The Junk Shop

A doctor is shocked when his beloved colleague Mima signs a contract with foreign car manufacturer Ferat, in order to work for them as a rally-driver. A scientist convinces him that human blood is being used as fuel for Mima's ever winning car, but does that really work?

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

Sherlock Holmes likes to play violin and expects a great career in music. He gets a place in a spa orchestra, but he is again and again distracted by criminal cases. Therefore he is the only one who does not see that his violin has no future. He solves the criminal mysteries in passing but the final test shows that the famous detective is tone-deaf.

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.

Czechoslovakian Zbynek Brynych directs this psychological drama set in World War II Terezin ghetto. A dark, visual portrayal of the trials and tribulations the Theresienstadt people faced on a daily basis presented in a series of memorable stories. Their hopes and dreams unfold against the perpetual threat of deportation (or worse) by the Nazis. Based on the novel "Night and Hope" by Arnost Lustig.

My World and Welcome to It is an American half-hour television sitcom based on the humor and cartoons of James Thurber. It starred William Windom as John Monroe, a Thurber-like writer and cartoonist who works for a magazine closely resembling The New Yorker called The Manhattanite. Wry, fanciful and curmudgeonly, Monroe observes and comments on life, to the bemusement of his rather sensible wife Ellen and intelligent, questioning daughter Lydia. Monroe's frequent daydreams and fantasies are usually based on Thurber material. My World — And Welcome To It is the name of a book of illustrated stories and essays, also by James Thurber. The series ran one season on NBC 1969-1970. It was created by Mel Shavelson, who wrote and directed the pilot episode and was one of the show's principal writers. Sheldon Leonard was executive producer. The show's producer, Danny Arnold, co-wrote or directed numerous episodes, and even appeared as Santa Claus in "Rally Round the Flag."

Disillusioned after a long career at Sunshine Desserts, Perrin goes through a mid-life crisis and fakes his own death. Returning in disguise after various attempts at finding a 'new life', he gets his old job back and finds nothing has changed. He is eventually found out, and in the second series has success with a chain of shops selling useless junk. That becomes so successful that he feels he has created a monster and decides to destroy it. In the third and final series he has a dream of forming a commune which his long suffering colleagues help bring to reality. Unfortunately that also fails and he finds himself back in a job not unlike the one he originally had at Sunshine Desserts.