Best movies like The Lovely Month of May

NOIR chronicles the lives of four people living in a neighborhood plagues by poverty and violence, aspiring to freedom and happiness. Kadhafi, a 26 year old aspiring rapper and ex-member of a street gang, just out of prison, wants to steer clear of troubles. Fleur, a 17 year old Haitian mother in an abusive and passionate relationship with her daughter's father, dreams of leaving the ghetto and becoming a nurse. Suzie, a 20 year old stripper who falls for a gang member. Dickens, 16 year old Haitian wants to be part of the street gang controlled by his older brother.

Featuring candid discussion about hopes and dreams, love and heartbreak, family and friends, this engrossing documentary makes an inspired connection between classic literature and contemporary teen life in modern-day Marseille as one high school class studies the 17th-century novel La princesse de Clèves.

The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

Housemaid Georgette loves to gossip and this causes major trouble to people around her.

Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).

A young couple, Renée and Pierre, take one night a room at the Hôtel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but having shot at Renée, Pierre lacked the courage to finish the job and fled. Another customer, Monsieur Edmond, a procurer, rescues her. When Renée goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in love with her, but Renée is still thinking of Pierre...

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchic political convictions.

The diary of Sam, 27, with its joys, its sorrows, its sexual obsessions.

Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

Greece, 1936. An aristocratic woman engages in a series of loveless affairs before finding herself falling for a political activist.

Best friends Ely and Lila share everything together, including their dream of a life beyond the Paris suburb they've lived in since childhood. One night they venture into the capital and meet a pair of wealthy young friends at a night club. Ashamed of their working-class background, and seeing an opportunity to escape, Ely and Lila begin to lie their way into this glamorous new world. Falling deeper into their web of lies, the young women begin to lose sight of themselves as their friendship is pushed to the limit.

After the attacks in Paris in 2015, Raphael Mehlman is really aware of his Jewishness. His brother, the writer Joël Mehlman, develops a novel then gets lost between his characters and reality, mixing his fiction and his own life.

The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.

In a dystopia Paris, this is about a campaign manager named Tristan who is knocked sideways when he receives an anonymous letter containing a positive pregnancy test. Potentially suffering from a fatal and incurable genetic illness, Tristan becomes obsessed with the idea of finding the woman who sent him this test. He decides to carry out an investigation, risking his love life and his career in the process.

A biography of the civil-rights activist and labor organizer Cesar Chavez. Chronicling the birth of a modern American labour movement, Cesar Chavez tells the story of the famed civil rights leader and labour organiser torn between his duties as a husband and father and his commitment to securing a living wage for farm workers. Passionate but soft-spoken, Chavez embraced non-violence as he battled greed and prejudice in his struggle to bring dignity to working people.

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.

All Benny wants to do is be more confident, stop thinking so much and fall in love. When he has a chance encounter with Jordan, a woman obsessed with the notion of fate and a magical kind of love, he may finally have the opportunity. That is, if he can get out of his own way and out of his head. Pretend We're Kissing is a film for all of those who don't think their love life resembles a romantic comedy.

Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.

Art critic Keller, a German ex-pat living in London, is confronted by his radical 1960s past when he's asked to assassinate a Chilean murderer who is on a visit to London.

A silent, surreal parallel between a couple and a dog.

At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?

"A Couple" is a film about a long term relationship between a man and a woman. The man is Leo Tolstoy. The woman is his wife, Sophia. They were married for 36 years, had 13 children nine of whom survived. Each kept a diary. Although they lived together, in the same house, they wrote letters frequently to each other. Leo Tolstoy insisted that they read their diaries aloud to guests at dinner parties. The Tolstoy’s were also a dysfunctional couple, arguing frequently and being very unhappy with each other while occasionally enjoying passionate moments of reconciliation. The film is Sophia’s monologue about the joys and struggles of their life together, loosely drawn from their letters to each other and their diary entries.

A poor young Scandinavian immigrant couple winds up in Canada in search of prosperity, but the hardship of the Great Depression takes a toll in a way they never feared when they went in search of the dream.

In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.

Malina, a young Iranian immigrant, visits Jean in his beautiful downtown apartment. She wants to know why her boyfriend Denis, who is working on Jean's apartment, lingers after hours, showering in front of Jean's wife Paula. Step by step, Jean and Paula get to know Denis and Malina, sliding from prostitution to friendship, from unacknowledged desires to more sincere affection, from love to family - a new kind of family, including the desire for a child. Overcoming trials and taboos, this quartet lays the concrete foundations for a new ideal of love, with great freedom, both carnal and intellectual.

A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.

Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.