesn't dare to go back to work after she stole money in the telephone cabin the day before.

A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

Roberto and his three sisters don't know what to do with their lives.

Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.

The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.

Set in contemporary Rome, the film shows through a series of encounters with “ancient” Romans, how the economic and political manipulation by ancient Roman society led to Caesar’s dictatorship. - British Film Institute

Follows the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Chris is a teenager growing up as the eldest of three children in Brooklyn, New York during the early 1980s. Uprooted to a new neighborhood and bused to a predominantly white middle school two-hours away by his strict, hard-working parents, Chris struggles to find his place while keeping his siblings in line at home and surmounting the challenges of junior high.

The life of a 15 year-old high school student, whose angst-ridden journey through adolescence, friendship, parents, and life teaches her what it means to grow up.

Alle meine Töchter was a German drama television series which aired on ZDF between 1994 and 1999. it is based on a widowed judge Berthold Sanwaldt, who lives with his three daughters, Anna, Sylvie, and youngest, Patty, in a Munich villa. 76 episodes were produced and a long sequence.

Portraits of important people in Nazi-Germany.

After the fall of the Third Reich, the small town of Tannbach is cruelly divided between East and West regimes and the town’s inhabitants suffer the consequences. A gripping historical drama exploring the devastating effects decades of conflict had on communities from the end of the Second War War to the fall of the Berlin Wall.

At the Berlin dance school "Galant," worlds collide and the struggle between prudishness and emancipation is carried out. The proprietor of the dance school, Caterina Schöllack, has three daughters whom she orders to integrate into this hierarchically structured society. Two of her daughters seem to abide by their mother's wish. Only Monika, the middle daughter, rejects the given path and discovers rock 'n' roll for herself.

Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective. Over the course of five episodes, the sprawling story tracks the everyday triumphs and travails of the young toolmaker Jochen and many of the people populating his world, including the woman he loves, his eccentric family, and his fellow workers, with whom he bands together to improve conditions on the factory floor.

In a politically, morally and economically destroyed country, three sisters of an industrialist family in post-war Germany reinvent themselves and set the course for their future.

A young girl falls in love with a poor brewer's son. Their relationship is opposed by the girl's father, a rich mobster who has come to town to try to bully his way into the inner circle of Munich's brewery dynasties.

The further life of the protagonist Caterina Schöllack and her three daughters will be traced, who fight in the restrictive period of the 1950s for emancipation and the realization of their own dreams. Monika, Helga and Eva have grown up and each seeks their way to find their way in the rigid society of the late 1950s. Monika and Freddy have a career in show business, and mother Caterina acts as a manager. Meanwhile, Helga works hard to be the perfect housewife and mother for Monika's daughter Dorli. Eva, however, quarrels with her life as a professor's wife.

Two Indian teenage girls fall in love in the 1990's in Bangalore when there were no cell phones or internet - a pure, intense, passionate love story against all odds.

An autobiographical scripted comedy based on stand-up and presenter Alan Carr's life.

"Hitler's Women" - A six part series about some of the women Hitler enjoyed and adored.