Best movies like The Organist at St. Vitus' Cathedral

A unique, carefully handpicked, selection of the best movies like The Organist at St. Vitus' Cathedral Starring Karel Hašler, Oskar Marion, Suzanne Marwille, L. H. Struna, and more. If you liked The Organist at St. Vitus' Cathedral then you may also like: He Stood at the Till, The Best Man, Nocturnal Butterfly, Jedenácté přikázání, A Step into the Darkness and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

The most important silent film by director Martin Frič. Poet Vitezslav Nezval did scenographic modifications to the original story by Václav Wasserman. Film producer Jaroslav Stransky didn’t witness premier; because of fear of financial collapse, he killed himself.

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Know any good movies to watch like The Organist at St. Vitus' Cathedral 1929. With a similar plot or stoyline. Suggest it.

A Step into the Darkness

A dashing but mysterious man saves a gambler from suicide, crashes the posh party of a prominent industrialist, falls in love with his daughter, and finds himself in a web of intrigue revolving around her blackmailing fiance and a gang of counterfeiters.

The Borrowed Face

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

Capek's Tales

Five crime stories connected by the narration of police superintendent Bartosek.

Magician

A narration of episodes from the life of the famous Czech poet, Karel Hynek Mácha. Throughout the film, we witness a deep analysis of Mácha's complex character (his relation to another Czech writer of the time Josef Kajetán Tyl, his unbearable jealousy, his solitude, his attitude to nature,etc.) on the well-depicted historical background with all its particularities.

13th district

Inspector Cadek from the 13th police station should keep an eye on the released safe-cracker nicknamed The Cat. He rightly suspects that Cat will go and pick up his last loot which the police didn't manage to find and that he will want revenge on Karta who helped get him behind bars. At the hospital, Cat's ex-lover Fróny hopelessly falls for doctor Chrudimský and decides to start a new life. She still refuses to help the inspector in his search for The Cat and Karta.

Where an Alibi Is Not Everything

“A bored housewife, a husband who married her for show, and a stupid boy who is full of himself because he is dating a Swiss woman.” The words of Inspector Tůma sound like they’re from a European melodrama, but in fact they come from a Czechoslovak crime story. A pair of detectives, counterfeit medicine, the high-society setting of a Karlovy Vary hotel, and Oldřich Nový as the aging hotel manager Kraus.

Alibi on the Lake

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

The Stolen Airship

The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

Jánošík

Jánošík has been topic of many Slovak and Polish legends, books and films. According to the legend, he robbed nobles and gave the loot to the poor. The legend were also known in neighboring Silesia, the Margraviate of Moravia and later spread to the Kingdom of Bohemia. The actual robber had little to do with the modern legend, whose content partly reflects the ubiquitous folk myths of a hero taking from the rich and giving to the poor. However, the legend was also shaped in important ways by the activists and writers in the 19th century when Jánošík became the key highwayman character in stories that spread in the north counties of the Kingdom of Hungary (present Slovakia) and among the local Gorals and Polish tourists in the Podhale region north of the Tatras.

Heave-Ho!

A Milk-Cannery baron, Jakub Simonides, is broken by the Canned Milk-Trust and, in his wanderings with a worker, Filip Kornet, he discovers he still owns a half-finished apartment-house. They rally the workers and complete the building for use as a collectivist dairy. The cooperative flourishes and after a chase/pursuit with the police, pratfalls, slapstick and various crashes, the workers buy out the Milk-Trust.

Days of Betrayal

This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.

Dog's Heads

Dog's Heads (Czech: Psohlavci) is a 1955 Czech drama film directed by Martin Frič, based on the novel of the same name by Alois Jirásek. It was entered into the 1955 Cannes Film Festival.

The Trap

The Trap (Czech: Past) is a 1950 Czech drama film directed by Martin Frič. It was entered into the 1951 Cannes Film Festival.

Father Vojtech

Father Vojtech (Czech: Páter Vojtěch) is a 1929 silent Czech romance film directed by Martin Frič.

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