Best movies like The New Romantics: A Fine Romance

A unique, carefully handpicked, selection of the best movies like The New Romantics: A Fine Romance Starring Magenta Devine, Boy George, Gary Kemp, Adam Ant, and more. If you liked The New Romantics: A Fine Romance then you may also like: XOXO, The Upsetter: The Life and Music of Lee Scratch Perry, Viena and the Fantomes, The Naked Jungle, Nomads and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk.

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Know any good movies to watch like The New Romantics: A Fine Romance 2001. With a similar plot or stoyline. Suggest it.

XOXO

XOXO follows six strangers whose lives collide in one frenetic, dream-chasing, hopelessly romantic night.

The Upsetter: The Life and Music of Lee Scratch Perry

The Upsetter tells the fascinating story of Lee Scratch Perry a visionary musician and artist from poor rural Jamaica who journeyed to the big city of Kingston in the late 1950’s with dreams of making it in the burgeoning record industry. He burst upon the scene with a brand new sound, inventing a genre of music that would come to be called Reggae, discovering a young Bob Marley and gaining international recognition as a record producer and solo artist. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound.

Viena and the Fantomes

In the 80s, a roadie named Viena travels with the Fantomes, a post punk band on tour through the American west. When the band has the possibility of sudden success, Viena finds herself involved in a love triangle that will test all of her convictions.

The Naked Jungle

The Leiningen South American cocoa plantation is threatened by a 2-mile-wide, 20-mile-long column of army ants.

Nomads

One night, in a Los Angeles hospital, Dr. Flax attends to a seriously injured man who, apparently crazed, whispers mysterious and disconcerting words in French into her ear.

Jubilee

Queen Elizabeth I visits late 1970s England to find a depressing landscape where life has changed since her time.

Center Stage: Turn It Up

All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesnt make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world.

The Company

Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer who's poised to become a principal performer.

Flashdance

Alex Owens, a teen juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

Party Monster

The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.

Anti-Nowhere League: We Are The League

Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.

Suburbia

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

The Decline of Western Civilization

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Punk in London

A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.

Beat Street

An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.

Trust Me

An art dealer murders one of his artists in the hopes of increasing the market value of his work.

Soul Boys of the Western World

A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.

Bomb City

A crime-drama, about the cultural aversion of a group of punk rockers in a conservative Texas town. Their ongoing battle with a rival, more-affluent clique leads to a controversial hate crime that questions the morality of American justice.

D.O.A.

Documentary chronicaling the rise and fall of the punk movement with rare interview footage of Sid Vicious and Nancy Spungen. Also concert and news footage.

What We Do Is Secret

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

Dead Ant

When the 1989 "one-hit-wonder" glam-metal band "Sonic Grave" embark on a trip to Coachella in hopes of a comeback, their peyote trip pit stop in Joshua Tree incites an "unworldly" viscous attack, and they must "rock" themselves out of harms way.

The Kemps: All True

Spandau Ballet global superstars Gary and Martin Kemp, their lives, and their careers.

P.D.Q. Bach: The Abduction of Figaro

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

Synth Britannia

Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.

The Chemical Generation

This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.

Tales from the Tour Bus: Rock 'n' Roll on the Road

Rock legend and tour bus aficionado Rick Wakeman takes us on a time-travelling trip through the decades in this first-hand account of rockers on the road from the late 1950s to the 80s and beyond. It's a secret history of transport cafes, transit vans, B&Bs, sleepless roadies and of loved ones left at home or, on one occasion, by the roadside. Also audiences both good and bad, and the gigs themselves - from the early variety package to the head clubs, the stadiums, and the pubs.

Rude Boy

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Oi for England

In the Moss Side, Manchester "race riots" of 1981 a struggling punk band are tempted by a sinister entrepreneur to perform at a major gig in support of British extreme Right political organizations.

Dinosaur Jr: Bug Live at 930 Club

Through an online contest, six fans were selected to film Dinosaur Jr. performing Bug in its entirety at the 9:30 Club in Washington, DC in June 2011. Under the awesome direction of Dave Markey (The Year Punk Broke), “In the Hands of the Fans” brings the fans closer to the band and the music closer to you.

Michale Graves Live at Europa

A feature length concert film of the former frontman of the resurrected Misfits, Michale Graves at the Europa Club in Brooklyn, NY.

Supergroups

The international pop scene of the 70's was marked as the era of superbands. Rock's own megalomania gained a hitherto unimaginable amplitude, represented by bands like Queen, Genesis, Supertramp, Doobie Brothers and more recent ones, already within the 80s, like The Police. It was when rock had to be "super" to overcome fashions like punk or discothèque, then on the rise. This DVD records performances by several of these bands, offering rare footage of groups on the Top Pop TV show, or in promotional video clips.

Matthew Bourne's Romeo + Juliet

Matthew Bourne's Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare's classic love story. Bursting with youth, vitality and Matthew Bourne's trademark storytelling.

Matthew Bourne's The Red Shoes

The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.

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