Best movies like The Opera Boat in Singapore

A magician makes money by charging people to cast love spells on the objects of their affection. Complications arise when he decides that he wants a customer's bride for himself.

The Brothers is a 1979 Hong Kong film produced by the Shaw Brothers Studio. Starring Tony Liu, Guk Fung, Danny Lee Sau-Yin, Chau Li Chuan. Directed by Hua Shan.

Secret Service of the Imperial Court was one of the last kung fu/swordplay films to be made at Hong Kong's Shaw Bros. studio. Set in the Ming Dynasty, it makes excellent use of the studio's vast array of sprawling sets and colorful costumes to give a real period flavor. It has a good cast, lots of large-scale fight action and an exciting storyline about a conflict between an honorable officer and a corrupt Eunuch.

A beautiful Cantonese opera about the forbidden love between a princess and a scholar. The backdrop is Ming dynasty China and the two would rather die than be apart.

Tiger fighter Wu Sung was originally a coward. But when he was drunk, he was extremely courageous. One time at Jingyang Gang, Wu Sung got drunk and killed a tiger. His fearless fight impressed Sung Jiang and Lao Zhishen. Wu Sang's brother Wu Dalang seemed to be an enmity with Pan Jinlian, but in fact they were a pair of swindler. Pan used her beauty to seduce men into bed and then Wu Dalangn would come in and blackmail the victim, asking for huge sum of money. They were very successful.......

Just when audiences thought the director couldn't get more spectacular and outrageous, he unleashed this eye-filling, mind-bending "Martial Arts World" sequel of clan rivalries, ninja atrocities, wizard sorceries, and the mythical Silkworm style that changes our hero into a veritable Spider-swordsman. The screen practically explodes with colorful characters and kung-fu -- all directed, co-written, and co-choreographed by Lu Chun-ku, and showcasing some of the best Shaw Brothers action stars. The original Bastard Swordsman was just the beginning, this superlative cult classic that out-phantasmagoricals the original.

Veteran action actor and director Lu Chun-ku set his sights on a tale of Ching Dynasty royal intrigue as an excuse to hire his favorite action stars, gather three choreographers, and film one fight-filled conspiracy after another. Liu Hsueh-hua is the title character caught between battling princes. Then there's award-winning actor Ku Feng, "Bastard Swordsman" Hsu Shao-chiang, "King of Shaw Brothers' Screen Villains" Wang Lung-wei, "Venom" Sun Chien, and even the director shows up to get his kicks in this danger-fraught adventure.

Renowned writer Shen Chiang had become so popular for his scripts that the studio let him direct as well. Here he continued his winning ways with this tale of the end of the Sung Dynasty and the survivors who band together to save their prime minister. Shen outdoes himself with this bold and stirring story of daring Sung avengers (led by Shaws' first international star, Lo Lieh), who must fight their way out of trap after trap.

Shaw Brothers Action Drama.

The Silver Fox is a throwback, the last of its kind where the heroic swordsmen are women. Lily Ho (before she became one of Shaw Brothers' great erotica actresses) portrays the feared swordswoman Silver Fox, who as a child saw her father senselessly wounded and her mother raped. It's 18 years later and it's payback time.

In the mid-30s, Kuomintang Sichuan rhubarb Division Commander Liu Shaoji colludes with Japanese invaders. He sends the cloud boat's beauty to the Si-chuan Opera. The Si-chuan opera entertainer steps forward in sharp opposition with warlord's wicked running dogs. Mu Xiaolou sacrifices himself up to take the righteous path and confronts the Japanese invaders.

Shaw Brothers' number one action hit of 1975, and deservedly so. The character of one-man kung-fu dynamo Big Brother Cheng and kung-fu superstar Chen Kuan-tai were made for each other. A Robin Hood-like restaurant manager who socks it to the thugs in order to make the mean streets of Hong Kong a little less mean, Big Brother Cheng made his first appearance in the extremely popular The Tea House, the success of which spawned this even more successful sequel.

