The I Don't Care Girl

With his family away for their annual summer holiday, a publishing executive decides to live a bachelor's life. The beautiful but ditzy blonde from the apartment above catches his eye and they soon start spending time together—maybe a little too much time!

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".

Bob Jackson and his three Merchant Marine shipmates have each invested $50 in a song Bob has written and which he thinks will be published for a fee of $200. In a taxicab driven by Pat Rogers, they search for the publisher's office but finally realize they have been swindled. Plus, they now owe Pat a large taxi-bill.

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

J. D. Forbes, head of the almost-bankrupt Four Star Studios in Hollywood contacts band leader Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," to appear in films. When manager Chuck Deems gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the prospect of going to Hollywood and working in the movies, but band-leader Kay is all against it and says his old grandmother has told him to stay in his own back yard, but he relents. Once there, Stacey Delmore, a Four Star associate producer left in charge of the studio while Forbes is out of town, discovers that the screenplay writers have prepared a script that has Kay Kyser playing a glamorous lover in an exotic European setting.

Larry Evans, champion race car driver, is envied by his chief rival, Eddie DeSylva, who has more ambitions than merely winning the races; he has designs on the motor patent held by Corbett (Tom Moore), Larry's employer. Eddie also has a yen for Corbett's daughter, Norma, who prefers Larry. Eddie intentionally causes a race wreck that injures Larry and sends him to the hospital.

Two sisters from Hungary become famous entertainers in the early 1900s. Fictionalized biography with lots of songs.

A pop singer and a professor must put aside their differences when their best friends decide to get married. However, working together as best man and maid of honor soon leads to the duet of a lifetime.

Jimmy Durante is jungle movie star Schnarzan the Conqueror, but the public is tiring of his fake lions. When Baron Munchausen comes to town with real man-eating lions, Durante throws him a big Hollywood star-studded party so that he might use the lions in his next movie. But, his film rival sneaks into the party to buy the lions before Durante.

Shapely burlesque dancer Hot Garters Gertie aka Angela Gardner meets her future drama professor. Her new landlady proves to be the professor's wife. Angela helps breath life into the annual school stage show...but someone has discovered her secret past.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

American Bandstand was an American music-performance show that aired in various versions from 1952 to 1989 and was hosted from 1956 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run DMC—would usually appear in person to lip-sync one of their latest singles. Freddy "Boom Boom" Cannon holds the record for most appearances at 110. The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.

Contestants will choose songs from different genres, decades and musical artists, then they’ll take center stage to sing alongside the studio band as the lyrics are projected on screen – but suddenly the music will stop and the words will disappear. Will the contestants belt out the correct missing lyric, or freeze under pressure? If they sing 9 songs correctly, they are presented with a No. 1 hit and one final missing lyric for the top prize of $1 million. It's that simple: 10 songs, 10 missing lyrics, 1 million dollars.

Exit 57 was a 30-minute sketch comedy series that aired on the American television channel Comedy Central from 1995 to 1996; its cast was composed of comedians Amy Sedaris, Paul Dinello, Stephen Colbert, Jodi Lennon, and Mitch Rouse, all of whom had previously studied improv at The Second City in Chicago. In 1999 Sedaris, Dinello, Colbert and Rouse would also create the Comedy Central show "Strangers with Candy". Humorist David Sedaris also served as an additional writer for the series, sharing a single onscreen credit with his sister as "The Talent Family". The show's producer, Joe Forristal, had also served as executive producer for The Kids in the Hall. All of the sketches in the series are implied to take place in the fictional suburban setting of the Quad Cities. During the show's memorably cryptic opening sequence, the cast members are seen standing next to a broken down car on the highway. Soon they are picked up by a passing driver, who changes the radio station at the mention of a serial killer, and takes Polaroid pictures of his increasingly uncomfortable passengers. Growing suspicious, the cast demands to be let out. The car is then seen pulling off the highway at Exit 57.

Murphy Brown (Candice Bergen) is a recovering alcoholic who returns to the fictional newsmagazine FYI for the first time following a stay at the Betty Ford Clinic residential treatment center. Over 40 and single, she is sharp tongued and hard as nails. In her profession, she is considered one of the boys, having shattered many glass ceilings encountered during her career. Dominating the FYI news magazine, she is portrayed as one of America's hardest-hitting (though not the warmest or more sympathetic) media personalities.

The Partridge Family is an American television sitcom series about a widowed mother and her five children who embark on a music career.

After an unusual event, Zoey Clarke, a whip-smart computer coder forging her way in San Francisco, suddenly starts to hear the innermost wants, thoughts and desires of the people around her through popular songs.

A British children's musical television comedy programme aimed at and mostly about teenagers, which aired in 2004. It was set at an esteemed performing arts college near Barcelona, Spain, and focuses on 13 teenagers who are invited to enrol at the college, Avalon Heights, over the summer. All eight members of the pop group S Club 8 star in the show alongside five other young actors and actresses and Hollywood film actor Christopher Lloyd. The show has the members of S Club 8 playing supposedly exaggerated versions of themselves, albeit with identical names to their real life counterparts. Each episode of the show includes several songs and dance numbers involving both members and non-members of the band. Cast member George Wood called the show "a modern day Fame".

'Caméra Café' tells the daily life of employees at a Montreal branch of a large Toronto company through the camera hidden inside a coffee machine installed upon request of the big boss.

Chronicles the life of Judy Garland, from her first public performance in 1924 until her death.

An anthology series set inside a single suite of a fictional Los Angeles hotel. Each episode tells a standalone story from a different genre, writer and director that focuses on the relationship between two characters.

Widely celebrated as Alan Bennett's masterpieces, his multi-award-winning Talking Heads return to BBC One. Filmed during lockdown under social distancing guidelines, a new generation of Britain's finest actors star in 10 of Bennett's classic scripts, alongside two brand new Talking Heads penned by the acclaimed writer last year.

A chronicle of the country music power couple George Jones and Tammy Wynette, whose complicated-but-enduring relationship inspired some of the most iconic music of all time.

In 1977, Daisy Jones & The Six were on top of the world. Fronted by two charismatic lead singers — Daisy Jones and Billy Dunne — the band had risen from obscurity to fame. And then, after a sold-out show at Chicago's Soldier Field, they called it quits. Now, decades later, the band members finally agree to reveal the truth.

Set in New York City in 1999, Lindsay and Miguel fall in love and discover that the single greatest obstacle to finding happiness together might just be themselves — and the memories, obsessions, fears, and fantasies that lives inside their heads.

The inner workings of an American jury trial through the eyes of one particular juror, Ronald Gladden. Gladden is unaware the entire case is fake, everyone except him is an actor and everything that happens — inside the courtroom and out — is carefully planned.