Best movies like The Odyssey

A television actor drinks too much and gets blackballed from the industry, and then he decides to break back in by directing his own movie. Eventually, he gets sober, and then falls off the wagon and goes crazy and turns his film into a musical.

A TV worker has fickle designs on an aspiring singer for whom she arranges an audition.

A young girl holds a special place in her heart for a place called Shamrock HIll, and she tries to stop it from having a television station built on it.

Janet and Brad Majors, unhappily married, are separated after appearing on a game show. Janet becomes a superstar while Brad is thrown into a mental hospital. But what does fast food magnate Farley Flavors have up his sleeve?

In this musical comedy, a crooked record producer uses his mob connections to force performers to do their stuff. The trouble really begins when the gangster's strong-arm tactics nearly cause a singer to lose his fiancée. A wide variety of entertainers appear including cowboy crooner Gene Autry, baseball hero Joe DiMaggio, and big band stars Cab Calloway, Ted Lewis, and the Kay Thompson Singers. Songs include "Mamma I Wanna Make Rhythm," "Manhattan Merry-Go-Round," "Heaven?," "I Owe You," and "It's Round-up Time in Reno."

Margot, a world-renowned pianist, returns to Chateau Newhaus to spend the holidays with her family and is reunited with an ex who helps her rediscover her passion for music.

Originally aired as an television special, this concert film includes interview segments, comedy sketches, and concert footage from Brian Wilson's 1976 return to the concert stage.

Combining musical and dance numbers with comedy sketches (performed by members of The Armando Curcio Company and The Gauthier Ballet Troupe)without any plot, this is more of a revue than a movie, along the lines of The Ed Sullivan television series in the U.S.

Applause is a musical with a book by Betty Comden and Adolph Green, lyrics by Lee Adams, and music by Charles Strouse. The musical is based on the 1950 film All About Eve and the short story on which the movie is based, Mary Orr's "The Wisdom of Eve". The story centers on aging star Margo Channing, who innocently takes a fledgling actress under her wing, unaware that the ruthless Eve is plotting to steal her career and her man. The musical opened on Broadway on March 30, 1970 and ran for 896 performances. It won the Tony Award for Best Musical, and Lauren Bacall won the Tony for Best Actress in a Musical. The musical was later adapted for television, starring Bacall, with Larry Hagman replacing Len Cariou in the role of Bill Sampson. It aired in the United States on CBS on March 19, 1973.

An ice-skating television adaptation of the 1939 musical film based on Lyman Frank Baum's 1900 fairy tale novel "The Wonderful Wizard of Oz".

In this one-hour special taped between March 9-17, 1981, Lily Tomlin and Dudley Moore join the Muppets in a tribute to film classics. Kermit the Frog hosts the program, which begins with an all-cast rendition of "Hey a Movie!" from The Great Muppet Caper.

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

Sara Thompson returns to her hometown to help her mother move and is surprised to find her ex-boyfriend Josh Hartman is back home. The two had once planned a life in music together but Sara left to study law. The former flames slowly reconnect and try to heal wounds, both old and new. When Sara makes a surprising discovery, she and Josh forge a bold plan for the upcoming Christmas concert that will lead them all back to their musical roots and make this a holiday to remember.

The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. In 1981, a stage production of Pippin was videotaped for Canadian television. The stage production was directed by Kathryn Doby, Bob Fosse's dance captain for the original Broadway production, and David Sheehan directed the video adaptation, with Roger O. Hirson in charge of the music. Ben Vereen returned for the role of Leading Player, while William Katt played the role of Pippin. However, this version was a truncated adaptation and several sections of the play were cut. An extended version running 135 minutes is also available.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Spain, 1970s. While a cruel dictatorship rules an eternally grey country through fear, violence, repression and censorship, María, a young dancer, dreams of bringing bright colours into her life and the lives of others, as she makes her way towards personal freedom and pursues her crazy dream of becoming a TV star; a very funny journey in which she will be comforted by the pop songs of the incomparable Italian singer and dancer Raffaella Carrà.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

Once Upon a Mattress is a musical comedy with music by Mary Rodgers, lyrics by Marshall Barer, and book by Jay Thompson, Dean Fuller, and Marshall Barer. The musical story of THE PRINCESS AND THE PEA, this television adaption of the 1959 Broadway hit was videotaped in black and white in front of a live audience and featured Burnett, Bova, Gilford, and White from the original Broadway cast, as well as new principals Bill Hayes as the Minstrel, Shani Wallis as Lady Larken and Elliott Gould (in his first appearance on any screen) as the Jester. Due to the reduced running time of 90 minutes, several songs and scenes were either cut or shortened. The conflict concerning Sir Harry and Lady Larkin was downplayed so that they were married in secret.

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

The marriage of television director Ted Glover and television producer A.G. Bannister has gone on the rocks because she has permitted her career to take precedence over romance.

Musical Special featuring Shirley MacLaine in her tribute to chorus dancers, colloquially known as "gypsies." Produced by Cy Coleman and Fred Ebb, the special uses a self-referential show business plot in which the star rehearses for her television special about the life of a dancer. MacLaine performed a wide range of songs including "Lucy's Back in Town," during which Lucille Ball made a "surprise" appearance. The program won Outstanding Special: Comedy-Variety or Music at that year's Emmys as well as awards for writing (Ebb), music composition (Coleman), and choreography (Tony Charmoli).

Mantan takes a job as office boy at a new TV station and gets to watch several pre-recorded musical numbers.

A musical TV special with Vince Edwards as a hero who must stop gold-greedy villains, Jill St. John and Zero Mostel, and prove his love to his girl, Lesley Ann Warren.

While touring a museum, Rodney Hatch, an unremarkable barber, places an engagement ring intended for his girlfriend on the hand of a statue of Venus, the goddess of love and beauty. From Mount Olympus, Venus witnesses the event and decides to visit Rodney on Earth by magically inhabiting the statue. Hilarity ensues when she starts to fall in love with Rodney and competes with his girlfriend for his attentions. This television version of Kurt Weill's successful Broadway musical is much more faithful to the stage version than the 1948 Ava Gardner film, which changed the story considerably and cut most of the songs.

Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.

A live-action and animated television special featuring clips from past episodes and spin-offs combined with new animation and musical segments.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Television played a key role in the legendary Liberace career making him a household word to millions and the medium's first matinee idol. "Leapin' Lizards, It's Liberace!" video taped in 1978 was his first major television special from Las Vegas. "Leapin' Lizards, It's Liberace!" gives us a spoofed view of a typical day in the life of Mr.Showmanship, before he was off to "work" at the Las Vegas Hilton Hotel in his mirrored Rolls Royce. There is a view of the magnificent Liberace Las Vegas Villa, from bedroom to piano motif swimming pool. After arriving at the Hilton showroom, guest star Debbie Reynolds, Liberace's favorite movie star and performer, joins him on stage for a salute to the Broadway musical, "Annie," complete with Sandy the Dog.

A live television adaptation of the popular musical about sharpshooter Annie Oakley joining Buffalo Bill's Wild West Show and falling in love with her co-star, Frank Butler.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

Live television version of the classic musical.

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

A rodeo performer at a show in Madison Square Garden falls for a handsome photographer who's been assigned to do a story on the show for Life Magazine.

A musical television special chronicling the early career of playwright George M. Cohan, focusing primarily on his vaudeville years as part of his family singing group "The Four Cohans."

This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.