Best movies like The Little Apartment

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

A beautiful young woman starts receiving messages through a ouija board, claiming to be from the former occupant of her apartment. The former tenant claims she's been murdered, but there's no record of a murder or even her death.

A prying neighbor, a glassy-eyed drug dealer, and a husband brandishing both a weapon and a vendetta make up the welcome wagon. Set amidst the as-yet-unopened boxes and the hopes for a fresh start of two men on what might just be the worst moving day ever. Their new apartment reveals its terrifying history in a film that is by turns funny, frightening, and unexpectedly romantic.

Mickey Ryan falls from grace due to a series of downward spiraling events beyond his control. With his life turned upside down, Mickey tries valiantly to resolve his issues but hooks up with the wrong people who blind him with anger and hate.

Rufus Billings was born premature and after a lifetime of doctors doting on his frail health he is now a hypochondriac of the first order. Now an adult Rufus has learned his late father has left him $750,000 but he won't inherit the sum for three more years. Rufus is certain he is on death's door and will never last three years so his Doctor arranges for a loan of $100,000 to pay for a live in nurse. Rufus only has to sign over his inheritance to the greedy trio of Clinch, McIntosh and Peck who along with the doctor are confident he'll live long enough to pay his debt.

Leonard Junger, an aspiring television writer, tries to find a cheap apartment for his estranged wife and daughter so that they can be a family again. During his quest, he encounters mystery and murder.

Juliet, a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It's got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone.

Esperanza and Maria Jesús are two orphans because their father, Don Fernando, dies. He shared his buissines with Martina Echave, an old lover, who hated him because she has always wanted to marry him. Esperanza and Maria Jesús fall almost into ruin for Matinas' handling. They had to take refuge with their aunt. Esperanza is Martinas' soon's girlfriend against her will, and they have a stormy relationship because José Antonio is also in love with her.

Based on Harold Pinter's enigmatic play about a boarder in a British seaside dwelling who is visited by two strangers. They torment him verbally, ask him idiotic unanswerable questions, force him to sit down and stand up, and give him a "party". Then, eventually, they take him away, a tongue-tied idiot. The trivial becomes the terrible, and with it a certain wonder, a certain pity.

Elvis Martini is in deep shit. His dilapidated Detroit apartment building is about to be foreclosed on by the bank; most of his tenants are behind on rent; he's in big debt to bookies and his daughter's school. He finds some ill-gotten cash in an evicted tenant's apartment and it briefly keeps the wolves at bay, but it brings out a bigger wolf, one that wants his stolen money back. When his daughter is kidnapped by the mysterious menace he's accidentally messed with, Elvis has 24 hours to come up with $25K - cash only.

Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.

A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn't seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who's about 10 or 12, tries to break through his father's silence and sorrow by taking matters into his own hands.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

A middle-aged couple, on the verge of proceeding with a divorce, find themselves questioning their decision to separate when fellow friends and neighbors, oblivious to their marital troubles, assemble at their house for a 4th of July Weekend party.

Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo. But Elena is also the daughter of Don Diego and to separate the love of his brother, they marry her to Rodrigo, the pastor. This will be the beginning of the tragedy.

Madrid, the beginning of the century. One day, the police inspector Santos Trinidad coming home very drunk, is involved in a triple murder. But there is a witness who managed to escape and that could incriminate him. Santos undertakes an investigation to locate and eliminate the witness. Meanwhile, Chacón a judge in charge of investigating the triple murder, meticulously advances in the search for the murderer. Santos and Chacon soon discover that what seemed a simple case of drug trafficking is actually something far more dangerous.

This grisly documentary centres around the gruesome psychology of the infamous Jeffrey Dahmer, who lived the double-life of a cannibal.

In a dystopian future, a nation of bio-titans has been created and the female sex and procreation have become obsolete. As the Earth turns toxic, the bio-titans are eager to colonise the cosmos on board a colossal spaceship, taking with them only one female body kept barely alive as a reminder of the troubled past. But everything changes when the immortal calligrapher Krypton, tasked with creating an indestructible copy of the entire written heritage of his kin, sees a forbidden book turn into a feisty girl, Gargara.

