Best movies like The Last Winter

A teenage girl deals with her parents forgetting her birthday and a crush on her high school's heartthrob.

Peter loves his next door neighbour Erica and, on the advice of his grandfather, decides to camp out on her front lawn for the entire summer, or until she agrees to go out with him. His father is none too happy about the idea and refuses to let his son back in the house, even to get a change of clothes.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity.

During the summer of 1955, seventeen-year-old Eric Hansen embarks on a journey in his new town, a journey which will change his life forever.

This film relates the story of a tightly connected Afro-American community informally called Colored Town where the inhabitants live and depend on each other in a world where racist oppression is everywhere, as told by a boy called Cliff who spent his childhood there. Despite this, we see the life of the community in all its joys and sorrows, of those that live there while others decide to leave for a better life north. For those remaining, things come to a serious situation when one prominent businessman is being muscled out by a white competitor using racist intimidation. In response, the community must make the decision of whether to submit meekly like they always have, or finally fight for their rights.

Rose is taken in by the Hillyer family to serve as a 1930s housemaid so that she can avoid falling into a life of prostitution. Her appearence and personality is such that all men fall for her, and she knows it. She can't help herself from getting into trouble with men.

Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he's been dealt. When the two strike up an unlikely friendship, it's the perfect spark needed to thrust them both back to life.

Angus is a large, pathetic 14-year-old whose thoughts are most often filled with the image of only one girl, Melissa Lefevre. Angus is shy and thinks that he has no chance of ever 'getting' her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance with her at the Winter Ball. The only one not surprised is the cool kid who set him up to fail, but Angus' best friend is going to help him win the heart of Melissa by developing a new look for him

When a teen girl and her mom inherit an old house, little do they know that a mysterious person is hiding in the attic – a teen boy who has been living there for months.

Chasing his wayward mother to Montana, fifteen year old Jake finds the picture perfect Tucker family instead who photoshop him into their lives, despite his questionable past. Too bad Jake can not stop himself from stealing, being seduced by the sexy next door neighbor, courting the mother of the house, encouraging the son in his first love affair, and leading the neighborhood boys in an ever escalating series of pranks. A drama about stealing radios, cars, and hearts

In 1980, Queens, New York, a young Jewish boy befriends a rebellious African-American classmate to the disapproval of his privileged family and begins to reckon with growing up in a world of inequality and prejudice.

The film tells a story of a divorced couple trying to raise their young son. The story follows the boy for twelve years, from first grade at age 6 through 12th grade at age 17-18, and examines his relationship with his parents as he grows.

The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the 'black sheep' of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.

Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.

This semi-autobiographical film by Barry Levinson follows various members of the Kurtzman clan, a Jewish family living in suburban Baltimore during the 1950s. As teenaged Ben completes high school, he falls for Sylvia, a black classmate, creating inevitable tensions. Meanwhile, Ben's brother, Van, attends college and becomes smitten with a mysterious woman while their father tries to maintain his burlesque business.

An awkward 13-year-old leaves her cranky grandfather in rural Texas, to live with her mother in Fort Worth.

13-year-old Pablo is a quiet, lonely boy with a troubled past. His only friend is Julia, a shameless 15-year-old girl who is more than willing to help Pablo with his transition from childhood to adolescence, and give him some advice on sex, love, and life in general. On a quiet country road just outside of the village, Pablo meets Paco, an oddly calm, well-dressed stranger whose car just broke down. Nevertheless, he seems more interested in the boy than fixing his problem.

Little Tree is an 8-year-old Cherokee boy, who, during the time of the depression, loses his parents and starts to live with his Indian grandma and grandpa and learn the wisdom of the Cherokee way of life.

A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.

Marcus is a kid on Manhattan's mean streets. He's turning 15, his father is dead, his mother is in prison for smuggling undocumented aliens. His grandmother is raising him. He has four close buddies who have a basement clubhouse; they shoplift and sell the wares to kids. One is moving toward selling drugs. Marcus wants to take a breather from the city and visit family in New Mexico. He also meets Melena, 14, a sweet kid who dreams of going to Alaska; her father is not just protective but angry and uncommunicative. The gang pressures Marcus to move up to burglary and car theft. He just wants to breathe open air. Can anything go right?

