Best movies like The Lark

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.

The epic story Mei Lanfang, who overcame the prejudice against artists in 1930s China to become the country's greatest opera star.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

Yunpeng and his servant stay at a country inn one dark evening to escape potential robbers and ghosts. But Yunpeng chances into something far more dangerous! He accidentally happens upon the comely Anu naked in bed, and to make up for his rudeness he has to marry her. Because of her beauty, the request is not too difficult to fulfill...until she is introduced to his aunts and uncles, who notice her ghastly green glow and deduce that she's a spirit from the netherworld. But there's something even darker about her appearance, and it may be revenge on his in-laws.

Ying Ke-Feng, head of Peerless Manor, is an expert swordsman whose escort business transports 200,000 taels of silver to the capital each year. This year, however, he is afflicted with an infirmity that renders him unable to use his sword.

Novice director Hsu Hsia and three other kung-fu designers created this fight-filled tale of young rascal Wang Yu, caught between master martial arts actor Jen Shih-kuan and the incredible Huang Cheng-li.

Chang Yi plays Chan Chao, a knight of justice, who thwarts the plans of Minister Peng to assassinate the revered Judge Pao Cheng over and over again. Lo Lieh gives Chang a good run for his money as the evil and sinister henchman of Minister Peng.

Traveling swordsman Shen Sheng-yi (Ti Lung) and his lady friend match wits and swords with the last surviving member of the once great Murung family who is determined to rule the martial world by stealing plans to crafting firearms.

Two rival swordsmen in imperial China, poncho-clad Fu Hung-Hsueh and Yen nan-Fei vie with a power-hungry villain for the deadly Peacock Dart and fend off waves of expert killers during their journey.

A well-known gangster is released from prison, and decides look for his daughter with the help of a troubled young woman.

An expert swordsman is suspected of being the thief of a treasure sent to Emperor. The swordsman who has nothing to do with the theft investigates and is led on the trail of the supernatural "Bloody Parrot". This leads to the "Parrot Brothel" and the star prostitute who walks around half naked. Strange things happen including a demonic possession, witches casting poison spells, disgusting autopsies and numerous sword fights. Then a dead constable turns into a vampire! This is all in the first 30 minutes!

A mystery caper of devilish fun, Temptress Of A Thousand Faces proves a femme fatale can match any man in wickedness. A mysterious thief has been committing crimes across the city. Always disguised and ever elusive, woman detective Chi Ying cannot find any clues for a good lead. But her reporter boyfriend Yu Ta is always supportive and understanding. Reversing the standard role stereotypes, it is the man here who then becomes the damsel (or dude as the case may be) in distress. Constantly frustrating her police woman foil, the temptress manages to make a game of outwitting her nemesis.

After being implicated in the theft of the Jade Dragon Sword, Fan Ying (Cheng Pei-pei) is banished to the Dragon Swamp for 20 years. Now, 20 years later, the sword has been stolen again, and the members of Lingshan Clan are sent out to find the culprit. Among those is Qing-Erh (Cheng Pei-pei again), who meets a wandering swordsman (Yueh Hua) searching for the long lost Fan Ying. Together they decide to enlist the help of the Dragon Swamp Master in their respective searches.

A young woman keeps her true persona a secret in this martial arts action-romance written and directed by Jing Wong

Spoiled Yuen Si Si, the naive daughter of an affluent merchant, lives her cosseted life dreaming of meeting her idol, the heroic Qin Ge. When her father decides to marry her off, she runs away in search of Qin Ge, with her fiancee in pursuit. What she doesn't realise though is that her kung-fu skills are not what she thinks they are and that the outside world is far less chivalrous that she expected.

Mistaken Identity is a Hong Kong Crime-Comedy directed by Tsui Siu-Ming and starring Richard Ng.

A group of evil bandits are terrorizing the land from their invincible mountain castle. The high commanding official decides to put a stop to this and commands one of his officers to gather a group of Kung Fu masters to put an end to the terror. But everything is not that simple and straight-forward, as we quite soon learn when the plot thickens.

Intrigue in the court means that the wife and daughter of framed scholar Sung have to travel to the capital in disguise, as court agents hunt them down. A righteous swordsman and a group of kiln workers get caught up in the action.

The Silver Fox is a throwback, the last of its kind where the heroic swordsmen are women. Lily Ho (before she became one of Shaw Brothers' great erotica actresses) portrays the feared swordswoman Silver Fox, who as a child saw her father senselessly wounded and her mother raped. It's 18 years later and it's payback time.

A detective and wanderer called Man Tshu comes to town and challenges the crime family that owns it, burning their opium and taking away one of their prostitute wives as his love interest.

A group of Vietnamese refugees are brought to Hong Kong as a previous step to be transported to another country in order to start a new life. In the Hong Kong refugee camp they will have to learn how to survive in order not to be despised by other fellow countrymen or even by Hong Kong citizens.

Mei-fung was once a top artiste manager but she quit when she got pregnant. After years of living as a housewife, distance has grown between her and her husband. The fact that her 17-year-old son Hin is about to study abroad prompts her to re-enter the entertainment world. A chance encounter with Ching, a delivery boy at a local cafe, leads her to a talented singer. With her connections and his raw talent, the public soon falls in love with him. But while her career flourishes, her son Hin only sees a caring mother turning into a career-driven stranger. When their family falls apart and Ching arrives on the scene, a rivalry develops between Hin and Ching.

Chin Ping Mei 金瓶梅 (1955) is a Hong Kong feature film written by Ku Wen-Chung and directed by Wang Yin, it was produced by Shaw Brothers Studio. This is an adaptation of the Lotus Pan tale.

This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.

Wo Tin travels from Hong Kong to Thailand for business, having been invited by his brother. A young Thai woman, Lala, accompanies him and they pick up a wounded young woman before being embroiled in crocodile evil…

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

A musical about 3 sisters, singers and dancers, and their dad, a magician performing in nightclubs until they make their own life.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

The Opera Boat at Star Island 星 島 紅 船 (Xingdao hongchuan) (1955) aka The Opera Boat in Singapore is a Hong Kong film in the Cantonese language of the comedy and musical genre, directed by Ku Wen-Chung and produced by Shaw Brothers Studio.

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

A mad scientist wants to get his hands on a certain growth-accelerating serum developed by Hong Kong scientist Dr. Li Zong-Hua so that he can create an army of supermen and conquer the world.

Sham Shui Po, there is the most famous red-light district in Hong Kong. Li (Carrie Ng) owns a few of the apartments in the building and she earns a living by renting them out to the prostitutes. To the prostitutes though, she is more a friend than just a landlord. She gets together a group of prostitutes and work as hard as they could, trying to attract business to turn the tide. Still, they do not know they are quietly approaching death. It begins with the missing of a prostitute Ping. Ping is one of the tenants who live with her young daughter. In the process of finding Ping, Li discovered there had been a lot of missing prostitutes in this building, yet none of them were found. The building was somehow isolated from the outside world and a massacre begins. Li and the prostitutes have to find Ping and to fight a battle of wits with the invisible murderer. As more evident of the murderer's identity revealed, a tragic truth hidden for over twenty years starts to unveil.

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)

The Unforgettable Character is a 1975 Taiwanese romantic drama film directed by Chang Mei-chun and written by Chiung Yao.