Best movies like The Life and Work of Claude Chabrol

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

In this French Canadian film, the lives of young people (basically teenagers) are examined in fantasy sequences and through the use of documentary interviews. The fantasy sequences make creative use of animation, unusual film developing techniques, and stills.

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

A documentary about actor/director Dennis Hopper, showing him at his home and studio putting together his film "The Last Movie."

This documentary highlights the reunion of Bruce Springsteen with his E Street Band as they join forces to record several new tracks for Springsteen's GREATEST HITS album. Featured songs include longtime bootleg favorite "This Hard Land" and the brand-new songs "Secret Garden" and "Blood Brothers," as well as other previously unreleased tracks. The show aired originally on the Disney Channel. The documentary provides a thrilling behind-the-scenes look at Springsteen's creative process, which is famous for its attention to detail. Springsteen also constantly flips around music and lyrics among different songs until he nails it perfectly. The closeness of the band is evident at the outset in its ability to gel with Springsteen right off the bat even though they hadn't played together regularly since the late 1980s.

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman.

An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

A documentary by photographer Sam Jones documenting American rock band Wilco recording their fourth album Yankee Hotel Foxtrot. Originally intended as a showcase of the band's creative process, the film crew catches unexpected complications between the band and its record label and problems among the band members themselves.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

100 years ago Mata Hari faced the firing squad as a convicted Dutch spy. It was at this moment that the legend of Mata Hari, the seductive spy, was born. Newly-discovered documents cast doubt on her guilt and reveal startling truths about her life. Mata Hari was a self-made woman whose boldness and sexuality threatened the male establishment. Most of what we've known about her until now has largely been myth. Mata Hari's challenges as an abused wife, single mother and a creative independent woman are familiar to women around the world. At the turn of the century, her struggles to attain sexual freedom, artistic expression, and liberation from the constraints of conventional society are the same ones women face today. She graced the cover of Vogue, performed all over Europe and left a coterie of smitten admirers in her wake.

Albert and David Maysles' classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill's childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard's recollections and artistic vision, we are returned to "that summer" in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.

Craving that girl she was never able to replace and seeking inspiration in her presence, or absence, or rather fantasy, a troubled writer embarks on a stormy journey of love, passion and potentially perdition.

This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.

A story about talented homeless and formerly homeless fine arts painters in the worst section of Los Angeles known as Skid Row. People will create art no matter how humble the circumstances.

This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.

This fascinating hour-long documentary film takes the viewer to the heart of the creative process, focusing on 1989's acclaimed album, Flowers In The Dirt. Mixing studio footage with interviews, Put It There features Paul talking candidly about the process behind some of the album's most beloved songs, especially a detailed exploration of the single ‘My Brave Face’, co-written by Elvis Costello. Candid, anecdotal and honest, the documentary is a must for any Paul fan and was expanded for its DVD release to include a gallery section and previously unseen performance footage.

Paul Merton goes in search of the origins of screen comedy in the forgotten world of silent cinema - not in Hollywood, but closer to home in pre-1914 Britain and France. Revealing the unknown stars and lost masterpieces, he brings to life the pioneering techniques and optical inventiveness of the virtuosos who mastered a new art form. With a playful eye and comic sense of timing, Merton combines the role of presenter and director to recreate the weird and wonderful world that is early European cinema in a series of cinematic experiments of his own.

The BBC documentary takes a look into the Pixar studios as they celebrate their 25th birthday and at the creative process involved in creating the animation classics that we love.

Part one of a BBC documentary about Jean Renoir.

Historian Dr Janina Ramirez unlocks the secrets of a centuries-old masterpiece in glass. At 78 feet in height, the famous East Window at York Minster is the largest medieval stained-glass window in the country and it was the creative vision of a single artist - a mysterious master craftsman called John Thornton, one of the earliest named English artists. The East Window of York Minster is far more than a work of artistic genius, it is a window onto the medieval world and the medieval mind - telling us who were once were and who we still are, all preserved in the most fragile medium of all.

This documentary follows Martha Clarke's creative process for a year as she finds her own voice as a choreographer following her departure from Pilobolus Dance Theater.

Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.

Already a successful portrait photographer, Hannah sets to reinvent this art form. Abandoning herself to a creative process that might easily be mistaken for madness, she's soon visited by mirror images of herself, as well as her daughter's ghost. Inspired by the life of photographer Hannah Maynard (1834-1918).

With jaw-dropping visuals and a captivating set list of fan favorites as well as unreleased remixes, see one of electronic music's biggest acts as you've never seen them before. The Last Goodbye Cinematic Experience provides a look behind-the-curtain into the process of creating ODESZA's wildly successful return to the touring stage. Since they started making music in the basement of a college house, Harrison & Clay (ODESZA) have bucked industry trends and built a creative and dedicated production team of longtime close friends. Through personal interviews with the band, their fans, and members of their creative team, the film provides an entertaining and heartfelt look at the connection between the band and their fans, how life experiences shaped the creation of their latest album, and how ODESZA grew from small-town aspiring musicians to a four-time Grammy Award-nominated, major festival headlining icon.

Genesis – The Last Domino? follows Tony Banks, Phil Collins and Mike Rutherford and their crew as they build and rehearse their Last Domino tour. Despite the complications and uncertainties of the global COVID pandemic, and without confirmed dates, the band made the decision to spend the time and money so they would be prepared once the world returned to normal. The film follows the creative and emotional processes involved and features band interviews and live performances from the spectacular yet-to-be-seen show.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

A cinematic odyssey featuring never-before-seen footage exploring David Bowie's creative and musical journey.

A loner artist, exiled from the art community for creating a sculpture deemed too offensive, embarks on a bizarre odyssey of art, flesh, decomposition, and spiritual ascension. Vexanthrone details the mental and physical difficulties of the creative process in an experimental and surreal fashion that mixes arthouse sensibilities with gross-out body horror.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.