Best movies & TV Shows like The Mozart Band

A gang hold a family hostage in their own home. The leader of the escaped cons is bothered by a recurring dream that the doctor of the house may be able to analyze.

The incredible tale of Mozart's Prague years.

When principal Joe Clark takes over decaying Eastside High School, he's faced with students wearing gang colors and graffiti-covered walls. Determined to do anything he must to turn the school around, he expels suspected drug dealers, padlocks doors and demands effort and results from students, staff and parents. Autocratic to a fault, this real-life educator put it all on the line.

On the keyboard, the young hands fly rapidly and the melody rises. For the child, nothing is easier; he hears the sounds in his head. These hands belong to 6 years old André Mathieu. He won his audiences and fired up concerts halls in London, New York, Paris and around the world. Adulated, hailed, praised, the child prodigy seemed to have everything to succeed. From the top of his vertiginous successes, to depths of torment, the life of the "Little Canadian Mozart" blends into his music. A romantic and passionate composer wishing for happiness, his story is nevertheless played on tragic notes.

A love story between two savants with Asperger's syndrome, a kind of autism, whose conditions sabotage their budding relationship.

During a horrific storm at sea, the crew realizes that there is a murderer among them who is killing them off one by one.

The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.

A young policemen witnesses a bank robbery which will become his first case. To catch the thieves he will infiltrate himself as one of the gang members. At first it works, but it won't be so easy afterwards.

As Israel is rocked by a series of terrorist bombings, a US senator's daughter is killed in one bloody explosion. Now, ex-Mossad agent Etan must lead an elite, covert team of agents and mercenaries to find the man responsible—the elusive “Engineer.” Can they find and destroy the madman before more innocent lives are lost?

Prof. Joseph Elsner guides his protégé Frydryk Chopin through his formative years to early adulthood in Poland. The professor takes him to Paris, where he eventually comes under the wing and influence of novelist George Sand and rises to prominence in the music world, to the exclusion of his old friends and patriotic feelings towards Poland.

An irreverent take on Mozart's relations with the three Weber sisters: Louisa, whom he loved, but who didn't love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn't love. An anthology of arias from Mozart's operas, in which art comments on life through a cheeky use of back-projection and miming to records.

Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Eve and Peter fall in love at first sight at a New Year's Eve party, but are separated by Eve's jealous fiancé, Ralph. With neither knowing the other's name, they both spend the following day searching frantically for each other around London. Peter's only clue is a set of shop mannequins, all perfect likenesses of Eve - and all made by Ralph's factory.

Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city. With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. But London would prove pivotal, for it was here that the young Mozart made his musical breakthrough, blossoming from a precocious performer into a powerful new composer.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Live production of the Mozart opera Die Zauberflöte.

A delightful fairy tale, Mozart's final operatic legacy remains a great work in the spirit of the Enlightenment. Intertwining music of awesome purity and beauty with the conventions of musical comedy, it explores Man's search for truth and his confusion between the forces of light and dark. This production from The Drottningholm Court Theatre is conducted by Arnold Ostman and played on authentic period instruments.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.

DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

The prestigious Gran Teatre del Liceu from Barcelona presents Mozart's beloved opera in an elegant, dramatic twist with a sparkling cast of world-class stars, led by coloratura soprano Diana Damrau as Constance and rising star Olga Peretyatko as Blonda. Director Christophe Loy has created a thought-provoking and surprisingly original script in which both Constance and Blonda feel respect, admiration and even deep love for their captors. As a result of this tantalizing, torturous approach, traditional norms and concepts of good and evil were turned upside down.

On her journey to a provincial capital, Elena falls for the director of the Company of Zarzuela and leaves with him, despite opposition from his father. But the guilt of having abandoned him pursues her constantly to the point to shake their relationship.

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

Baby Lullaby takes your baby on a soothing journey with classical lullabies by Bach, Brahms and Mozart. Enjoy relaxing ocean waves, sweet puppet shows and tranquil images. From fun time to rest time, Baby Lullaby is the perfect way to spend special time with your baby

Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.

A cinematic documentary series that explores the rise and fall of some of the most nefarious and notorious criminals brought to justice by the United States government. From thugs to lethal beauties, outlaws to kingpins, each episode profiles these gangsters and reveals their sinister motives, transgressions and the circumstances that eventually led to their downfall.

Vienna was the capital of the Habsburg dynasty and home to the Holy Roman Emperors. From here, they dominated middle Europe for nearly 1,000 years. In this series, historian Simon Sebag Montefiore describes how the Habsburgs transformed Vienna into a multi-national city of music, culture and ideas. Napoleon, Hitler, Mozart, Strauss, Freud, Stalin and Klimt all played their part.

The incredible life of novelist George Sand is explored with a particular focus on her romance with the famed musician Frédéric Chopin.

A beautiful expression of two differing cultures brought together by the warmth and dedication of a great musician and humanitarian. In 1979, as China re-opened its doors to the West, virtuoso Isaac Stern received an unprecedented government invitation to tour the country. Preserved by the Academy Film Archive in 2000.