David and Lynn have just lost their father. Now orphaned, the youngsters are sent to live with their grandparents in a beautiful victorian mansion. But no sooner than boarding the coach bus scheduled to take them to their new home do strange things start to occur, initially in the form of a mysterious woman who seems to appear and disappear in the blink of an eye. It’s not long, however, before murdered bodies are found in the area and, to make matters worse, David becomes increasingly fearful that his doting grandparents might be involved in the killings.

Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.

Owen and Isabel's love story simmers with spiteful rage and unfortunately for everyone, Isabel is pregnant with Owen's child. To prove to her that he can become a stable father, Owen agrees to reconnect with his only living relatives at Isabel's request. The couple take a trip to visit his perversely devoted grandmother and his sister Pearl, who was severely burned in a fire, to finally bury the hatchet. But sometimes the ties that bind can cut off all circulation.

An elderly, yet young-at-heart man, moves in with his grandson, and both their lives turn upside-down.

American Hollow is a 1999 American documentary film directed and produced by Rory Kennedy. The film follows the extended Bowling family, residents of an eastern Kentucky valley, for a year in Perry County, Kentucky. The music for the film was composed by Bill Frisell. Iree Bowling died at the age of 81 in December 2010.

When the wife of sports-writer Joe Warr dies of cancer, he takes on the responsibility of raising their 6-year-old son, and his teenage son from a previous marriage. As Joe rejects the counsel of his mother-in-law and other parents, he develops his own philosophies on parenting.

A group of American boys discovers a Russian sailor washed up on the coast of Florida and decide to befriend him, assuming that he is friendly and will bring them no danger and thus go against the ideas of their parents, as well as the government.

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

Although Dave (LeVar Burton) and his family are poor sharecroppers in the Deep South in the 1930s, this 15-year-old's problem is shared by teenagers today: he stands with one foot in adulthood and the other in childhood. "Almos' A Man", yet still treated like a child, he struggles for an identity. There's one thing, one symbol of manhood, Dave thinks, that could guarantee him instant respect: a gun.

A young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better conditions. However, with this particularly tough farming season, the boy learns that his challenges guide him in discovering who he really is.

A semi-autobiographical coming-of-age story set in the Cotswolds during and immediately after the First World War.

A widow named Harriet and her two children Carrie and Brian are living in rural New York in 1947 and are still recovering from the death of Harriet's husband killed in World War II. Carrie is a tomboy and hangs around with boys and they have their own clubhouse. Carrie and her friends make mischief and taunt their mentally challenged neighbor Charlie by stealing one of his puppies. Harriet meets a man named Bernard and begin a courtship, but Carrie is furious that her mother is dating Bernard and wants it to stop. The jealousy and anger of Carrie raises to a fever pitch when Carrie and her friends destroy their neighbor Mr. Grizzle's garden and pour sugar into his tractor. Grizzle then takes Charlie's other puppies away from him and then Grizzle's barn is destroyed by fire. Carrie learns it's time for her to grow up and make amends with her mother and her neighbors for the grief and pain she caused them.

When Mike Lewis leaves L.A. to stay with his grandfather in Colorado for the summer, he hates the old man's cowboy ways. When Mike demands to go home, the old man agrees and saddles up a couple of horses for a six week trip toward California, home, the Pacific and redemption.

The story begins on a fine summers morning, when San-woo and his mother board a bus to the country. It is soon clear that the unsophisticated rural passengers annoy the seven-year-old urban boy. His mother is taking him to live with his 78-year-old mute, but not deaf, grandmother while she looks for a new job after a business venture failed in Seoul.

On the outskirts of Austin, 10-year-old Annie tears around on her BMX bike, hurls dough at cars, and smashes things up with her baseball bat. Her father, a goat-farmer-cum-demolition-derby driver, does little parenting. Annie has no friends her age, so her daily routine is filled with solitary mischief. Playing in the woods one day, she hears a woman’s plaintive call for help from an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman’s plight.