Best movies like The Iconoclast

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

The evil Jafar escapes from the magic lamp as an all-powerful genie, ready to plot his revenge against Aladdin. From battling elusive villains atop winged horses, to dodging flames inside an exploding lava pit, it's up to Aladdin - with Princess Jasmine and the outrageously funny Genie by his side - to save the kingdom once and for all.

On a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.

When blushing bride Sara Ross ties the knot with her seemingly perfect, handsome newlywed husband Leo, she soon starts to suspect that not only is Leo a thief and a conman but also quite possibly a killer, and that she just might be the next bride up on his chopping block. Written by Jake Helgren

Zohre's shoes are gone; her older brother Ali lost them. They are poor, there are no shoes for Zohre until they come up with an idea: they will share one pair of shoes. School awaits.

An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

Several people try to take advantage of a little girl's innocence to hustle money her mom gave to her to buy a goldfish with.

Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don't go as planned. Is he truly a hero?

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.

Captain Khorshid is a sailor who although only having one hand, manages to sail his little boat. In his village, due to its hot climate and hard living conditions, dangerous criminals are sent into exile. They want to escape from the area, so they ask a middleman to strike a deal with Khorshid. Khorshid is asked to illegally take them out of the country with his boat. At first he is reluctant, but because of the hardships of living he accepts the job.

In February 1965, Seyed Ali Andarzgou along with several others waited in front of the parliament building to assassinate Hasan Ali Mansour. The assassination is carried out successfully, but the officers arrest and execute all the perpetrators of the assassination except Seyed Ali Andarzgou after a lot of investigation. SAVAK agents are looking for Andarzgou because they consider him to be one of the main designers of the assassination, but Seyed Ali Andarzgou continues to fight in disguise and reaches the border of arrest several times, but he is saved and every time he is forced to go with The family moves to another city or village. For the last time, SAVAK agents besieged his place of residence and Seyed Ali Andarzgou was martyred after a severe armed conflict.

A rich and fun-loving young man named Farrokh meets a singer girl named Fereshteh and falls in love with her and it is revealed that there is also a twin girl who looks like her.

Mehdi in Black falls in love with a foreign girl who loves him back. However, in order for them to get married, Mehdi has to fulfill his father's will and marry off her sisters first. He is...

Maliha loves her cousin Amir. But Maliheh's brother Abram opposes this friendship. Maliheh hides in her suitcase to be with Amir. But the suitcase is handed over during an accident, while Abram thinks that his cousin Amir has stolen his sister and is chasing her everywhere. Meanwhile, Mansour, who is a thief's suitcase and has obtained the suitcase containing the laundry, first tries to get rid of the suitcase, but then promises to take him to Amir. Eventually, after many adventures, Abram surrenders to the love of Amir and Maliheh and agrees to marry them.

There is a story of a young girl from the south of Tehran who falls in love with a young city girl while the girl is forced to emigrate from Iran for some reason. Along the way, his brother accompanies him, but in the middle of the road, something happens to them ...

Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.

Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser's daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.

Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...

Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.

There are seven stories of seven women. Though each has her own individual story, none had the chance of finding love having lost control of their destiny through either forced marriage or rape.

Two young Afghans, Fereshteh and Nabi, are in love, but Fereshteh has to follow her parents and leave Afghanistan to find refuge in Iran. Nabi decides to illegally cross the border, find Fereshteh and take her through Turkey towards Europe and a better life.

In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.

This cinematic film addresses the competitive challenges faced by athletes and has been written jointly by Milad Sadr Amali and Ali Asghari.

During Iran-Iraq war a group of Iranian soldiers are surrounded by Iraqi army. Four soldiers are chose to go get help but only one manages to make it through enemy lines.

Fereshteh loses her home and her two sons after her husband's accidental death when Hadj Safdar, her stubborn and powerful father-in-law, forces her to return to her parents. She is faced with the loss of her visitation rights when Hadj plans to send his grandchildren to live in a remote town. With the help of her circle of women friends she tries to take them beyond his reach, but in a patriarchal society it is hard to find a safe haven.

A true murder story...

Golnar is a young tea house waitress who was kidnapped as a child and taken to Lorestan with a clan of bandits living among the Lors. The leader of the thieves, Gholi Khan, is beginning to look at her with interest now she is a grown woman. Little did she know that a young man called Jafar is going to be just near.