An action comedy starring Danny Lee Sau-Yin and Michelle Yim. It was produced by the Shaw Brothers Studio.

Shaw legend Tony Liu Yung is the swashbuckling swordsman who takes on all odds. The Jade Hairpin is the only clue in a series of crimes that are carried out by the opera gang, a band of masked men of a poisonous family. Its weapon is a cunning plan of guts vs. skill and brains vs. survival in this epic!

An unreleased movie by Shaw Brothers Studio. It was probably never finished.

A Shaw Brothers Circus Drama about a Trapeze Girl

An introverted businessman who doesn't get out much, Willie Ng recently celebrated his seventh anniversary, but his marriage seems to be hitting a slump. His wife is a Cantonese opera aficionado who often complains that her husband is boring and doesn't appreciate the arts. Willie himself is also eager for some action to break the monotony. When he goes to Singapore on a business trip, he encounters cute pickpocket Siu Hung at the airport, triggering off a series of events that puts his marriage in jeopardy.

Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.

The winning couple of Linda Lin Dai and Peter Chen Hu light up the screen in the delightful Shaw Brothers musical Love Parade. The manager of a dance company places a personal ad in the newspaper. He receives a response but has no idea the woman is his top dancer, with whom he has an antagonistic relationship.

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

An adult comedy produced by the Shaw Brothers.

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

The story follows a Chinese-American girl who falls for a Cantonese opera star against her father's wishes and becomes pregnant.

A Japanese man and a gay bar-owner in Hong Kong drink beer as they talk about their childhood and experiences.

Chin Ping Mei 金瓶梅 (1955) is a Hong Kong feature film written by Ku Wen-Chung and directed by Wang Yin, it was produced by Shaw Brothers Studio. This is an adaptation of the Lotus Pan tale.

Shaw Brothers musical about three Showgirls chasing millionaires.

Lily Ho and Jimmy Lin Chong operate a travel agency specializing in Southeast Asian holidays, Tropicana Interlude. Lin Chong wears his trademark Nehru suits, tours the scenic sights of Malaysia and Singapore, and warbles a half-dozen hit tunes, making this one of Shaw Brothers most lively 1960’s musical romances.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

After incurring debts from his failed business venture in China, Zong Hua (Cheung) returns to Malaysia after a decade's hiatus. The demoralised Zong Hua faces problems finding a job and tries hard to get used to things at home, including his estranged relationship with his step-father, Xiaotian, who runs a Cantonese opera troupe, and half-sister, Jing Jing (Cathryn Lee). Jing Jing is hostile towards Zong Hua as she always has the impression that the death of their mother was caused by the excessive fights between Zong Hua and his step-father.

shaw production

The Feud 同 林 鳥 (1955) aka Tragedy of Vendetta is a Mandarin-language Hong Kong film of the drama genre, written by Wong Chik-Boh and directed by Doe Ching. It was filmed in Hong Kong at Shaw Brothers Studio. It is inspired by the story of Romeo and Juliet by William Shakespeare and starred Lucilla Yu Ming, Kenneth Tsang, Wang Lai, Yang Chi-Ching and Kam Ling.

Forever Goodbye 自 君 別 後 (1955) aka Since You Went Away is a Hong Kong Mandarin-language drama film directed by Wang Yin, filmed in Australia and produced by Shaw Brothers Studio. It stars Sek Ying, Chao Lei, Yang Chi-Ching and Wu Chia-Hsiang. This is loosely based on John Luther Long's "Madame Butterfly".

The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.

The story of demonic possession by black magic where the loyal and faithful taxi driver and husband Alan Chang is dragged into a pit of adultery and despair in his vain attempt to overthrow the bestial influences of 'brutal sorcery' or should I say black magic. He picks up a pair of ghostly lovers separated and forced to travel from two cemeteries to meet up. The ghosts put a curse on the taxi driver. He has to get their remains to the female ghost's sister living in Thailand.After the brief affair with the woman she puts another curse on Alan