The Marriage of Figaro

A baritone aids a young servant in making her dream of singing professionally come true.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko.

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

A womanizing opera star is smitten by a young music student.

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

A delightful fairy tale, Mozart's final operatic legacy remains a great work in the spirit of the Enlightenment. Intertwining music of awesome purity and beauty with the conventions of musical comedy, it explores Man's search for truth and his confusion between the forces of light and dark. This production from The Drottningholm Court Theatre is conducted by Arnold Ostman and played on authentic period instruments.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

An astronaut named Gary and his planet-destroying sidekick Mooncake embark on serialized journeys through space in order to unlock the mystery of “Final Space,” the last point in the universe, if it actually does exist.

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

The adventures of Wander, an eternally-optimistic intergalactic traveler and constant do-gooder, and his quick-tempered but loyal steed and best friend, Sylvia. The friendliest face in outer space, Wander journeys across the galaxies to spread good cheer and to help anyone he can — much to his overly pragmatic stallion’s chagrin. Their fun-loving escapades often lead them to clash with the evil villain Lord Hater and his army of Watchdogs, who travel from planet to planet trying to make hate the order of the day. Together, the best friends travel through the cosmos, happening upon one freewheeling adventure after another and making new friends and foes.

Danny “The Count” Koker and his team restore, customize and sell cars in a hurry, scrambling to keep their Las Vegas shop in the black. From classics to exotics, from hotrods to choppers, Danny and the crew of Count’s Kustoms will stop at nothing to find and flip the greatest rides of all time.

Allen Braddock and Marcus Jackson are two attorneys with very different views on the law. After getting fired from his father's prestigious firm for employing questionable tactics, Allen is forced to team up with Marcus, a self-made man always willing to fight for the people of his neighborhood, even if it doesn't mean collecting a check. When the two partner up, they take on cases that challenge their moral, personal, and ethical boundaries, but always manage to find common ground.

Sir Kenneth Clarke guides us through the ages exploring the glorious rise of civilisation in western man. Beginning with the bleakness of the dark ages to the present day, we consider civilisation's articulations and expressions in some of man's finest works of art.

Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.

A new perspective on wildlife at night. A team of biologists and specialist camera crew explore the length of South and Central America to find out how animals have adapted to life in the dark.

In her sixth year of law school, Cristela is finally on the brink of landing her first big (unpaid) internship at a prestigious law firm. The only problem is that her pursuit of success is more ambitious than her traditional Mexican-American family thinks is appropriate.

Vienna was the capital of the Habsburg dynasty and home to the Holy Roman Emperors. From here, they dominated middle Europe for nearly 1,000 years. In this series, historian Simon Sebag Montefiore describes how the Habsburgs transformed Vienna into a multi-national city of music, culture and ideas. Napoleon, Hitler, Mozart, Strauss, Freud, Stalin and Klimt all played their part.

Four-part docu-series following the search for one man, Richard Scott Smith, who over the past 20 years used the internet and his dubious charms to prey upon unsuspecting women in search of love — conning them out of their money and dignity.

We arrive with New York heiress Lucy Savage fresh off the transatlantic steamer and ready for love and marriage in exotic climes. But when her husband Hugo does not receive her in the way she expected, she spins off into the surprising, diverse and degenerate world of Tangier in 1955.

The adventures and misadventures of an energetic, scatterbrained, impulsive, reckless and slightly destructive boy, ELVIS RIBOLDI.

Alice Levine is stepping out of her comfort zone to embark on a journey of sexual discovery across the UK. Invited into homes all over the country, she will explore what sex means for modern Brits; whether they’re doing it for pure pleasure, for money, or even seeking spiritual enlightenment.

Taking place 25 years after the original British smash hit, the same band of brothers navigate the post-industrial city of Sheffield and society's crumbling healthcare, education, and employment sectors.