A medical student marries a millionaire's daughter but insists they live on the money he earns.

Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.

In Madrid, Spain, at the end of the 19th century, the young and reckless Basilio seems to be the only person who perceives the spectral presence of Professor Robinsón de Mantua, who begs him to take care of his niece Inés, because she is in grave danger.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Vicenta Verruguillo came to Madrid to work as a bridesmaid in the house of a doctor and falls in love with his son. The boy, to keep his family is left without service, follow the advice of his father and pretends to be in love with her. Meanwhile, his cousin Manolo, a likeable rogue, who works as a nurse, several maids dupes that get her salary every month because he has promised to buy a flat before marrying them.

In Madrid of the 20's, many women were hired as wet nurses for middle class families. Milk is paid very well, so women are turning to the honest services of Paco, glazier by trade, which completes his monthly salary getting pregnant the clients who pay for it.

The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.

To mark the centenary of Benjamin Britten's birth, Britten’s Endgame explores the composer's creativity in the face of death. Those closest to him watched anxiously as he raced to complete his final opera, Death in Venice, in defiance of medical advice, tackling an edgy subject with many resonances in his own life. His eventual heart operation left him incapacitated and prematurely old and frail, yet somehow he rediscovered his creative urge to produce two late masterpieces. This is a rich and poignant film about Britten’s final years, and the impact of what Peter Pears called 'an evil opera'.

A somewhat prudish young lady inherits a nudist camp. She wants to shut it down, but is persuaded by its members to give the place a look before she takes any action. She agrees, and while touring the camp finds herself attracted to one of the patrons. The trouble is, so does another young woman at the camp. Complications ensue.

A real estate developer is given the opportunity of his career to transform an old shopping complex into a prime location. Unfortunately, there is one tenant who is holding out—the Christmas shop owner he met by happenstance just days ago.

After a life of constant partying, Nojet inherits an apartment building from her recently deceased father. What she at first takes for a cash cow turns out to be a curse as she gets thrown into the murkiest corners of the Swedish housing market.

Two friends from a northwest London housing estate are reunited when one of them faces a messy personal crisis.

Pablo is in love with Dominique, whom he wants to marry. The girl leads them to a cemetery, where she convinces Pablo that should either of them die, the other will return and help them prepare for the afterlife. She leaves Madrid on a vacation in Bretagna, and dies en route. Pablo receives a call the next day. It is Dominique.

A fugitive, an empty house, a rotting corpse. The journey begins. Cameron Matthews, a petty criminal and fugitive from the law, hides from police by taking shelter in an old dilapidated house in the middle of the city. There he discovers the rotting corpse of Bart Giordano, the owner of the house, whose death has gone unnoticed by friends and family for years. Though separated by death, the two men form an unlikely spiritual connection and help each other rebuild broken relationships in their personal lives.

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

A celebration of creativity, community, and friendship, The Visitors (2012) documents a 64-minute durational performance Kjartansson staged with some of his closest friends at the romantically dilapidated Rokeby Farm in upstate New York. Each of the nine channels shows a musician or group of musicians, including some of Iceland’s most renowned as well as members of the family that owns Rokeby Farm, performing in a separate space in the storied house and grounds; each wears headphones to hear the others. As the music begins and repeats, individual players stop, start, and move between rooms. Viewed together, the individual videos present an ensemble performance Kjartansson calls a “feminine nihilistic gospel song.” The piece itself sets lyrics from a poem by artist Ásdís Sif Gunnarsdóttir, Ragnar´s ex-wife, to a musical arrangement by the artist and Icelandic musician Davíð Þór Jónsson; the title comes from a 1981 album from Swedish pop band ABBA, meant to be its last.

Set in the romantic Madrid of the 19th century, it narrates the loves and misunderstandings between various characters. Francisquita secretly loves Fernando, but he has fallen in love with Aurora, a typical Madrilenian woman used to flirting with all men.